A Bristolian pub has been branded the wokest in Britain after its boss made the choice to ban a number of popular drinks from being sold inside.
The landlord at The Red Lion in Bristol, known only as Lemmy, has moved to restrict the sale of Thatcher's cider, Heineken, Coca Cola and Barcadi - citing links to the slave trade, improper land and water use and human rights concerns.
Hid decision follows a campaign launched in the city last week to boycott Thatcher's, the Somerset cider makers, after a local activist group revealed its director and fourth-generation cider-maker was a member of a society with deep links to 17th-century slaver Edward Colston.
After this news came to light, The Red Lion boss said it would be ‘hypocritical’ to continue selling the cider - adding that its quality had also deteriorated since the start of the pandemic.
He then also made the decision to ban Heineken beers, Coca Cola and Bacardi as the companies behind these products are also accused of maintaining unethical production practises around the globe.
Criticism of the pub has come in thick and fast from culture warriors online, but bosses are sticking to their morals on this one.
Landlord Lemmy has since spoken out, telling the South West News Service.: ‘We have taken what we consider to be an ethical stance — it’s part of who we all are.
‘We have been labelled “woke” and all these weaponised words, which have made us feel pretty vulnerable.’
“When we have taken the stance which we believe is ethical, we do not want to be made some kind of target.”
Elaborating on the pub’s decision not to sell Coca Cola and other products deemed unethical, he added: “We don’t serve Coca-Cola because they have a history of seriously bad use of water in third-world countries,”
Image: Google
The pub also does not sell Polish lager Tyskie, because of the company’s apparent links with the anti-LGBTQ movement.
It emerged earlier this month that Thatcher’s cider director and fourth-generation cider-maker Martin Thatcher has been a member of a merchants’ society with deep links to slave trader Edward Colston since 2012.
Bristolian activist group Countering Colston launched the boycott-Thatcher’s campaign last week in protest at the Society of the Merchant Venturers (SMV’s) deep links with Bristol’s historical slave trade.
They tweeted: “Martin Thatcher, director of the company, is a member of the Society of the Merchant Venturers.
“The SMV has deep roots in the historical slave trade in Bristol, and its members were responsible for the suffering and death of tens of thousands of human beings.
“They are a powerful unelected elite who have significant influence on political and civic life in Bristol.”
Feature image – Google
News
2:22 A Ghost Story at Leeds Grand Theatre and Opera House: When silence becomes the scare
The supernatural thriller 2:22 A Ghost Story arrived at Leeds Grand Theatre as part of its UK tour, bringing Danny Robins’s hit production to a packed audience.
Since its West End debut in 2021, the play has become known less as a straight horror and more as a gripping psychological debate wrapped in a ghost story.
At the centre of the story is one key question: do ghosts actually exist? Set during a dinner party between two couples, the drama unfolds as Jenny becomes increasingly convinced their home is haunted, claiming she hears strange noises every night at exactly 2:22am.
Her husband Sam dismisses her fears as irrational, while friends Lauren and Ben challenge both sides, turning the evening into a lively clash of belief and scepticism. What begins as a conversation gradually becomes something far more tense, as personal fears and buried tensions rise to the surface.
Image: Supplied
Rather than relying on traditional horror, the production focuses on atmosphere and psychological tension. The script builds unease through sharp dialogue, awkward silences and shifting power dynamics between the characters. Instead of delivering constant shocks, it keeps the audience questioning what is real and what might simply be a coincidence or imagination.
That said, the play does use theatrical jump scares effectively. Sudden loud noises, abrupt lighting changes and eerie sound cues interrupt the dialogue at key moments, creating jolts of tension without ever fully tipping into outright horror. These moments are brief but impactful, designed more to unsettle than to terrify.
Image: Supplied
The cast works strongly together to maintain this balance. Shvorne Marks brings emotional intensity to Jenny’s growing fear, while James Bye plays Sam with grounded scepticism that slowly begins to crack. Natalie Casey adds sharp humour and bite as Lauren, and Grant Kilburn provides openness and curiosity as Ben, keeping the debate lively and unpredictable.
The production design is another standout element. The modern, stylish home feels realistic and lived-in, but subtly shifts in tone as the story progresses. Careful lighting and precise sound design ensure the space never feels entirely safe, even in silence, reinforcing the idea that something might be just out of sight.
Image: Supplied
As the final moments unfold, the play returns to its central idea: the waiting. The quiet anticipation of night, the smallest unexplained sounds, and the creeping awareness of time passing.
Ultimately, 2:22 A Ghost Story succeeds because it is not really trying to scare its audience traditionally. Instead, it plays with uncertainty, asking viewers to decide what they believe and how far they trust their own senses. And let’s be honest, you might find yourself thinking what might happen if you were still awake when the clock strikes 2:22.
Running until 16 May at the Leeds Grand Theatre and Opera House - tickets available here.
Leeds Jazz Festival returns to the city this month complete with best lineup yet
Clementine Hall
The 2026 edition of the Leeds Jazz Festival is here, and it's set to be bigger and better than ever before.
If you're a lover of jazz, then you're going to want to keep reading.
Now in its fifth year, Leeds Jazz Festival showcases the best of local, national, and international music through gigs, screenings, DJs, talks and more.
The festival is set to take place across the city from Thursday 21 to Tuesday 26 May 2026, making it the perfect event to enjoy across the bank holiday weekend.
Image: Supplied
Kicking the festival off is Submotion Orchestra, a boundary-pushing musical collective originally formed in Leeds who will be making their return to The Wardrobe for a very special gig.
Over in Chapel Allerton, Jazz Leeds will bring Donovan Haffner to Seven Arts, fresh from his wins for "Jazz Newcomer of the Year" at the UK Parliamentary Jazz Awards and "UK Breakthrough Act" at the 2026 JazzFM Awards.
Leeds Jazz Festival legend DJ Lubi has curated a fantastic night of live Cuban music, alongside a Cuban dance class and a DJ after-party at Howard Assembly Room.
Image: Supplied
Elsewhere at The Domino Club there'll be a whole host of different events taking place, including Three or Four Shades of Mingus, Alligator Gumbo, and two special shows celebrating the 100th birthday of jazz icon Miles Davis.
For more laid-back chill vibes on Bank Holiday Monday, Mercury Music Prize-nominated pianist Kit Downes will play an intimate performance in the stunning acoustics of Mill Hill Chapel. Now that is something not to be missed.
For full details on the lineup as well as information on free activities as well as ticketed gigs, visit the Leeds Jazz Festival website.
Georgina Pellant -
18th February 2022 
