Chow Down, a huge open-air event space in Leeds, is set to reopen this autumn for a whole new era.
The popular site will relaunch as BAR Events Leeds, kicking things off with a month-long Oktoberfest celebration.
Chow Down was a hugely popular hangout in the city, from summer beer garden pints to cosy winter cocktails - but closed its doors for good back in 2023.
Now, it's set to reopen as a brand-new venue, from the team behind BAR Events UK.
Situated just a 10 minute walk from Leeds train station, the new venue will be home to a giant teepee beer hall, complete with live Oompah bands, authentic German street food, a huge bar with two-pint steins of beer, and a lively festival atmosphere.
And with tickets priced at just £5, it'll be one of Leeds' most accessible seasonal events.
The Oktoberfest celebrations will run Thursday to Sunday throughout October, kicking off on Friday 2 October - but they've said that Oktoberfest is just the beginning.
There's a calendar of themed pop-up events in the works year-round, as well as operating as a private-hire venue.
Owner of BAR Events UK and BAR Events Leeds, Dan Lakin, said: "I've been running events for decades, and BAR Events UK has now been creating memorable experiences for over 11 years.
"During that time we've delivered thousands of weddings, festivals, corporate events and private celebrations across Yorkshire and beyond.
The old Chow Down will reopen in Leeds this autumnThe outdoor space will reopen with a huge Oktoberfest celebration
"I'd been looking for the right venue where we could create something permanent, hosting regular public events as well as private functions.
"I never expected to find such an incredible open space right on the doorstep of Leeds city centre, and when this opportunity came up I knew I had to take it.
"Oktoberfest is just the start. We've got lots of exciting ideas planned for the site over the coming months, and we're looking forward to creating a venue that people return to again and again.
"Whether it's a night out with friends, a corporate event or a private celebration, we hope BAR Events Leeds becomes somewhere the city can really enjoy."
The venue will open to the public on Friday 2 October then run every Thursday, Friday, Saturday and Sunday throughout, with one session on Thursdays and Fridays and two sessions each Saturday and Sunday - tickets are on sale now via Skiddle.
Leeds legend Kevin Sinfield is set to take on his seventh and final 7 in 7 challenge this month.
The former Leeds Rhinos captain will begin 7 in 7: The Grand Finale next Sunday 27 September.
Wondering what on earth that is? Allow us to fill you in.
Sinfield will be running an ultra-marathon every day for seven days, and this time it's across the north of England including a special stop off right here in Leeds.
Not only that, but the challenge will bring Sinfield back to some of the places that have played a huge part in his rugby league career.
The route will visit all 12 English Betfred Super League grounds, starting at Hull KR before travelling through Yorkshire and eventually crossing the Pennines towards Manchester where Sinfield is from.
Here in Leeds, we can expect Sinfield to arrive at Headingley Stadium on Wednesday 30 September at 11:14am, before leaving towards Pudsey Civic Hall at 11:40am.
The challenge will then finish at Old Trafford on Saturday 3 October, where Sinfield will arrive ahead of the Super League Grand Final.
Since the first annual challenge back in 2020, Kevin Sinfield and his team have raised over £11 million for the MND community with six charities set to benefit once again from this years fundraising.
It's an amazing challenge for an amazing cause, and you can donate and find out more about the challenge here.
Good luck Kevin and the team, we know you'll smash it.
Fences at Leeds Playhouse – walls, wounds and what we leave behind | Review
Declan Kelly
Leeds Playhouse delivers a powerful story about the walls we build.
August Wilson’s Fences is a powerful and deeply personal family drama, exploring race, fatherhood, ambition and the emotional scars that can be passed from one generation to the next.
At Leeds Playhouse, the strength of the production lies largely with its cast. Ray Fearon gives Troy Maxson a commanding presence, balancing humour and charm with a growing sense of anger and resentment. It is an uncomfortable performance at times, but one that keeps you invested in Troy even when his actions become increasingly difficult to accept.
Madeline Appiah brings real warmth and emotional depth to Rose, while Josh Tedeku captures Cory’s frustration as a young man determined to make his own way rather than inherit his father’s limitations.
Image: Supplied
For me, though, Act 2 is where the production really comes alive.
The first half feels comparatively restrained. That isn't necessarily a criticism of the performances or Wilson's writing, but having experienced previous Headlong productions, I went in expecting a little more theatrical imagination from the staging. There were moments where I felt the production could have pushed the material further visually.
Act 2 begins to deliver that.
The rotating set adds movement and energy, while the bright LED lighting works particularly well with the live music, creating a more heightened atmosphere as the family's tensions reach breaking point. The production suddenly feels more visually ambitious, and the design starts to work hand-in-hand with the emotional journey of the characters.
Images: Supplied
The fence itself is an effective recurring image, initially a practical task, but gradually becoming a representation of Troy's need for control, protection and separation. The more the story unfolds, the more the fence feels like a barrier between Troy and the people he loves.
There is a lot to admire here, particularly in the performances, and Wilson's writing remains as relevant and affecting as ever. However, I couldn't help feeling that some of the theatrical ambition found in Act 2 could have been introduced earlier.
Ultimately, Fences is a moving and thought-provoking evening, with a particularly strong second half. For me, it was Act 2 that turned a solid production into a genuinely memorable one.
Running until 23 September at Leeds Playhouse, get your tickets here.