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Bradford council admits it ‘let Star down’ as mother and partner jailed
Saying they needed to "understand why opportunities to better protect Star were missed", they added they "deeply regret" missing warning signs that could have saved her life.
Bradford council has admitted it 'let Star down' and that warning signs were missed, as her mother and partner were jailed following the toddler's tragic death.
In a joint statement released today by the Bradford Partnership - Working Together to Safeguard Children (Bradford Council, Bradford District and Craven Clinical Commissioning Group, and West Yorkshire Police), officials called her death "devastating" and said there was 'much to learn'.
Saying they needed to "understand why opportunities to better protect Star were missed", they added they "deeply regret" missing warning signs that could have saved her life, reports The Telegraph and Argus.
The statement also referenced another recent tragic case of Arthur Labinjo-Hughes, which has made headlines in recent weeks and spurred calls to serve life imprisonment sentences to child murderers.
Star Hobson's mother, Frankie Smith, and her partner, Savannah Brockhill, have been found guilty of the toddler's murder following months of physical abuse. They will be sentenced on Wednesday.
During the trial, a jury heard the toddler from infant from Keighley was subject to abuse including punching, kicking and stamping in the weeks leading to her tragic death.
The full statement from the Bradford Partnership - Working Together to Safeguard Children said: "We want to say first and foremost that we’re sorry for the death of Star.
"This was a child’s life cut cruelly short. Two people have been brought to answer for their crimes - one has been convicted of murder and one of causing or allowing the death of a child.
“Anyone who has followed the trial will want to know what more could have been done to help protect Star. As agencies who have a joint responsibility to protect children, this has been at the forefront of our minds.
"Any death of a child, wherever it happens, is one death too many, but this happened in our district, in our community and has had a devastating impact.
“We are very aware as partners that there is much that we need to learn from this case. We have already put in place actions that will improve our practice so that we learn those lessons. But we need to fully understand why opportunities to better protect Star were missed.
“We must also learn everything we can from the awful murder of Arthur Labinjo-Hughes. A national review has been established to enable this to happen. If we can contribute our learning to this review, we will do.
“We offered support and assistance to Star’s family for what we believed their needs to be, at that given time, but we all deeply regret that not all the warning signs were seen that could have led to firmer statutory enforcement action.
“A Local Child Safeguarding Practice Review is being written by an independent author. This is almost complete and, now the trial is concluded, the review will be finalised and published in January 2022. It will provide partners and colleagues in our district and across the country with clear recommendations so we can better protect children in our care."
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Leeds speakeasy crowned one of the best cocktail bars in the world by industry experts
The beloved Domino Club is receiving its flowers, and rightly so.
Rapidly becoming one of the industry’s most respected accolade of excellence, The Pinnacle Guide is a worldwide ranking of the best bars across the globe.
Based on a thorough self-application process, rigorous assessment modules, followed by a series of spot check interviews and anonymous in-bar reviews, it's no easy feat to get a spot on this list.
Which is why it makes The Domino Club's achievement all that more impressive.
Known amongst locals and visitors alike as basically one of the coolest bars in town, the hidden speakeasy invites you through a barbershop in the Grand Arcade where downstairs you'll find a dimly lit jazz and cocktail bar oozing sex appeal.
Not only are the cocktails exceptional, but their live music listings is something to behold playing everything from jazz and funk to cabaret and disco every Wednesday - Sunday.
Announcing the news to Instagram, The Domino said: "Listed by The Pinnacle Guide. The Domino Club has been recognised on the global list of the world’s best bars.
"What began as a hidden basement bar in Leeds, built around live music, cocktails and atmosphere, is now being recognised alongside some of the finest bars in the world.
"A huge thank you to our team, musicians, suppliers and every single guest who has supported us over the years. This means a lot. Leeds belongs on the world cocktail map."
We absolutely could not agree more and if you haven't ventured behind the barbershop and discovered the magical Domino Club, then we very much recommend you do.
2:22 A Ghost Story at Leeds Grand Theatre and Opera House: When silence becomes the scare
Declan Kelly
The supernatural thriller 2:22 A Ghost Story arrived at Leeds Grand Theatre as part of its UK tour, bringing Danny Robins’s hit production to a packed audience.
Since its West End debut in 2021, the play has become known less as a straight horror and more as a gripping psychological debate wrapped in a ghost story.
At the centre of the story is one key question: do ghosts actually exist? Set during a dinner party between two couples, the drama unfolds as Jenny becomes increasingly convinced their home is haunted, claiming she hears strange noises every night at exactly 2:22am.
Her husband Sam dismisses her fears as irrational, while friends Lauren and Ben challenge both sides, turning the evening into a lively clash of belief and scepticism. What begins as a conversation gradually becomes something far more tense, as personal fears and buried tensions rise to the surface.
Image: Supplied
Rather than relying on traditional horror, the production focuses on atmosphere and psychological tension. The script builds unease through sharp dialogue, awkward silences and shifting power dynamics between the characters. Instead of delivering constant shocks, it keeps the audience questioning what is real and what might simply be a coincidence or imagination.
That said, the play does use theatrical jump scares effectively. Sudden loud noises, abrupt lighting changes and eerie sound cues interrupt the dialogue at key moments, creating jolts of tension without ever fully tipping into outright horror. These moments are brief but impactful, designed more to unsettle than to terrify.
Image: Supplied
The cast works strongly together to maintain this balance. Shvorne Marks brings emotional intensity to Jenny’s growing fear, while James Bye plays Sam with grounded scepticism that slowly begins to crack. Natalie Casey adds sharp humour and bite as Lauren, and Grant Kilburn provides openness and curiosity as Ben, keeping the debate lively and unpredictable.
The production design is another standout element. The modern, stylish home feels realistic and lived-in, but subtly shifts in tone as the story progresses. Careful lighting and precise sound design ensure the space never feels entirely safe, even in silence, reinforcing the idea that something might be just out of sight.
Image: Supplied
As the final moments unfold, the play returns to its central idea: the waiting. The quiet anticipation of night, the smallest unexplained sounds, and the creeping awareness of time passing.
Ultimately, 2:22 A Ghost Story succeeds because it is not really trying to scare its audience traditionally. Instead, it plays with uncertainty, asking viewers to decide what they believe and how far they trust their own senses. And let’s be honest, you might find yourself thinking what might happen if you were still awake when the clock strikes 2:22.
Running until 16 May at the Leeds Grand Theatre and Opera House - tickets available here.
The Hoot -
14th December 2021 
