Legendary Leeds comic Barry Cryer has OBE has sadly passed away, aged 86.
The Yorkshire writer and comedian, best known for his work wtih Morecambe and Wise, David Frost and The Two Ronnies, had also been a fixture on the panel of BBC Radio 4 show I’m Sorry I Haven’t a Clue since it began in 1972.
The circumstances surrounding his death are currently not known, including the cause.
Throughout his career, he worked with icons like Bruce Forsyth, Bob Hope, Spike Milligan, and the aforementioned Two Ronnies, and wrote a number of episodes for Doctor in the House, the 1969 TV comedy starring Simon Cuff and Barry Evans.
Born in Leeds and educated at the local grammar school, he then went on to continue his studies here - reading English Literature at the University of Leeds.
Having appeared in the University revue, he was then offered a week's work at the Leeds Cities Varieites theatre. At the time, the theatre was the home of iconic show The Good Old Days, which ran for 30 years from 1953 to 1983 - becoming the longest-running TV show of all time.
After learning his first-year results, however, Cryer left Leeds and university life for London -where he began his career at London’s Windmill Theatre after making an impression on Vivian Van Damm.
A short stint as an actor at the theatre ended rather promptly after several hospitalisations, caused by eczema, led to Cryer being released from his contract - at which point he decided to focus his attentions on writing over performing.
He went on to become a regular collaborator with David Frost, writing for The Frost Report from 1966 and 1967, a move that cemented him as a name to watch in the world of writing.
However, despite being a recognised talent, he mostly preferred to write in partnership and collaborated regularly with John Junkin. Together, the pair wrote two Christmas specials for The Morecambe and Wise Show, which aired in 1972 and 1976.
He also acted as a host on the ITV comedy panel show Jokers Wild between 1969 and 1974, and even had a hit song in Finland - with a rendition of Sheb Wooley’s 1958 novelty song Purple People Eater taking the number one spot in the charts the same year.
He married his wife Theresa in 1962 and is survived by four children - one of whom he launched a WW2 podcast called Now, Where Were We? with, shortly prior to his death.
As the news has broken, there has been an outpouring of emotion from friends, family and fans, with famous names including Stephen Fry, Piers Morgan, Jon Holmes and Richard Herring all taking to social media to pay tribute to the great man, his life and his work.
Richard Herring wrote: "Losing Barry Cryer is like losing a member of the family. Utterly gutted that I’ve had my last birthday joke.
"He was one of my absolute comedy heroes and kept working right to the fucking end. A life well lived and a connection to every great comedian of the last 60 years. RIP."
He later tweeted, "He made me laugh so much that I suppose it's only fitting he should finally make me cry."
Stephen Fry said: "Such sad news, one of the absolute greats of British comedy, Barry Cryer, is no more. A glorious, gorgeous, hilarious and gifted writer and performer who straddled all the comic traditions. Universally beloved … farewell, Baz."
Peddler’s 13th year marks a bold new direction for the free monthly event.
Peddler Market began its life 12 years ago as a street food night market with a sprinkling of live music and DJs.
Now that they're synonymous with bringing some of the best street food the UK has to offer to Sheffield, the organisers are now heading in a new direction.
Peddler will now offer a five-stage monthly music festival, spread across their Kelham Island footprint - maintaining its ‘free entry’ ethos for customers.
Image: Supplied
But don't worry, food will still be a key component all whilst increasing their to platform some of the best local promoters, record shops, DJs and bands across Sheffield.
But now, they're bringing five stages to Peddler, working with some of the best up and coming and well established promoters in and across the city.
“Twelve years ago, we filled a gap that Sheffield really needed,” Jordan Roberts - owner, says. “Since then, it’s nourished this huge gastronomic change within the city. Now there’s food halls and street food everywhere, which is great because people have choice – at peddler amazing street food is a given but now you can expect much more”
Image: Supplied
"I wanted to create a labyrinth of exploration like that you find at a proper festival, tread the zones, sample the delights and find your vibe. It’s like a little mini festival,” Jordan says.
“With Tramlines and We Out Here being huge inspiration for the next gen development. There’s a car park stage, the inside main stage, a courtyard stage, the factory floor and activities happening in the basement underneath too,” Jordan explains. “Bands, DJs, the whole thing.”
Image: Supplied
“We’ve always been a street food event with two music stages,” he explains. “Now we’re excited to bring five stages, working with some of the best up and coming and well established promoters in and across the city. After more than 100 Peddler Markets where we’ve always hosted a free entry gig.
"We’ll still host our street food partners, who love seeing all the Sheffield foodies. However, the changing music line up will help you ‘save the date’ making each month even more unmissable”
The first edition of the reformatted Peddler lands on the usual first Friday and Saturday of the month on 5-6 June and promises a sprawling, multi-space experience inspired as much by classic city festivals as warehouse parties and independent culture.
Plans have been revealed for ‘Sheffield’s smallest cinema’, plus record shop and gallery space
Clementine Hall
Sheffield based curator and archivist Alex Wilson is taking over a refurbished Victorian unit down the historic Chapel Walk.
The space will be transformed into a record shop, gallery space and micro cinema dubbed 'Sheffield's Smallest Cinema'.
The space will be rooted in, and be a champion of, Sheffield/Yorkshire/Northern cultural heritage; focusing specifically on sound, moving image, design and photography.
Titled 'Memory Dance', the opening exhibition, WE'LL MISS THEM WHEN THEY'RE GONE, will reboot a popular display held on The Moor, Sheffield back in 2012.
Images: Supplied
The exhibition will explore the history of record shops in the city, from Bradleys to Virgins, and includes original 78 RPM sleeves, old and new record shop bags, related ephemera from lost Sheffield vinyl retailers, alongside prints by designer Simon Robinson responding to the imagery of these old sleeves.
They're also asking the Sheffield community to come down with anything relating to the history of Sheffield record shops and if suitable, Memory Dance can scan the items on site and hand back a digital file. Or, they can hang them in the venue for the duration of the exhibition.
The ground floor will also open its racks for the first time to a curated selection of used vinyl for sale drawn from some of the best collections the city has to offer, with a real focus on Sheffield artists and labels past/present to carry the legacy forward.
At the end of June, the walls will be refreshed for the first ever exhibition telling the amazing story of 'SHEFFIELD CABLEVISION TV (1972-76)'.
With newly printed photography from surviving staff members and crew, plus archive artefacts and merchandise, the Memory Dance micro cinema space will also be launched with an exclusive, rarely seen collection of Cablevision TV Station archive video.
Memory Dance at Chapel Walk will soft launch on 05.06.26, and you can find out more here.
The Hoot -
27th January 2022 
