The family of 12-year-old boy who was sadly killed in a hit-and-run while trying to cross the M62 motorway over the weekend have paid tribute to him.
The boy has been named as Callum Rycroft from Harehills in Leeds.
Paying tribute to her son, Callum’s mother described him as “a beautiful happy soul” who was “unique, great fun, and larger than life”.
“We are devastated at what has happened,” she continued in her tribute.
She explained that he always brought “light, laughter, and noise into any room”, which led him to having a “massive impact on everyone who met him” – adding that “the house is so quiet without him here”.
“We are very grateful for the support and kind comments we have received… [but we] request that people respect our wish for privacy at this difficult time”.
The family tributes paid to Callum come as officers are continuing enquiries into the collision in which a Toyota C-HR car struck the 12-year-old on the eastbound carriageway of the M62, between junctions 25 and 26 near Cleckheaton, at around 9:50pm this past Saturday (5 August).
As previously disclosed by West Yorkshire Police, it’s believed Callum had been walking on the motorway with a man after an earlier collision involving an Audi Q5 on the slip road to Hartshead Moor services.
No other vehicles are believed to have been involved in that collision.
A 12-year-old boy who died following a collision on the M62 has been named as Callum Rycroft.
Officers have tonight charged Matthew Rycroft, 36, with causing/allowing the death of a child and failing to provide a specimen.
— West Yorkshire Police (@WestYorksPolice) August 7, 2023
A 47-year-old male from Bolton – who was the driver of the Toyota – was arrested on suspicion of causing death by dangerous driving earlier yesterday, but he has been released on bail pending further enquiries.
Meanwhile, 36-year-old Matthew Rycroft, of Nowell View in Leeds, will also appear before Leeds Magistrates Court after previously being arrested, and then subsequently charged, with causing/allowing the death of a child in an incident.
He was also charged with failing to provide a specimen.
Police are continuing to appeal, and asking anyone who was driving along the M62 between Hartshead Moor and the M606 on Saturday night between 9:30pm and 9:50pm, to check any dashcam footage they may have of this incident
Anyone with information is asked to contact the Major Collision Enquiry Team by using 101 Live Chat or by calling 101, quoting log 1786 of 5 August.
Featured Image – West Yorkshire Police
Leeds
Kevin Sinfield will return to Leeds for his final 7 in 7 challenge in honour of Rob Burrow
Leeds legend Kevin Sinfield is set to take on his seventh and final 7 in 7 challenge this month.
The former Leeds Rhinos captain will begin 7 in 7: The Grand Finale next Sunday 27 September.
Wondering what on earth that is? Allow us to fill you in.
Sinfield will be running an ultra-marathon every day for seven days, and this time it's across the north of England including a special stop off right here in Leeds.
Not only that, but the challenge will bring Sinfield back to some of the places that have played a huge part in his rugby league career.
The route will visit all 12 English Betfred Super League grounds, starting at Hull KR before travelling through Yorkshire and eventually crossing the Pennines towards Manchester where Sinfield is from.
Here in Leeds, we can expect Sinfield to arrive at Headingley Stadium on Wednesday 30 September at 11:14am, before leaving towards Pudsey Civic Hall at 11:40am.
The challenge will then finish at Old Trafford on Saturday 3 October, where Sinfield will arrive ahead of the Super League Grand Final.
Since the first annual challenge back in 2020, Kevin Sinfield and his team have raised over £11 million for the MND community with six charities set to benefit once again from this years fundraising.
It's an amazing challenge for an amazing cause, and you can donate and find out more about the challenge here.
Good luck Kevin and the team, we know you'll smash it.
Fences at Leeds Playhouse – walls, wounds and what we leave behind | Review
Declan Kelly
Leeds Playhouse delivers a powerful story about the walls we build.
August Wilson’s Fences is a powerful and deeply personal family drama, exploring race, fatherhood, ambition and the emotional scars that can be passed from one generation to the next.
At Leeds Playhouse, the strength of the production lies largely with its cast. Ray Fearon gives Troy Maxson a commanding presence, balancing humour and charm with a growing sense of anger and resentment. It is an uncomfortable performance at times, but one that keeps you invested in Troy even when his actions become increasingly difficult to accept.
Madeline Appiah brings real warmth and emotional depth to Rose, while Josh Tedeku captures Cory’s frustration as a young man determined to make his own way rather than inherit his father’s limitations.
Image: Supplied
For me, though, Act 2 is where the production really comes alive.
The first half feels comparatively restrained. That isn't necessarily a criticism of the performances or Wilson's writing, but having experienced previous Headlong productions, I went in expecting a little more theatrical imagination from the staging. There were moments where I felt the production could have pushed the material further visually.
Act 2 begins to deliver that.
The rotating set adds movement and energy, while the bright LED lighting works particularly well with the live music, creating a more heightened atmosphere as the family's tensions reach breaking point. The production suddenly feels more visually ambitious, and the design starts to work hand-in-hand with the emotional journey of the characters.
Images: Supplied
The fence itself is an effective recurring image, initially a practical task, but gradually becoming a representation of Troy's need for control, protection and separation. The more the story unfolds, the more the fence feels like a barrier between Troy and the people he loves.
There is a lot to admire here, particularly in the performances, and Wilson's writing remains as relevant and affecting as ever. However, I couldn't help feeling that some of the theatrical ambition found in Act 2 could have been introduced earlier.
Ultimately, Fences is a moving and thought-provoking evening, with a particularly strong second half. For me, it was Act 2 that turned a solid production into a genuinely memorable one.
Running until 23 September at Leeds Playhouse, get your tickets here.
Emily Sergeant -
8th August 2023 
