Cricketer Azeem Rafiq was reduced to tears this afternoon as he spoke to a committee of MPs in Westminster about the racist experiences he had suffered whilst at Yorkshire County Cricket Club.
Speaking to the Digital, Culture, Media and Sport select committee, the former all-rounder, ex-England U-19s and Yorkshire captain said that racial slurs had been used "constantly" whilst he played for Yorkshire and that English cricket is "institutionally"
He also told the committee that the club's treatment of him following the still-born death of his son in 2017 had been "inhuman".
He said that during his time at Headingley the word p*** was used "constantly", leaving him feeling “humiliated” and “isolated”.
“Pretty early on, me and other people from an Asian background…there were comments such as ‘you’ll sit over there near the toilets’, ‘elephant washers’.
"The word P*** was used constantly. And there just seemed to be an acceptance in the institution from the leaders and no one ever stamped it out."
He also told MPs on the committee about how aged 15 and a practising Muslim, he was pinned down by a senior cricket player who poured wine into his mouth.
He said he did not drink again until 2012, at which point he started in order to "fit in" at Yorkshire - adding that he "wasn't perfect" and was "not proud" of some of the things he did whilst under the influence of alcohol.
This, however, holds "no relation" to the relation he was subjected to whilst on the Yorkshire team, he added.
Mr Rafiq first filed a complaint of racism against the club in September 2020, which led to the Yorkshire Cricket Club launching its own internal investigation.
This report, however, ultimately concluded that the slurs used against him were 'banter' - sparking public outrage.
Mr Rafiq contested this today, saying "P*** is not banter, racism is not banter,”
“The game as a whole really has a problem in listening to the victim.
“It’s been gaslighting, it’s been ‘yeah but’.
“There is no 'yeah, but' to racism.”
In a wide-ranging testimony, Mr Rafiq also added that all he wanted to do was realise his "dream" of playing for England and that he was "in denial" about the scale of the issue up until 2014.
He also said that he thought "things had changed" when he returned in 2016, but the atmosphere became "toxic" when Gary Ballance took over as captain later in the year.
Mr Rafiq also said that racism was a problem in sport "up and down to country", before adding:
"If Yorkshire had seen this as an opportunity to become the leaders in the space, an opportunity to make a real difference in society and the game this could have gone a completely different direction".
Feature image - Parliament TV
Leeds
Kevin Sinfield will return to Leeds for his final 7 in 7 challenge in honour of Rob Burrow
Leeds legend Kevin Sinfield is set to take on his seventh and final 7 in 7 challenge this month.
The former Leeds Rhinos captain will begin 7 in 7: The Grand Finale next Sunday 27 September.
Wondering what on earth that is? Allow us to fill you in.
Sinfield will be running an ultra-marathon every day for seven days, and this time it's across the north of England including a special stop off right here in Leeds.
Not only that, but the challenge will bring Sinfield back to some of the places that have played a huge part in his rugby league career.
The route will visit all 12 English Betfred Super League grounds, starting at Hull KR before travelling through Yorkshire and eventually crossing the Pennines towards Manchester where Sinfield is from.
Here in Leeds, we can expect Sinfield to arrive at Headingley Stadium on Wednesday 30 September at 11:14am, before leaving towards Pudsey Civic Hall at 11:40am.
The challenge will then finish at Old Trafford on Saturday 3 October, where Sinfield will arrive ahead of the Super League Grand Final.
Since the first annual challenge back in 2020, Kevin Sinfield and his team have raised over £11 million for the MND community with six charities set to benefit once again from this years fundraising.
It's an amazing challenge for an amazing cause, and you can donate and find out more about the challenge here.
Good luck Kevin and the team, we know you'll smash it.
Fences at Leeds Playhouse – walls, wounds and what we leave behind | Review
Declan Kelly
Leeds Playhouse delivers a powerful story about the walls we build.
August Wilson’s Fences is a powerful and deeply personal family drama, exploring race, fatherhood, ambition and the emotional scars that can be passed from one generation to the next.
At Leeds Playhouse, the strength of the production lies largely with its cast. Ray Fearon gives Troy Maxson a commanding presence, balancing humour and charm with a growing sense of anger and resentment. It is an uncomfortable performance at times, but one that keeps you invested in Troy even when his actions become increasingly difficult to accept.
Madeline Appiah brings real warmth and emotional depth to Rose, while Josh Tedeku captures Cory’s frustration as a young man determined to make his own way rather than inherit his father’s limitations.
Image: Supplied
For me, though, Act 2 is where the production really comes alive.
The first half feels comparatively restrained. That isn't necessarily a criticism of the performances or Wilson's writing, but having experienced previous Headlong productions, I went in expecting a little more theatrical imagination from the staging. There were moments where I felt the production could have pushed the material further visually.
Act 2 begins to deliver that.
The rotating set adds movement and energy, while the bright LED lighting works particularly well with the live music, creating a more heightened atmosphere as the family's tensions reach breaking point. The production suddenly feels more visually ambitious, and the design starts to work hand-in-hand with the emotional journey of the characters.
Images: Supplied
The fence itself is an effective recurring image, initially a practical task, but gradually becoming a representation of Troy's need for control, protection and separation. The more the story unfolds, the more the fence feels like a barrier between Troy and the people he loves.
There is a lot to admire here, particularly in the performances, and Wilson's writing remains as relevant and affecting as ever. However, I couldn't help feeling that some of the theatrical ambition found in Act 2 could have been introduced earlier.
Ultimately, Fences is a moving and thought-provoking evening, with a particularly strong second half. For me, it was Act 2 that turned a solid production into a genuinely memorable one.
Running until 23 September at Leeds Playhouse, get your tickets here.
Georgina Pellant -
16th November 2021 
