People all across the UK will be able to see an almost total solar eclipse in the sky this evening.
For the first time this century, with the last one being all the way back in 1999, people in the UK and Ireland – including here in Leeds – will get to see 90-96% of the sun covered by the moon today (12 August 2026), and if that wasn’t exciting enough as it is, this will be the last chance to do so until 2081.
NASA and Royal Museums Greenwich has confirmed that tomorrow’s solar eclipse will be the most coverage seen from the UK and Ireland since the 1999 event.
But what can astronomy fans in Leeds expect from today’s eclipse? When will it be happening? How much coverage is our region going to see? And where are some of the best places to watch?
First up, let’s get the basics out the way – what is a solar eclipse? A solar eclipse occurs when the moon moves between the sun and the Earth, blocking the sun’s light either partly or fully.
Although the UK will only see a partial solar eclipse this time, some other countries – such as parts of Iceland, Spain, Portugal, and Greenland – will be lucky enough to witness the spectacle of a total eclipse for a duration of up to two minutes and 18 seconds.
When will it be happening?
The eclipse is set to start at 6:13pm in Greater Manchester, and will run right through to 8:03pm – with the peak happening at 7:10pm.
How much coverage can Greater Leeds expect?
Of course, we always have to preface anything we say about astronomical events like this by saying ‘it depends on the weather’, as we do like in the north after all, and even though it is the height of summer, that won’t stop the skies from being overcast.
Luckily though, the Met Office is predicting some of the best weather conditions for an event like this in a long time, so it really is worth watching.
Spectators in Leeds will see 90 - 92% coverage, according to expert sources.
How can I watch the eclipse safely?
If there’s one thing experts are stressing, it’s the need to take correct precautions if you are planning to watch tomorrow.
The most important thing is to wear eclipse glasses and avoid looking directly at the sun.
It’s true that during an eclipse, the sun does appears dimmer therefore making it easier to look at directly, however solar radiation can still reach and damage the retina, often without causing any pain, so you may not realise harm is occurring until it’s too late.
The UK Health Security Agency (UKHSA) advises that there are two safe approaches – specialist eclipse viewers, or indirect viewing methods.
Eclipse glasses or handheld solar viewers must be genuine, sold by a reputable retailer, and have specially designed filters that meet the international safety standard ISO 12312-2:2015(E). They must also have no scratches, tearing, or damage to the lens.
Old pairs may not be reusable, and sunglasses should never be used.
Indirect view methods include viewing the sun’s image projected through a colander or the gaps between tree leaves on to white paper, or using a pinhole pierced in one sheet of card and projected on to another.
Leeds legend Kevin Sinfield is set to take on his seventh and final 7 in 7 challenge this month.
The former Leeds Rhinos captain will begin 7 in 7: The Grand Finale next Sunday 27 September.
Wondering what on earth that is? Allow us to fill you in.
Sinfield will be running an ultra-marathon every day for seven days, and this time it's across the north of England including a special stop off right here in Leeds.
Not only that, but the challenge will bring Sinfield back to some of the places that have played a huge part in his rugby league career.
The route will visit all 12 English Betfred Super League grounds, starting at Hull KR before travelling through Yorkshire and eventually crossing the Pennines towards Manchester where Sinfield is from.
Here in Leeds, we can expect Sinfield to arrive at Headingley Stadium on Wednesday 30 September at 11:14am, before leaving towards Pudsey Civic Hall at 11:40am.
The challenge will then finish at Old Trafford on Saturday 3 October, where Sinfield will arrive ahead of the Super League Grand Final.
Since the first annual challenge back in 2020, Kevin Sinfield and his team have raised over £11 million for the MND community with six charities set to benefit once again from this years fundraising.
It's an amazing challenge for an amazing cause, and you can donate and find out more about the challenge here.
Good luck Kevin and the team, we know you'll smash it.
Fences at Leeds Playhouse – walls, wounds and what we leave behind | Review
Declan Kelly
Leeds Playhouse delivers a powerful story about the walls we build.
August Wilson’s Fences is a powerful and deeply personal family drama, exploring race, fatherhood, ambition and the emotional scars that can be passed from one generation to the next.
At Leeds Playhouse, the strength of the production lies largely with its cast. Ray Fearon gives Troy Maxson a commanding presence, balancing humour and charm with a growing sense of anger and resentment. It is an uncomfortable performance at times, but one that keeps you invested in Troy even when his actions become increasingly difficult to accept.
Madeline Appiah brings real warmth and emotional depth to Rose, while Josh Tedeku captures Cory’s frustration as a young man determined to make his own way rather than inherit his father’s limitations.
Image: Supplied
For me, though, Act 2 is where the production really comes alive.
The first half feels comparatively restrained. That isn't necessarily a criticism of the performances or Wilson's writing, but having experienced previous Headlong productions, I went in expecting a little more theatrical imagination from the staging. There were moments where I felt the production could have pushed the material further visually.
Act 2 begins to deliver that.
The rotating set adds movement and energy, while the bright LED lighting works particularly well with the live music, creating a more heightened atmosphere as the family's tensions reach breaking point. The production suddenly feels more visually ambitious, and the design starts to work hand-in-hand with the emotional journey of the characters.
Images: Supplied
The fence itself is an effective recurring image, initially a practical task, but gradually becoming a representation of Troy's need for control, protection and separation. The more the story unfolds, the more the fence feels like a barrier between Troy and the people he loves.
There is a lot to admire here, particularly in the performances, and Wilson's writing remains as relevant and affecting as ever. However, I couldn't help feeling that some of the theatrical ambition found in Act 2 could have been introduced earlier.
Ultimately, Fences is a moving and thought-provoking evening, with a particularly strong second half. For me, it was Act 2 that turned a solid production into a genuinely memorable one.
Running until 23 September at Leeds Playhouse, get your tickets here.
Emily Sergeant -
12th August 2026 
