The Royal Mint has announced that the first coins to bear the effigy of King Charles III have officially entered circulation today.
In what marks the historic transition from Queen Elizabeth II to King Charles III on the public's money, following the passing of the former back in September after 70 years on the throne, the first coins to bear The King’s portrait - are 50 pence pieces, and they will start to appear in circulation in Post Offices around the UK from today.
The coins not only bear The King's face, but are also said to commemorate the life and legacy of the late monarch.
The reverse of the 50 pence features a design that originally appeared on the 1953 Coronation Crown, and includes the four quarters of the Royal Arms depicted within a shield, and in between each shield is an emblem of the home nations - a rose, a thistle, a shamrock, and a leek.
4.9 million 50 pence coins with King Charles III's face on have been sent to UK Post Offices today.
The coin will first begin being distributing as change when customers make a purchase in store, The Royal Mint explains, before a total of 9.6 million 50ps eventually enter circulation in line with the public demand for them.
"Today marks a new era for UK coinage," commented Rebecca Morgan, Director of Collector Services at The Royal Mint.
"It’s a fantastic opportunity for coin collectors to add to their collections, or start one for the first time. We anticipate a new generation of coin collectors emerging, with people keeping a close eye on their change to try and spot a new 50p that bears the portrait of our new King.
"The Royal Mint has been trusted to make coins bearing the Monarch’s effigy for over 1,100 years and we are proud to continue this tradition into the reign of King Charles III."
Also speaking as the coins enter circulation today, Nick Read - Chief Executive Office of the Post Office - said: "It is a tremendous honour for the Post Office that the first coinage featuring King Charles III is being released into circulation via our extensive branch network.
"December is our busiest time of the year so the coin will be entering our network in a phased manner.
"If you don’t receive the new 50p in your change on your first visit to a Post Office, you may well get it in your change in a subsequent visit, so keep a look out for it."
Coins with King Charles III's face on have officially entered circulation today / Credit: Royal Mint
All approximately 27 billion UK coins with Queen Elizabeth II's face on will remain legal tender and in active circulation, and will eventually be replaced over time as they become damaged or worn and to meet demand for new coins.
The Royal Mint explains that historically, it has been commonplace for coins featuring the effigies of different monarchs to co-circulate.
"This ensures a smooth transition, with minimal environmental impact, and cost," The Royal Mint said.
Featured Image - Royal Mint
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Leeds speakeasy crowned one of the best cocktail bars in the world by industry experts
The beloved Domino Club is receiving its flowers, and rightly so.
Rapidly becoming one of the industry’s most respected accolade of excellence, The Pinnacle Guide is a worldwide ranking of the best bars across the globe.
Based on a thorough self-application process, rigorous assessment modules, followed by a series of spot check interviews and anonymous in-bar reviews, it's no easy feat to get a spot on this list.
Which is why it makes The Domino Club's achievement all that more impressive.
Known amongst locals and visitors alike as basically one of the coolest bars in town, the hidden speakeasy invites you through a barbershop in the Grand Arcade where downstairs you'll find a dimly lit jazz and cocktail bar oozing sex appeal.
Not only are the cocktails exceptional, but their live music listings is something to behold playing everything from jazz and funk to cabaret and disco every Wednesday - Sunday.
Announcing the news to Instagram, The Domino said: "Listed by The Pinnacle Guide. The Domino Club has been recognised on the global list of the world’s best bars.
"What began as a hidden basement bar in Leeds, built around live music, cocktails and atmosphere, is now being recognised alongside some of the finest bars in the world.
"A huge thank you to our team, musicians, suppliers and every single guest who has supported us over the years. This means a lot. Leeds belongs on the world cocktail map."
We absolutely could not agree more and if you haven't ventured behind the barbershop and discovered the magical Domino Club, then we very much recommend you do.
2:22 A Ghost Story at Leeds Grand Theatre and Opera House: When silence becomes the scare
Declan Kelly
The supernatural thriller 2:22 A Ghost Story arrived at Leeds Grand Theatre as part of its UK tour, bringing Danny Robins’s hit production to a packed audience.
Since its West End debut in 2021, the play has become known less as a straight horror and more as a gripping psychological debate wrapped in a ghost story.
At the centre of the story is one key question: do ghosts actually exist? Set during a dinner party between two couples, the drama unfolds as Jenny becomes increasingly convinced their home is haunted, claiming she hears strange noises every night at exactly 2:22am.
Her husband Sam dismisses her fears as irrational, while friends Lauren and Ben challenge both sides, turning the evening into a lively clash of belief and scepticism. What begins as a conversation gradually becomes something far more tense, as personal fears and buried tensions rise to the surface.
Image: Supplied
Rather than relying on traditional horror, the production focuses on atmosphere and psychological tension. The script builds unease through sharp dialogue, awkward silences and shifting power dynamics between the characters. Instead of delivering constant shocks, it keeps the audience questioning what is real and what might simply be a coincidence or imagination.
That said, the play does use theatrical jump scares effectively. Sudden loud noises, abrupt lighting changes and eerie sound cues interrupt the dialogue at key moments, creating jolts of tension without ever fully tipping into outright horror. These moments are brief but impactful, designed more to unsettle than to terrify.
Image: Supplied
The cast works strongly together to maintain this balance. Shvorne Marks brings emotional intensity to Jenny’s growing fear, while James Bye plays Sam with grounded scepticism that slowly begins to crack. Natalie Casey adds sharp humour and bite as Lauren, and Grant Kilburn provides openness and curiosity as Ben, keeping the debate lively and unpredictable.
The production design is another standout element. The modern, stylish home feels realistic and lived-in, but subtly shifts in tone as the story progresses. Careful lighting and precise sound design ensure the space never feels entirely safe, even in silence, reinforcing the idea that something might be just out of sight.
Image: Supplied
As the final moments unfold, the play returns to its central idea: the waiting. The quiet anticipation of night, the smallest unexplained sounds, and the creeping awareness of time passing.
Ultimately, 2:22 A Ghost Story succeeds because it is not really trying to scare its audience traditionally. Instead, it plays with uncertainty, asking viewers to decide what they believe and how far they trust their own senses. And let’s be honest, you might find yourself thinking what might happen if you were still awake when the clock strikes 2:22.
Running until 16 May at the Leeds Grand Theatre and Opera House - tickets available here.
Emily Sergeant -
8th December 2022 
