The new coming-of-age drama series will air on Channel 4 later this month.
The first look images have been released for Dreamers, a coming-of-age drama series created by Lisa Holdsworth and Gem Copping.
Set and filmed in Leeds, the series is based on characters that have been workshopped and inspired by people from the city with support from the Young Audiences Content Fund (YACF), which was managed by the BFI and funded by the UK Government.
Image: Channel 4
The production was shot in and around Leeds and provided a fantastic opportunity for 10 Leeds-based people to break into the broadcast industry.
Production was tailored to people with no previous production experience, providing training, mentoring, one-to-one sessions, career planning and the chance to work on a major production.
Image: Channel 4
The series follows an eclectic group of dance students as they navigate the intense highs and lows of coming of age in today’s complex world – captured through stories which are as joyful and funny as they are raw and truthful, brought viscerally to life via irresistible dance choreography.
Image: Channel 4
Rebekah Wray-Rogers, Co-Founder of Duck Soup Films says: “We couldn’t be more thrilled that Dreamers was born and raised in our very own city. Collaborating with such a phenomenally talented and diverse group of new to the industry creatives has been an unforgettable journey, and we are buzzing to finally bring this exceptional series to the screen.”
Kevin Blacoe, Head of Partnerships & Skills at Channel 4 says: "4Skills is proud to fund the 10 full-time training placements on the production of Dreamers. It’s been a brilliant opportunity for these ten trainees with many of those who worked on the series now further developing their careers in the industry. Initiatives like these show the impact Channel 4 and 4Skills can make.”
An unflinching and empowering portrait of Tina Turner’s life.
Bringing the life of the Queen of Rock ’n’ Roll to the stage, TINA: The Tina Turner Musical arrives at the Leeds Grand Theatre with an energy that is both electrifying and deeply affecting. More than just a celebration of Tina Turner’s iconic career, this production offers a powerful portrayal of the hardship she endured and the extraordinary strength it took to overcome it.
While the musical is packed with well-known hits, it is the story behind them that leaves the greatest impact. From her early years to her rise to global stardom, the production lays bare the reality of Tina’s life, particularly the abuse and control she experienced at the hands of Ike.
These moments are handled with care but never softened, forcing the audience to confront the emotional and physical toll of her journey. It is this honesty that gives the show its real power this is not just a story of success, but one of survival.
Image: Supplied
A standout element of the production is the use of a younger Tina to show the early stages of her life and career. These scenes reveal her vulnerability, ambition, and the experiences that shaped her resilience, giving crucial context to her struggles with Ike and making her eventual empowerment all the more powerful. From hopeful, constrained performer to fiercely independent icon, her journey feels earned and deeply moving.
At the heart of the show is Elle Ma-Kinga N’zuzi, whose portrayal of Tina is nothing short of extraordinary. She captures every facet of the performer from vulnerability to fierce determination allowing the audience to fully experience Tina’s lowest moments as well as her eventual rise.
Image: Supplied
Opposite her, David King-Yombo delivers a chilling performance as Ike, embodying the manipulation and control that defined their relationship. Their dynamic is deeply uncomfortable at times, but essential in highlighting the magnitude of Tina’s resilience.
Equally striking is the musical’s staging and visual storytelling, which mirrors Tina’s emotional journey. Intimate early-life moments and larger-than-life concert sequences are enhanced with lighting, set design, and choreography.
Iconic numbers such as “Disco Inferno,” “Proud Mary,” “What’s Love Got to Do with It,” and “Private Dancer” are brought to life with golden disco balls and soaring spotlights, celebrating her rise while reflecting her transformation from oppression to empowerment. These moments are met with overwhelming audience enthusiasm, making Tina’s struggles and triumphs feel immediate, immersive, and unforgettable.
Image: Supplied
The only area that felt slightly less polished was the stage combat. While the physical tension between Tina and Ike was effective in conveying conflict and control, some of the choreography occasionally felt a little uneven, which momentarily pulled focus from the emotional intensity of those scenes. Even so, these moments were brief and did little to diminish the overall impact of the production.
By the final moments of the production, Tina prepares once more to take the stage, the narrative comes full circle the show ends the same way it began, with Tina getting ready for her gig. This framing is both thoughtful and powerful, giving the audience a moment to reflect on and celebrate the journey they have just witnessed.
Having experienced her struggles, triumphs, and transformation, the audience is invited to share in the exhilaration of her performance, turning the theatre into a concert-like celebration of resilience, empowerment, and music. As Tina herself, who worked on the production before her passing in 2023, described on opening night, the show is “poison turned into medicine.”
Ultimately, TINA: The Tina Turner Musical is a story of empowerment forged through adversity. For audiences at the Leeds Grand Theatre, this is more than a night at the theatre; it is an emotional, inspiring, and unforgettable tribute to a woman who refused to be defined by her past.
Running until 4 April. Tickets available now here.
Featured image - Supplied
Art & Culture
Adventurous people from Yorkshire needed to take part in next series of BBC’s Race Across the World
Emily Sergeant
Are you a fan of travelling? Got a bit of a competitive streak in your nature? Well, this might just be your calling then.
The BBC is, once again, casting for the next series of Race Across the World.
The BAFTA-winning hit show draws in thousands of viewers each week, and now producers are on the look-out for ‘intrepid duos’ of all ages who reckon they’re ready to take a step into the unknown, and embark on an epic race across land and sea for the next seried – and that includes Yorkshire residents.
With applications for the next series of the massively-popular show now open, nomadic people from Yorkshire are being encouraged to take part.
On a limited budget and away from the luxuries of modern technology and conveniences, those lucky applicants selected to take part in the next series will get the chance to experience life in some of the world’s most beautiful and remote locations.
Adventurous Mancs are needed to take part in the next series of Race Across the World / Credit: BBC
Navigating their way across thousands of miles, they’ll travel through spectacular scenery and dynamic cities, visit ancient wonders, learn local customs, and take part in time-honoured traditions.
But, as producers are keen to point out, ‘the physical journey is only half of the story’. That’s because, as the contestants take on the challenge of travelling across the world, the greatest thing they’ll discover along the way could actually be about themselves and one another.
Putting out a UK-wide casting call on the BBC website this week, producers Studio Lambert wrote: “We are now accepting applications for the next series of Race Across the World. This experience is open to all, whether you’re a seasoned traveller or total novice.
“We want to hear what undertaking a trip like this would mean to you, and with a cash prize at stake, what lengths you would go to to win.”
Fancy it then? Applications for the next series of Race Across the World are now open for anyone over 18 years of age, with a deadline date of 29 March 2026, and you can find out more information and apply via the BBC website.
Clementine Hall -
13th March 2025 
