Tramlines Festival returned to Sheffield with a bang this year, bursting with brilliant music and local pride.
Now a firmly established cornerstone of the social calendar, Tramlines has proved itself to be a multi-stage celebration of music sprawled across Hillsborough Park.
This year the festival felt even more local than ever before, with two out of three headliners hailing from the steel city itself.
But it wasn't just about the headliners, each and every act delivered impeccable sets to roaring crowds. Complete with a blazing sun and a cheeky England win, it was definitely a Tramlines to remember.
Day One
Friday kicked off in the most Sheffield way possible - John Cooper Clarke taking to T'Other Stage and delivering an hour long set jam-packed with his charming, witty and hilariously inappropriate poems. Signing off with "I Wanna Be Yours", the iconic poem that inspired the Arctic Monkeys, we were ready to take on the festival.
Image: The Sheff
Hot Chip really got the party started with an electric DJ set, whilst Fat White Family performed to a packed-out Leadmill Stage just before the one we've all been waiting for began their set. That's right, Pulp.
Walking through the grounds it was clear to see the majority of festival-goers were here to see Pulp, with every other punter sporting a piece of their merch. And their set did not disappoint one bit.
From the opening riffs of “Spike Island” to the belting choruses of “Disco 2000” and “Common People”, Jarvis and co. fused their past legacy with a defiant nod to the present. With Richard Hawley invited for the encore and “Sheffield: Sex City” finally getting its live hometown debut, it was the kind of show you'd write home about - if you weren’t too busy screaming the lyrics back.
An iconic Tramlines moment that we won't be forgetting any time soon.
Day Two
Back again to Hillsborough Park, perhaps not so bright eyed and bushy-tailed, but did that stop us? Absolutely not.
Image: The Sheff
Saturday brought another day of unbeatable local energy, Rotherham lads The Reytons headlined the Sarah Nulty Main Stage with swagger that felt both underdog and overdue. Whilst Franz Ferdinand had the field fizzing with guitar drama and singalongs to “Take Me Out”, but not before nostalgic icon Natasha Bedingfield could perform her catalogue of anthems from “These Words” and "Pocket Full of Sunshine" to “Unwritten”. We're going to blame that one on losing our voice.
And if you weren't at The Reytons, then you were most likely at the Rizzle Kicks who are back and boy oh boy aren't we glad they are. The crowd's electric reaction to "Get Down With The Trumpets" got us all asking, why did they ever leave in the first place?
Day Three
Last but definitely not least, Sunday brought a day of proper laughs courtesy of Russel Howard kicking things off at T'Other Stage followed by Irish legend CMAT who had the crowd enamoured by both her flawless singing voice and immaculate stage presence.
Scouting For Girls brought the nostalgia to the main stage closely followed by The Last Dinner Party who underlined their position as one of the best girl groups in the country right now.
And of course, as we were all bopping our heads to this myriad of fantastic music the Women's England squad were playing Spain in the Euro's Final. Just before Kasabian exploded onto the stage, the penalties were played to a sea of adoring fans which can only be described as electric. A perfect way to set up the last act of the night.
Image: The Sheff
Opening with “Club Foot” and closing with “Fire”, Kasabian turned the park into a celebration of national pride which can only be described as something really quite special.
So, Tramlines 2025? A weekend which showcased an incredible array of British music, with an undeniable focus of Sheffield's roots and musical prowess. We'll absolutely take that.
Tramlines 2026 will return from Friday 24 - Sunday 26 July, tickets go on sale this Friday and you can grab yours here.
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Featured image - The Sheff
Audio
Team behind Mint Warehouse to open new 2,000 capacity venue in Leeds with strict no-phone policy
An exciting new venue is set to open its doors this year, marking a significant moment for the city’s nightlife scene.
Introducing Mint XL, the latest venture from the team behind the Mint brand that represents the next evolution of a name that has been central to Leeds’ music culture since the 90’s.
Built on over three decades of experience in the industry, the team’s track record spans from intimate club spaces to major outdoor festivals.
Mint XL will build on this knowledge to bring a venue designed to operate on another level, bigger and better than ever before.
Image: Supplied
With a capacity of over 2000 across multiple rooms, Mint XL has been purpose-built to host a wide range of events. Think large-scale electronic music lineups and extended DJ sets to live performances, brand activations, and private hires.
At the heart of the venue is a focus on sound and experience. A newly-installed Funktion-One Vero system will power the main rooms, supported by high-spec production throughout.
Mint XL will also operate a strict no-phones policy during club events, keeping the focus on the music and the moment.
Images: Supplied
“Mint XL is the next chapter for the brand,” says Owner Shane Graham. “From Mint Club through to Mint Festival, we’ve spent nearly two decades building something special in Leeds, and this is a natural progression of that journey. It allows us to take everything we’ve produced over the years and deliver it at a much bigger club setting.”
Director Mikey McMahon adds: “Mint XL is a big step forward for us. It allows us to programme multi-bill lineups at a much bigger scale across multiple rooms, while also expanding beyond electronic music into live bands, private hires, and brand-led events. At its core, we’ve designed it as a fully versatile space that can adapt to different audiences and experiences under one roof.”
Bring Me The Horizon announce huge Manchester gig for Count Your Blessings anniversary
Danny Jones
Bring Me The Horizon have sent British rock fans into bedlam by booking a special anniversary gig celebrating 20 years since their debut album, Count Your Blessings, and we’re lucky enough that it’s coming to Manchester.
And that’s not the only massive announcement they’ve dropped along with it.
It seems hard to believe it’s been two whole decades since the Northern favourites first burst onto the scene with their first LP, and the Yorkshire heavyweights have come a long way since, both sonically and career-wise in general.
Teaming up with Outbreak ahead of their 2026 festival, they teased the show with a series of posters dotted around Manchester city centre last week.
Yes, the band are set to perform their maiden studio outing, along with a few bonus tracks, in its entirety for the first time EVER.
.@OutbreakFest Presents: Count Your Blessings | Repented
played in full, for the first time ever [manchester 10th july 2026] + other bangers.
It remains unclear whether they’ll be playing it in the original order, nor do we know how many big hits from other albums they’ll be throwing into the set.
All we know is that it’s going to be absolute chaos in those pits.
Presented by Outbreak, the landmark show will be held at the Bowlers Exhibition Centre, a.k.a. the BEC Arena, where the hardcore, punk and all things alternative festival is hosted every year.
Even the poster alone is making us feel nostalgic for our ‘mosher’ phase (as if it ever ended); get your fringes, skinny jeans and checkerboard Vans at the ready.
One of the biggest names to have ever come out of Sheffield – an impressive feat in itself given its rich musical heritage – they’ve done wonders for heavier genres domestically.
Whether you dub them emo, metal, deathcore/anything and everything in between, you can’t deny they’re one of the biggest UK exports this scene has ever, well, seen.
Better still, the all-day event will also feature performances by Static Dress, Rolo Tomassi, Dying Wish, Heriot, Car Underwater and Still In Love.
Last but not least, in arguably even more exciting news, the band have also revealed that they are releasing a full re-recorded version of Count Your Blessings to mark the milestone, dubbing it the ‘Repented‘ version. Not to exaggerate, but we’re absolutely screaming over here…
Fans get their hands on early access by pre-ordering the remastered album from a special old-school, very Myspace-esque landing page; as for general admission, tickets go on sale at 10am this Friday, 17 April – you can get ready to grab yours HERE.
Clementine Hall -
30th July 2025 
