Leeds
From Hope to Hardship: Small Island Brings Windrush Stories to Leeds Playhouse
Declan Kelly -
18th March 2026 
An emotional journey of dreams and displacement.
Leeds Playhouse’s latest production brings a vital and often underrepresented chapter of British history powerfully to the stage.
Small Island, directed by Olivier Award-winner Matthew Xia, serves as a compelling microcosm of the migrant experience during the Windrush generation, placing memory, dreams, empire, and entitlement firmly at its core.
This bold and deeply affecting staging expands Andrea Levy’s celebrated novel into a rich, immersive theatrical experience that feels both epic in scope and strikingly intimate. Moving fluidly between Jamaica and postwar London, the production captures the dislocation, resilience, and quiet courage of those who arrived with hope, only to be met with hostility and exclusion.
Hortense and Gilbert’s pursuit of dignity and opportunity is portrayed with warmth and nuance, while Queenie’s compassion and Bernard’s unease reflect a nation grappling with profound social change. The play weaves together multiple narratives shaped by the Windrush era, each driven by a desire for a better life, and each revealing the emotional and physical toll of that journey.
What sets this production apart is its remarkable balance between sweeping historical scope and emotional intimacy. The lilting rhythms of calypso infuse the piece with moments of joy and nostalgia, while stark staging and visual contrasts underscore the bleak realities of 1940s Britain. The parallel lives of the characters highlight the shared struggles faced by many Caribbean migrants of the time.
One of the most striking elements is the rotating house in Act Two, which becomes a powerful visual metaphor for division and displacement, physically embodying the discomfort and fractured realities of the characters’ lives. Meanwhile, the use of projection reminiscent of archival broadcast footage transports the audience across continents, deepening the sense of time, place, and lived experience.
At times, the play is harrowing, bringing the struggles of the Windrush generation into sharp focus and leaving the audience in disbelief at the treatment endured. There are moments so charged that you feel compelled to respond to challenge, to question, to intervene. Yet amid the hardship, there remains a strong sense of warmth and the enduring promise of hope. Bronte Barbe delivers a compelling performance as Queenie, portraying her compassion with sincerity and strength.
However, the standout performance comes from Anna Crichlow as Hortense, offering a powerhouse portrayal that beautifully captures a character driven by ambition, resilience, and deep self-respect.
For those who may have only briefly encountered the Windrush generation in education, this production feels especially vital. It not only illuminates the trials and tribulations faced by a generation but also resonates with ongoing conversations about migration and belonging today.
There is a force in its vision that allows the audience to feel both the physical and emotional realities of the story. Though it does not shy away from bleakness, it ultimately offers connection, reflection, and a reminder of the enduring human capacity for hope.
Overall, Small Island is a captivating and emotionally rich production from start to finish. The cast skillfully balances moments of humour with deeply moving scenes, creating a theatrical experience that lingers long after the final curtain. The stories it tells of resilience, injustice, and aspiration feel more relevant than ever.
Theatre continues to act as a powerful lens through which we can better understand both our history and our present, and this production stands as a compelling reminder of why these stories must continue to be told.
Running at Leeds Playhouse, Quarry Theatre until 28 March and you can get your tickets here.
Featured image - Supplied
