The rise of this North Shields lad has been nothing short of extraordinary.
From supporting Vant in 2017 at the now-closed Fibbers in York to playing Leeds’ first direct arena in front of a crowd of 13,000, Sam Fender’s journey is nothing short of remarkable.
What once felt like witnessing the birth of local talent has transformed into celebrating a fully-fledged icon of British music.
Kicking off the evening was Wunderhorse, a band currently riding high on a wave of critical and fan acclaim. With their latest album Midas making serious noise and a year packed with high-profile gigs - including supporting Fontaines D.C. around Europe and their own headline shows - it’s no surprise that their live performance was nothing short of captivating.
Image: The Hoot Leeds
Wunderhorse brought raw energy and undeniable charisma, proving why they’re hailed as one of the most exciting bands of the moment. Their mix of intricate melodies and thundering riffs warmed up the crowd perfectly, leaving the audience buzzing for what was to follow.
As the lights dimmed and the roar of the crowd filled the arena, Fender took to the stage with The Kitchen, igniting an immediate connection with the audience. His ability to balance stadium-worthy anthems with moments of intimate storytelling is what makes him such a standout artist. The set was a masterclass in emotional highs and lows, blending his sharp social commentary with heartfelt personal reflections.
Image: The Hoot Leeds
The setlist consisted of some all time classics, alongside his latest releases, both Wild Long Lie, and People Watching, teasing fans to the sounds of the newest Fender album which is set to be released in February.
Tracks like ‘Seventeen Going Under’ brought a collective catharsis to the crowd, with fans screaming every word back at him, while ‘Spit Of You’ delivered a poignant moment of reflection on mental health - a topic that Fender continues to address with unflinching honesty.
One of the standout moments of the night was The Dying Light, which fans were elated to see back on the setlist. Fender’s raw vocals and stripped-back arrangement filled the first direct arena with tear-jerking intimacy, a reminder that despite his rise, he’s never lost the heart and vulnerability that first drew fans to his music.
Drawing the night to a close, Sam told the crowd for these next two songs they might want to have a bit of a mosh pit, urging fans to take care of one another. The riff for Spice then kicked in, which saw the entire arena on its feet, bouncing in unison as Fender’s band delivered a flawless performance. The crowd didn’t even have a chance to catch a breath before ‘Howdon Aldi Death Queue’ turned the crowd into an ecstatic frenzy of people belting the lyrics and emulating the sirens heard in the song.
For the encore the unmistakable opening chant of Hypersonic Missiles echoed throughout the room, leaving the crowd roaring the lyrics long after the show had finished, all the way down to Leeds train station.
It was a fitting finale to a show that felt both triumphant and deeply personal. Fender’s gratitude was evident throughout, and his heartfelt thanks to the fans who have supported him from tiny venues to arenas like this only cemented his status as one of the most relatable artists of his generation.
Image: The Hoot Leeds
It’s almost impossible to reconcile the young artist who played for a handful of people in Fibbers with the confident performer who commanded every inch of the first direct arena’s stage. Yet, the essence of Sam Fender remains the same: a working-class storyteller with a knack for writing songs that resonate across generations.
Leeds was treated to an unforgettable night, showcasing Fender’s ability to make even the largest spaces feel intimate. If this show is anything to go by, the next chapter in his career will only take him to greater heights.
The famous Day Fever is back and this time it’s set to be bigger and better than ever before.
If you haven’t heard of Day Fever before, then we are about to blow your mind.
Launched in early 2024 by actress Vicky McClure and frontman of Reverend & The Makers Jon McClure, Day Fever has become somewhat of a cultural sensation.
From its debut in Sheffield to a tour that sees thousands of ravers hitting the dance floor each month, the message is clear: people want to dance and let loose, but still be in bed before 9pm. And to be honest, we don’t blame them.
Running from 3pm to 8pm, Day Fever provides a proper night out that doesn’t completely write you off for the entire weekend.
Image: Supplied
“It started as a WhatsApp idea,” says Jon McClure. “Jonny just said, ‘A daytime disco, how good would that be?’ We’re all a bit nuts, so we just said, ‘Come on then!’
“It feels like a massive house party at your nan’s,” laughs Vicky. “No drama, no egos, just people acting daft, getting dressed up, and having the best time.”
From Leeds to Newcastle, Glasgow to Manchester, every Day Fever event has its own unique flavour.
There’ll be local DJs who know their crowds keep the energy high with a nostalgic mix of Northern Soul, disco, indie, and 90s classics. “Manchester goes mad for Oasis,” says Jon, “and if Vicky’s there, we have to play Whitney, it’s non-negotiable!”
They last popped up in Leeds at Project House a couple of weeks ago and it went down a storm, so they've decided to come back for two more dates to kick off the new year.
Day Fever will be turning up the speakers at Project House on Saturday 31 January and Saturday 28 February, and we will absolutely see you there.
Tickets are on sale now, and you can grab yours here.
A list of the most annoying songs of 2025 according to ‘science’ has been revealed
Emily Sergeant
The most annoying songs of 2025 according to ‘science’ has been published.
Music lovers have already been sifting through their Spotify Wrapped, which came out earlier this month, with searches for it surging an astonishing 5,000% in recent weeks, proving that 2025 has been a memorable year for music.
We've had record-breaking releases, viral TikTok hits, and artists pushing creative boundaries across genres.
Despite the hits though, some tracks have sparked debates over how irritating they are – from repetitiveness to ‘harmonic dullness’.
Interested to discover the most annoying song releases of 2025, the experts at SeatPick analysed the most popular songs of 2025 according to official top charts, then measured their repetition, shrillness, harmonic dullness, and filler lyrics to calculate the percentage chance that listeners would find the song to be so-called ‘annoying’.
Unfortunately for one artist – one very popular artist, it has to be said – they have claimed both the top and second spot, and that artist is pop royalty Sabrina Carpenter.
SeatPick’s findings revealed that Sabrina Carpenter’s ‘Sugar Talking’ and ‘Tears’, which were both featured on her latest album Man’s Best Friend, are the most annoying songs released in 2025, as the data metrics indicated that nearly half of listeners (46%) are likely to find these songs irritating due to they’re repetitiveness.
The most annoying songs of 2025 have been revealed according to ‘science’ / Credit: Jonas Leupe
Lady Gaga’s ‘The Dead Dance’ ranks as the third most annoying track of the year, scoring high on the ‘annoyingness index,’ with repetition, brightness, and lyrical filler contributing to an overall 45.8% likelihood that listeners would find it irritating.
Rounding off the top four most irritating songs of 2025 is ‘Who’ by BTS member, Jimin, with there being a 45.5% chance that listeners would find his song irritating due to its repetitive hooks and bright, high pitched tones.
When it comes to the list of most irritating TikTok trending songs of 2025, that title went to ‘Dame Un Grrr’ by Fantomel and Kate Linn, with a 45.7% likelihood of being found irritating by listeners, closely followed by ‘She Twerkin’ by Ca$h Out in second, with a 44.1% likelihood of being found annoying by listeners.
One song we’re sure many of you won’t be surprised to find on the most irritating list is ‘Hold My Hand’ by Jess Glynne, which, of course, initially gained popularity through its use in a Jet2Holiday advertisement, and then later became widely featured in more than 3.4 million TikTok videos.
So, what do you make of these results then? Do you agree? What do you think the most annoying song that came out in 2025 is?
Emily Johnson -
5th December 2024 
