'Cunning' Yorkshire residents are wanted to take part in the world's biggest game of hide and seek, as a popular reality competition show returns.
The Hunt: Prey vs Predator is coming back to Channel 4, and producers have now put out a nationwide casting call for contestants to take part.
People from Yorkshire - particularly Leeds and Sheffield - are being urged to put an application in.
Described as being an 'exciting' reality series, The Hunt: Prey vs Predator is a psychological competitive adventure show where players are tasked with tracking down and hunting their rivals in the ultimate game of cat and mouse in the wild.
Produced by CPL Productions Ltd - the BAFTA award-winning production company behind Married At First Sight UK and Love is Blind UK - the show's creators are now calling on 'cunning' people with the charm and skill to compete to get in touch and apply for the upcoming series.
Channel 4 is looking for people from Yorkshire to play world's biggest game of hide and seek / Credit: Channel 4
A casting call on the Channel 4 website simply reads: "Do you want to play the world's biggest, most exciting game of hide and seek?
"If you have the cunning, charm, and skill to compete, we want to hear from you."
Think you've got what it takes? Applications for the next series of The Hunt: Prey vs Predator are now open, and all you need to do is fill in a short application form and one of the production team will get back to you if they would like to proceed.
Producers will only be accepting applicants who are aged 18 and over, and the closing date for applications is 1 September 2026.
David Hockney, one of Britain's most influential and recognisable artists, has sadly died.
Born in Bradford in 1937, David Hockney built a career spanning more than six decades and became one of the most influential figures in contemporary art.
He was best known for his vibrant paintings, from the iconic swimming pools of Los Angeles to the sweeping landscapes of Yorkshire and Normandy.
And of course you can't forget the adorable paintings of his sausage dogs Stanley and Boodgie.
This morning on Friday 12 June, it was sadly announced that David Hockney had passed away - just one month prior of his 89th birthday.
Admired by critics and the public alike, Hockney's work was exhibited around the world and attracted record-breaking prices, cementing his place as one of the defining artists of the modern era.
Most recently, his incredibly immersive exhibition 'Bigger & Closer (not smaller & further away)' was a hit across the country, proving his work still resonated with the people of today.
His work at Salts Mill has remained in exhibit for years, including his special digital drawings that he did on his iPad.
His death marks the end of a truly extraordinary career, but his influence on British culture and contemporary art will endure for years to come.
A true West Yorkshire icon that will be missed by many from across the globe. RIP David.
Featured image - Publicity photo via Justin Sutcliffe (supplied)
TV & Showbiz
The Shawshank Redemption comes to Leeds Grand Theatre: a story of hope, survival and humanity
Declan Kelly
More than a prison story: it’s a discovery into toxic masculinity within prisons.
Adapting a film as iconic and widely loved as The Shawshank Redemption for the stage comes with enormous expectations, yet this touring production at Leeds Grand Theatre delivers a gripping and emotionally charged theatrical experience.
Rather than relying solely on the legacy of the film, the production successfully uses the intimacy of live theatre to create a darker, more psychologically intense interpretation of Stephen King’s story.
From the opening moments, the audience is immersed in the harsh world of Shawshank prison. The cold lighting, industrial staging and haunting sound design establish an atmosphere dominated by confinement, fear and institutional control.
Image: Supplied
The stripped-back set works effectively in creating a bleak and claustrophobic environment, allowing the emotional tension between characters to take centre stage. Unlike the cinematic scale of the film, the stage adaptation feels far more immediate and uncomfortable, forcing the audience to confront the realities of prison life at close range.
Joe McFadden delivers a restrained yet powerful performance as Andy Dufresne, capturing the character’s quiet resilience, intelligence and emotional vulnerability without attempting to imitate the film portrayal.
Image: Supplied
Ben Onwukwe is equally compelling as Red, bringing warmth, humour and emotional depth to the role. The chemistry between the two actors becomes the emotional core of the production, perfectly reflecting the play’s themes of friendship, survival and hope.
One of the production’s strongest aspects is its exploration of toxic masculinity within the prison system. Shawshank is presented as an environment where power is maintained through aggression, intimidation and emotional suppression.
Image: Supplied
Vulnerability becomes dangerous, while violence and dominance are treated as necessary forms of survival. Bill Ward’s portrayal of Warden Stammas embodies this culture perfectly, delivering a performance filled with controlled menace, hypocrisy and quiet authority.
However, there were moments where the production lost some emotional realism. Several stage combat sequences, intended to highlight the brutality and hierarchy of prison life, felt under-rehearsed and lacked the intensity needed to fully convey the violence of the narrative. At times, the choreography appeared slightly unstructured, unintentionally reducing the tension of scenes that should have felt genuinely threatening.
Image: Supplied
Similarly, while the minimal set design effectively reinforced the oppressive atmosphere of Shawshank, the visual staging occasionally became repetitive throughout the production. Aside from the movement of Dufresne’s cell and the recurring use of the mobile bookcase, there was limited visual variation across scenes. Although this may have been a deliberate directorial choice to reflect the monotony of prison life, it did affect the pacing at points, with some audience engagement appearing to dip during slower sections.
Despite these criticisms, the production remains a powerful and emotionally resonant piece of theatre. Through strong performances, effective direction and its exploration of institutional power and masculinity, The Shawshank Redemption captures the endurance of hope and humanity in even the darkest environments. Thought-provoking, intense and deeply moving, it is a production that earns every moment of its standing ovation.
Running from 18 - 23 May at Leeds Grand Theatre & Opera House, you can get your tickets here.
Emily Sergeant -
1st May 2026 
