A piece of wedding cake more than forty years old might not be everyone's dream purchase but for one bidder in Leeds, it's the ultimate auction coup.
A mystery internet buyer from the city has purchased a slice of the Prince and Princess of Wales wedding cake at auction, paying top dollar for the slab - which features a marzipan base and a large piece of icing emblazoned with a sugared onlay of the royal crest.
The bidder forked out nearly £2,000 for the extra mature slice, which comes from one of 23 official wedding cakes released when Charles and Dianna got married in 1981. A serious amount of money to spend on a cake that you (probably) can't actually eat.
The cake was stored wrapped in clingfilm in a floral tin for years / Image: Dominic Winter Auctioneers / PA
The slice was originally given to Moya Smith, who was a member of the Queen Mother's household in residence at Clarence House at the time of the wedding.
She'd begun her career in the kitchen, before moving on to more general duties in the household at the suggestion of Lady Jean Rankin.
Moya preserved the topping with cling film, before storing it in an old floral cake tin labelled "Handle with Care - Prince Charles & Princess Diane's (sic) Wedding Cake" and dated 29/7/81, where it then sat for quite a few years before being sold by her family to a collector in 2008.
Since being sold in 2008, the cake came up for auction once again - this time around the time of what would've been the couple's 40th wedding anniversity.
The fourty-year-old royal wedding cake slice went under the hammer in Gloucestershire on Wednesday, and was initially expected to go for somewhere between £300 and £500.
However, auctioneers were pleasantly surprised to find a huge amount of interest in the cake - which ended up in a flurry of bigs that pushed the final sale price to £1,850.
"We were amazed at the numbers of people wanting to bid on this large and unique piece of royal cake icing," said Chris Albury, of Dominic Winter Auctioneer.
"It seemed to get far more attention than when we sold it with a Charles & Diana thank you letter 13 years ago.
"There were lots of inquiries from bidders, mostly in the UK, USA and several countries in the Middle East.
It's thought that the slice up for auction comes either from the side of a cake, or from the top of a single-tier cake / Image: Dominic Winter Auctioneers / PA
"The bidding started at £300 and with commission bids, the internet and phone bidding, quickly rose to the winning price of £1,850.
"It was bought by an internet bidder in Leeds.
"As yet we haven't had a chance to speak to them to get a reaction or ask why they bought it, but it seems that this was an irresistible piece of royal memorabilia history for many."
Prince Charles and Lady Dianna married in 1981 at St. Paul's Cathedral on July 29 and had a total of 23 wedding cakes at the ceremony.
The couple's centrepiece cake was a five-tiered creation, but there were also some 22 other cakes supplied for the occasion by various bakers.
The cake was sold with a printed ceremonial and order of service programmes for the wedding, as well as a memorial Royal Wedding Breakfast programme for Buckingham Palace.
Feature image - Dominic Winter Auctioneers / PA
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Leeds speakeasy crowned one of the best cocktail bars in the world by industry experts
The beloved Domino Club is receiving its flowers, and rightly so.
Rapidly becoming one of the industry’s most respected accolade of excellence, The Pinnacle Guide is a worldwide ranking of the best bars across the globe.
Based on a thorough self-application process, rigorous assessment modules, followed by a series of spot check interviews and anonymous in-bar reviews, it's no easy feat to get a spot on this list.
Which is why it makes The Domino Club's achievement all that more impressive.
Known amongst locals and visitors alike as basically one of the coolest bars in town, the hidden speakeasy invites you through a barbershop in the Grand Arcade where downstairs you'll find a dimly lit jazz and cocktail bar oozing sex appeal.
Not only are the cocktails exceptional, but their live music listings is something to behold playing everything from jazz and funk to cabaret and disco every Wednesday - Sunday.
Announcing the news to Instagram, The Domino said: "Listed by The Pinnacle Guide. The Domino Club has been recognised on the global list of the world’s best bars.
"What began as a hidden basement bar in Leeds, built around live music, cocktails and atmosphere, is now being recognised alongside some of the finest bars in the world.
"A huge thank you to our team, musicians, suppliers and every single guest who has supported us over the years. This means a lot. Leeds belongs on the world cocktail map."
We absolutely could not agree more and if you haven't ventured behind the barbershop and discovered the magical Domino Club, then we very much recommend you do.
2:22 A Ghost Story at Leeds Grand Theatre and Opera House: When silence becomes the scare
Declan Kelly
The supernatural thriller 2:22 A Ghost Story arrived at Leeds Grand Theatre as part of its UK tour, bringing Danny Robins’s hit production to a packed audience.
Since its West End debut in 2021, the play has become known less as a straight horror and more as a gripping psychological debate wrapped in a ghost story.
At the centre of the story is one key question: do ghosts actually exist? Set during a dinner party between two couples, the drama unfolds as Jenny becomes increasingly convinced their home is haunted, claiming she hears strange noises every night at exactly 2:22am.
Her husband Sam dismisses her fears as irrational, while friends Lauren and Ben challenge both sides, turning the evening into a lively clash of belief and scepticism. What begins as a conversation gradually becomes something far more tense, as personal fears and buried tensions rise to the surface.
Image: Supplied
Rather than relying on traditional horror, the production focuses on atmosphere and psychological tension. The script builds unease through sharp dialogue, awkward silences and shifting power dynamics between the characters. Instead of delivering constant shocks, it keeps the audience questioning what is real and what might simply be a coincidence or imagination.
That said, the play does use theatrical jump scares effectively. Sudden loud noises, abrupt lighting changes and eerie sound cues interrupt the dialogue at key moments, creating jolts of tension without ever fully tipping into outright horror. These moments are brief but impactful, designed more to unsettle than to terrify.
Image: Supplied
The cast works strongly together to maintain this balance. Shvorne Marks brings emotional intensity to Jenny’s growing fear, while James Bye plays Sam with grounded scepticism that slowly begins to crack. Natalie Casey adds sharp humour and bite as Lauren, and Grant Kilburn provides openness and curiosity as Ben, keeping the debate lively and unpredictable.
The production design is another standout element. The modern, stylish home feels realistic and lived-in, but subtly shifts in tone as the story progresses. Careful lighting and precise sound design ensure the space never feels entirely safe, even in silence, reinforcing the idea that something might be just out of sight.
Image: Supplied
As the final moments unfold, the play returns to its central idea: the waiting. The quiet anticipation of night, the smallest unexplained sounds, and the creeping awareness of time passing.
Ultimately, 2:22 A Ghost Story succeeds because it is not really trying to scare its audience traditionally. Instead, it plays with uncertainty, asking viewers to decide what they believe and how far they trust their own senses. And let’s be honest, you might find yourself thinking what might happen if you were still awake when the clock strikes 2:22.
Running until 16 May at the Leeds Grand Theatre and Opera House - tickets available here.