JJ's Vish and Chips was said the first vegan fish and chip shop, not just in Leeds, but in the whole of the north, when it opened its doors three years ago.
At the time, it was greeted with huge enthusiasm - especially by the city's growing vegan foodie scene, who revelled at the chance to tuck into their wholesome Friday favourites without any of the guilt.
Serving 'fish' made from banana plants, nori-wrapped tofu, battered pickles and svam fitters, it soon became a hit - so much so that its owner, Jess Jones, expanded across the Pennines to Manchester last year.
Image: JJ's Vish and Chips
However, now she's been forced to make the sad decision to close up shop - citing rising costs across the board, and changing customer ordering habits due to the cost of living emergency.
The Manchester site has already closed, and the Leeds site will shut its doors this Saturday 9 July. after one final service this Friday.
Sharing the news to social media on Thursday, owner Jess Jones wrote: "It is with a heavy heart that we have decided to close our doors.'
Image: JJ's Vish and Chips
Citing 'numerous factors' including 'massive delivery platform fees, rising costs of oil, utilities, fuel, stock and more', she said that it had 'not been an easy decision' to close but she felt that it was 'a necessary one'.
Saying that she didn't want to 'keep increasing [...] prices beyond what we believe is reasonable', she also pointed to the impact of the pandemic and the cost of living crisis, which she said had 'understandably changed customers' ordering habits.'
The takeaway gained something of a cult following amongst vegan foodies, with people quick to celebrate how it filled the gap in the market for a vegan chippy.
However, now it seems it may be the end of the road for JJ's - although its owner remains optimistic that she could reopen the business in the future.
The post continued: "We have enjoyed serving the people of Leeds for just over three years and Manchester for a year and a half. It has been a rollercoaster of a journey with many things thrown at us as a new independent business.
Image: JJ's Vish and CHips
"But it has also been an incredible journey too thanks to the loyalty and kindness of our amazing customers.
"I personally want to thank my family and friends who supported me with my somewhat mad idea at the beginning of 2019 and continued to do so throughout.
"A massive thanks goes to every single member of staff that has worked at JJs. I couldn't have done it without you!"
The beloved Domino Club is receiving its flowers, and rightly so.
Rapidly becoming one of the industry’s most respected accolade of excellence, The Pinnacle Guide is a worldwide ranking of the best bars across the globe.
Based on a thorough self-application process, rigorous assessment modules, followed by a series of spot check interviews and anonymous in-bar reviews, it's no easy feat to get a spot on this list.
Which is why it makes The Domino Club's achievement all that more impressive.
Known amongst locals and visitors alike as basically one of the coolest bars in town, the hidden speakeasy invites you through a barbershop in the Grand Arcade where downstairs you'll find a dimly lit jazz and cocktail bar oozing sex appeal.
Not only are the cocktails exceptional, but their live music listings is something to behold playing everything from jazz and funk to cabaret and disco every Wednesday - Sunday.
Announcing the news to Instagram, The Domino said: "Listed by The Pinnacle Guide. The Domino Club has been recognised on the global list of the world’s best bars.
"What began as a hidden basement bar in Leeds, built around live music, cocktails and atmosphere, is now being recognised alongside some of the finest bars in the world.
"A huge thank you to our team, musicians, suppliers and every single guest who has supported us over the years. This means a lot. Leeds belongs on the world cocktail map."
We absolutely could not agree more and if you haven't ventured behind the barbershop and discovered the magical Domino Club, then we very much recommend you do.
2:22 A Ghost Story at Leeds Grand Theatre and Opera House: When silence becomes the scare
Declan Kelly
The supernatural thriller 2:22 A Ghost Story arrived at Leeds Grand Theatre as part of its UK tour, bringing Danny Robins’s hit production to a packed audience.
Since its West End debut in 2021, the play has become known less as a straight horror and more as a gripping psychological debate wrapped in a ghost story.
At the centre of the story is one key question: do ghosts actually exist? Set during a dinner party between two couples, the drama unfolds as Jenny becomes increasingly convinced their home is haunted, claiming she hears strange noises every night at exactly 2:22am.
Her husband Sam dismisses her fears as irrational, while friends Lauren and Ben challenge both sides, turning the evening into a lively clash of belief and scepticism. What begins as a conversation gradually becomes something far more tense, as personal fears and buried tensions rise to the surface.
Image: Supplied
Rather than relying on traditional horror, the production focuses on atmosphere and psychological tension. The script builds unease through sharp dialogue, awkward silences and shifting power dynamics between the characters. Instead of delivering constant shocks, it keeps the audience questioning what is real and what might simply be a coincidence or imagination.
That said, the play does use theatrical jump scares effectively. Sudden loud noises, abrupt lighting changes and eerie sound cues interrupt the dialogue at key moments, creating jolts of tension without ever fully tipping into outright horror. These moments are brief but impactful, designed more to unsettle than to terrify.
Image: Supplied
The cast works strongly together to maintain this balance. Shvorne Marks brings emotional intensity to Jenny’s growing fear, while James Bye plays Sam with grounded scepticism that slowly begins to crack. Natalie Casey adds sharp humour and bite as Lauren, and Grant Kilburn provides openness and curiosity as Ben, keeping the debate lively and unpredictable.
The production design is another standout element. The modern, stylish home feels realistic and lived-in, but subtly shifts in tone as the story progresses. Careful lighting and precise sound design ensure the space never feels entirely safe, even in silence, reinforcing the idea that something might be just out of sight.
Image: Supplied
As the final moments unfold, the play returns to its central idea: the waiting. The quiet anticipation of night, the smallest unexplained sounds, and the creeping awareness of time passing.
Ultimately, 2:22 A Ghost Story succeeds because it is not really trying to scare its audience traditionally. Instead, it plays with uncertainty, asking viewers to decide what they believe and how far they trust their own senses. And let’s be honest, you might find yourself thinking what might happen if you were still awake when the clock strikes 2:22.
Running until 16 May at the Leeds Grand Theatre and Opera House - tickets available here.
Georgina Pellant -
8th July 2022 
