Themes include Mamma Mia, Disney, Spice Girls and boy band nights.
Fans of the Alice in Wonderland bar on Swinegate will appreciate the immersive topsy-turvey experience that the bar offers. It's nothing quite like anything you'd expect.
Now, you can pair 'Eat Me, Drink Me' nibbles and teapot cocktails with music that Lewis Carroll couldn't have possibly anticipated in a new series of karaoke nights at The Alice Bar.
Until Friday 4 February, you can also get 50% off all tickets to Leeds’ Alice in Wonderland themed bar immersive cocktail experience. Perfect for a Valentine’s Day gift, use the code ‘LOVE’ to receive half price tickets, saving up to £16.00 per person.
The hidden bar is decked out with floating tea pots, fairy lights, characters from the book and kitsch tea party decor that creates a fantastical atmosphere like that in the story of Alice in Wonderland.
Image: Explore Hidden
Across multiple events, guests can expect different themed karaoke nights from their favourite artists.
There will be a Mamma Mia evening, where Alice meets Abba in a night of all-singing, all-dancing feel-good music, complete with complimentary cocktail or mocktail upon arrival.
There's also going to be a chance to spice up your life at the Spice Girls nights or wail the words to your favourite boy band and become a true Uptown Girl.
If you prefer the 1951 Alice in Wonderland movie, the Disney-themed karaoke night will be just for you. Expect songs from all your favourite musical movies, as well as a full down the rabbit hole experience inside the bar.
Image: The Hoot Leeds
Starting at 7pm, the following themed nights will take place in 2022 til late:
Monday 31 January - Spice Girls Karaoke (tickets here)
Tuesday 1 February - Spice Girls Karaoke (tickets here)
Leeds legend Kevin Sinfield is set to take on his seventh and final 7 in 7 challenge this month.
The former Leeds Rhinos captain will begin 7 in 7: The Grand Finale next Sunday 27 September.
Wondering what on earth that is? Allow us to fill you in.
Sinfield will be running an ultra-marathon every day for seven days, and this time it's across the north of England including a special stop off right here in Leeds.
Not only that, but the challenge will bring Sinfield back to some of the places that have played a huge part in his rugby league career.
The route will visit all 12 English Betfred Super League grounds, starting at Hull KR before travelling through Yorkshire and eventually crossing the Pennines towards Manchester where Sinfield is from.
Here in Leeds, we can expect Sinfield to arrive at Headingley Stadium on Wednesday 30 September at 11:14am, before leaving towards Pudsey Civic Hall at 11:40am.
The challenge will then finish at Old Trafford on Saturday 3 October, where Sinfield will arrive ahead of the Super League Grand Final.
Since the first annual challenge back in 2020, Kevin Sinfield and his team have raised over £11 million for the MND community with six charities set to benefit once again from this years fundraising.
It's an amazing challenge for an amazing cause, and you can donate and find out more about the challenge here.
Good luck Kevin and the team, we know you'll smash it.
Fences at Leeds Playhouse – walls, wounds and what we leave behind | Review
Declan Kelly
Leeds Playhouse delivers a powerful story about the walls we build.
August Wilson’s Fences is a powerful and deeply personal family drama, exploring race, fatherhood, ambition and the emotional scars that can be passed from one generation to the next.
At Leeds Playhouse, the strength of the production lies largely with its cast. Ray Fearon gives Troy Maxson a commanding presence, balancing humour and charm with a growing sense of anger and resentment. It is an uncomfortable performance at times, but one that keeps you invested in Troy even when his actions become increasingly difficult to accept.
Madeline Appiah brings real warmth and emotional depth to Rose, while Josh Tedeku captures Cory’s frustration as a young man determined to make his own way rather than inherit his father’s limitations.
Image: Supplied
For me, though, Act 2 is where the production really comes alive.
The first half feels comparatively restrained. That isn't necessarily a criticism of the performances or Wilson's writing, but having experienced previous Headlong productions, I went in expecting a little more theatrical imagination from the staging. There were moments where I felt the production could have pushed the material further visually.
Act 2 begins to deliver that.
The rotating set adds movement and energy, while the bright LED lighting works particularly well with the live music, creating a more heightened atmosphere as the family's tensions reach breaking point. The production suddenly feels more visually ambitious, and the design starts to work hand-in-hand with the emotional journey of the characters.
Images: Supplied
The fence itself is an effective recurring image, initially a practical task, but gradually becoming a representation of Troy's need for control, protection and separation. The more the story unfolds, the more the fence feels like a barrier between Troy and the people he loves.
There is a lot to admire here, particularly in the performances, and Wilson's writing remains as relevant and affecting as ever. However, I couldn't help feeling that some of the theatrical ambition found in Act 2 could have been introduced earlier.
Ultimately, Fences is a moving and thought-provoking evening, with a particularly strong second half. For me, it was Act 2 that turned a solid production into a genuinely memorable one.
Running until 23 September at Leeds Playhouse, get your tickets here.
Sophie Smith -
31st January 2022 
