A bar in Leeds is giving away free pints of beer this month in partnership with craft brewery favourite Tiny Rebel.
The Botanist, which has a site in the city centre on Bear Lane, is offering everyone the chance to enjoy a free pint of Tiny Rebel beer on the house this September.
It has teamed up with the independent brewery to host a treasure hunt across Leeds, hiding 21 prints of Tiny Rebel’s bear mascot around the city, reports The Manc.
Dressed in a host of location-specific looks, the bears will be placed around Leeds city centre close by to its venue.
In order to get their hands on a free pint, all customers need to do is find a Botanist Bear and scan the QR code on its poster. This will take them through to a survey, which once completed will automatically send them a voucher for a pint of Clwb Tropica.
Beer-lovers are entitled to one free pint per person per city and the QR code will continue giving new hunters a free beer until the campaign ends at the end of the month.
If you find a Botanist Bear in another city, you will qualify for another pint, in that location. Simply scan the corresponding QR code in each city in order to redeem your drink in that location.
The bears will be positioned around key landmarks in The Botanist’s locations from 8 September and beer-seekers can redeem their free pint any time up until 30.
As well as receiving a free beer, everyone who scans any of the 21 different QR codes will automatically be entered into a prize draw to win a tour of the Tiny Rebel Brewery in Newport, South Wales – and there are five tours for two people up for grabs.
Tiny Rebel has promised to give away a whole year’s supply of beer to the person who finds the most bears around the country between 8 and 30 September.
The winner will initially get 12 cases of Tiny Rebel beer, along with some exclusive merch, and will then continue to receive another case every month for the following 11 months.
Bears are located in Bath, Alderley Edge, Birmingham, Cardiff, Cheltenham, Chester, Didsbury, Exeter, Farnham, Ipswich, Knutsford, Lincoln, Media City, Newcastle, Reading, Sheffield, Leeds, Warrington, West Bridgford, Worcester and York.
The beloved Domino Club is receiving its flowers, and rightly so.
Rapidly becoming one of the industry’s most respected accolade of excellence, The Pinnacle Guide is a worldwide ranking of the best bars across the globe.
Based on a thorough self-application process, rigorous assessment modules, followed by a series of spot check interviews and anonymous in-bar reviews, it's no easy feat to get a spot on this list.
Which is why it makes The Domino Club's achievement all that more impressive.
Known amongst locals and visitors alike as basically one of the coolest bars in town, the hidden speakeasy invites you through a barbershop in the Grand Arcade where downstairs you'll find a dimly lit jazz and cocktail bar oozing sex appeal.
Not only are the cocktails exceptional, but their live music listings is something to behold playing everything from jazz and funk to cabaret and disco every Wednesday - Sunday.
Announcing the news to Instagram, The Domino said: "Listed by The Pinnacle Guide. The Domino Club has been recognised on the global list of the world’s best bars.
"What began as a hidden basement bar in Leeds, built around live music, cocktails and atmosphere, is now being recognised alongside some of the finest bars in the world.
"A huge thank you to our team, musicians, suppliers and every single guest who has supported us over the years. This means a lot. Leeds belongs on the world cocktail map."
We absolutely could not agree more and if you haven't ventured behind the barbershop and discovered the magical Domino Club, then we very much recommend you do.
2:22 A Ghost Story at Leeds Grand Theatre and Opera House: When silence becomes the scare
Declan Kelly
The supernatural thriller 2:22 A Ghost Story arrived at Leeds Grand Theatre as part of its UK tour, bringing Danny Robins’s hit production to a packed audience.
Since its West End debut in 2021, the play has become known less as a straight horror and more as a gripping psychological debate wrapped in a ghost story.
At the centre of the story is one key question: do ghosts actually exist? Set during a dinner party between two couples, the drama unfolds as Jenny becomes increasingly convinced their home is haunted, claiming she hears strange noises every night at exactly 2:22am.
Her husband Sam dismisses her fears as irrational, while friends Lauren and Ben challenge both sides, turning the evening into a lively clash of belief and scepticism. What begins as a conversation gradually becomes something far more tense, as personal fears and buried tensions rise to the surface.
Image: Supplied
Rather than relying on traditional horror, the production focuses on atmosphere and psychological tension. The script builds unease through sharp dialogue, awkward silences and shifting power dynamics between the characters. Instead of delivering constant shocks, it keeps the audience questioning what is real and what might simply be a coincidence or imagination.
That said, the play does use theatrical jump scares effectively. Sudden loud noises, abrupt lighting changes and eerie sound cues interrupt the dialogue at key moments, creating jolts of tension without ever fully tipping into outright horror. These moments are brief but impactful, designed more to unsettle than to terrify.
Image: Supplied
The cast works strongly together to maintain this balance. Shvorne Marks brings emotional intensity to Jenny’s growing fear, while James Bye plays Sam with grounded scepticism that slowly begins to crack. Natalie Casey adds sharp humour and bite as Lauren, and Grant Kilburn provides openness and curiosity as Ben, keeping the debate lively and unpredictable.
The production design is another standout element. The modern, stylish home feels realistic and lived-in, but subtly shifts in tone as the story progresses. Careful lighting and precise sound design ensure the space never feels entirely safe, even in silence, reinforcing the idea that something might be just out of sight.
Image: Supplied
As the final moments unfold, the play returns to its central idea: the waiting. The quiet anticipation of night, the smallest unexplained sounds, and the creeping awareness of time passing.
Ultimately, 2:22 A Ghost Story succeeds because it is not really trying to scare its audience traditionally. Instead, it plays with uncertainty, asking viewers to decide what they believe and how far they trust their own senses. And let’s be honest, you might find yourself thinking what might happen if you were still awake when the clock strikes 2:22.
Running until 16 May at the Leeds Grand Theatre and Opera House - tickets available here.
Georgina Pellant -
7th September 2022 
