Downing Street and ministers have defended the Prime MInister following the publication over the weekend of a controversial new photo showing Johnson allegedly breaking lockdown rules early in the pandemic last year.
The photo, first published byThe Guardianon Sunday, shows PM Johnson, his wife Carrie and a number of other ministers enjoying wine and cheese outside alongside others in the Downing Street garden on 15 May 2020 - during the first national lockdown.
Downing Street has insisted the photograph shows a “staff meeting”.
The Guardian also reported that 19 people were present at the gathering, and that there were “spirits and pizza inside and outside the building”.
Restrictions in place during the first national lockdown meant that the alleged gathering happened at a time when the British public were still being asked to remain two metres apart from each other, both indoors and outdoors, and were being urged to “stay at home as much as is possible”, while schools did not reopen for another fortnight, and many pubs and restaurants were ordered to remain closed until early July.
The emergence of the photo comes not long after the government was accused of hosting two other mid-lockdown gatherings, during November and December 2020 – which, despite strong criticism from opposition, has continued to deny.
The emergence of the photo over has resulted in national public outcry online over the weekend.
As well as outrage by members of the public on social media, the photo has of course prompted heavy criticism from opposition politicians and parties, with Labour demanding “the truth” about the situation be revealed and Shadow Health and Social Care Secretary Wes Streeting insisting that it’s “no laughing matter” how the Prime Minister lies with “ease”.
Deputy Labour leader Angela Rayner also took to Twitter to say: “I guess staff meetings look a bit different if you went to Eton?
“Enough is enough.
“Tell us the truth about what was going on in Downing Street from the very beginning immediately.”
Former Labour politician and onceSecretary of State for Children, Schools and Families also chimed in with some specifics to add that he was “pretty sure this is the view from the 11 Downing Street first floor balcony.”
Shadow Chief Secretary to the Treasury – also said this morning that photo adds to a “culture of impunity” reflected in a number of stories over the last few weeks, adding that the Prime Minister has “made a lifetime of thinking rules don’t apply to him”, and that the country is now in a situation where the public health message is being “undermined”.
Yet despite all of this criticism and demand for the truth to be told, Downing Street has insisted that the photo shows a “staff meeting”.
A government spokesperson explained in a statement: “As we said last week, work meetings often take place in the Downing Street garden in the summer months [and] on this occasion, there were staff meetings following a Number 10 press conference.
“Downing Street is the prime minister’s home as well as his workplace [and] he prime minister’s wife lives in Number 10 and therefore also legitimately uses the garden.”
This statement by the spokesperson has also been echoed and enforced this morning by Justice Secretary Dominic Raab, who told host Kay Burley during an appearance on Sky News this morning that Downing Street is a “place of work”.
He then said that the meeting was “consistent” with the COVID-19 guidance issued by the government at the time.
“Number 10 is a place of work and also the prime minister’s home and they use the garden for work meetings and that’s what you can see,” he concluded.
Human rights barrister Adam Wagner – who examines coronavirus regulations and interprets them for the public – said in on Twitter over the weekend that he was “doubtful” the gathering “was against the law”, but that it may have been against guidance.
He added that there was “no way of knowing that they weren’t working”.
Featured Image – 10 Downing Street
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Leeds speakeasy crowned one of the best cocktail bars in the world by industry experts
The beloved Domino Club is receiving its flowers, and rightly so.
Rapidly becoming one of the industry’s most respected accolade of excellence, The Pinnacle Guide is a worldwide ranking of the best bars across the globe.
Based on a thorough self-application process, rigorous assessment modules, followed by a series of spot check interviews and anonymous in-bar reviews, it's no easy feat to get a spot on this list.
Which is why it makes The Domino Club's achievement all that more impressive.
Known amongst locals and visitors alike as basically one of the coolest bars in town, the hidden speakeasy invites you through a barbershop in the Grand Arcade where downstairs you'll find a dimly lit jazz and cocktail bar oozing sex appeal.
Not only are the cocktails exceptional, but their live music listings is something to behold playing everything from jazz and funk to cabaret and disco every Wednesday - Sunday.
Announcing the news to Instagram, The Domino said: "Listed by The Pinnacle Guide. The Domino Club has been recognised on the global list of the world’s best bars.
"What began as a hidden basement bar in Leeds, built around live music, cocktails and atmosphere, is now being recognised alongside some of the finest bars in the world.
"A huge thank you to our team, musicians, suppliers and every single guest who has supported us over the years. This means a lot. Leeds belongs on the world cocktail map."
We absolutely could not agree more and if you haven't ventured behind the barbershop and discovered the magical Domino Club, then we very much recommend you do.
2:22 A Ghost Story at Leeds Grand Theatre and Opera House: When silence becomes the scare
Declan Kelly
The supernatural thriller 2:22 A Ghost Story arrived at Leeds Grand Theatre as part of its UK tour, bringing Danny Robins’s hit production to a packed audience.
Since its West End debut in 2021, the play has become known less as a straight horror and more as a gripping psychological debate wrapped in a ghost story.
At the centre of the story is one key question: do ghosts actually exist? Set during a dinner party between two couples, the drama unfolds as Jenny becomes increasingly convinced their home is haunted, claiming she hears strange noises every night at exactly 2:22am.
Her husband Sam dismisses her fears as irrational, while friends Lauren and Ben challenge both sides, turning the evening into a lively clash of belief and scepticism. What begins as a conversation gradually becomes something far more tense, as personal fears and buried tensions rise to the surface.
Image: Supplied
Rather than relying on traditional horror, the production focuses on atmosphere and psychological tension. The script builds unease through sharp dialogue, awkward silences and shifting power dynamics between the characters. Instead of delivering constant shocks, it keeps the audience questioning what is real and what might simply be a coincidence or imagination.
That said, the play does use theatrical jump scares effectively. Sudden loud noises, abrupt lighting changes and eerie sound cues interrupt the dialogue at key moments, creating jolts of tension without ever fully tipping into outright horror. These moments are brief but impactful, designed more to unsettle than to terrify.
Image: Supplied
The cast works strongly together to maintain this balance. Shvorne Marks brings emotional intensity to Jenny’s growing fear, while James Bye plays Sam with grounded scepticism that slowly begins to crack. Natalie Casey adds sharp humour and bite as Lauren, and Grant Kilburn provides openness and curiosity as Ben, keeping the debate lively and unpredictable.
The production design is another standout element. The modern, stylish home feels realistic and lived-in, but subtly shifts in tone as the story progresses. Careful lighting and precise sound design ensure the space never feels entirely safe, even in silence, reinforcing the idea that something might be just out of sight.
Image: Supplied
As the final moments unfold, the play returns to its central idea: the waiting. The quiet anticipation of night, the smallest unexplained sounds, and the creeping awareness of time passing.
Ultimately, 2:22 A Ghost Story succeeds because it is not really trying to scare its audience traditionally. Instead, it plays with uncertainty, asking viewers to decide what they believe and how far they trust their own senses. And let’s be honest, you might find yourself thinking what might happen if you were still awake when the clock strikes 2:22.
Running until 16 May at the Leeds Grand Theatre and Opera House - tickets available here.
The Hoot -
20th December 2021 
