Covid air purifiers could be installed in every English classroom for half the price of the new royal yacht, according to new reports.
The Liberal Democrats say that the move would cost the public purse around £140m and greatly help stem the spread of the Covid-19 virus, which has picked up rapidly since the arrival of the new Omicron variant in the country.
The news follows calls from the education secretary Nadim Zahawi for retired teachers to return to the profession to help fill staff absences.
Currently, headteachers are expected to pay for their school’s own air filters – with many having criticised the department for education’s preferred suppliers as being too expensive.
One such unit recommended by the government, made by Camfil City M, costs £1,170 whilst the other recommended product, a Dyson model, costs £424.82.
A multi-academy trust leader told TES: “We were really shocked to see the cost of the two products on the DfE approved framework.
“We have purchased several HEPA filtration units for less than half the cost of the Dyson units on this framework. It is difficult to understand why the DfE would signpost schools to such expensive branded products at a time when school budgets are so tight.”
Meanwhile, many school heads are warning that whole year groups could be sent home due to Covid-19 – and are already warning of high numbers of staff absences caused by illness and self-isolation.
Geoff Barton, the general secretary of the Association of School and College Leaders, warned The Telegraph that classroom closures could occur if teachers were left with no alternatives.
He told the paper: “If you have a fixed pool available of those who can teach young people, then the only final resort schools and colleges have is to start thinking about the certain year groups that should be prioritised in the short term,”
Current government advice to protect teachers and children from the spread of the virus suggests that windows should be opened, as should external doors, in order to help create airflow throughout classrooms.
Students at Grace Christian School in Charlottetown, PE in various locations in the school.
Official advice also states that schools “should balance the need for increased ventilation while maintaining a comfortable temperature”, although this may be difficult to achieve during the cold winter months as classes of children return to in-person lessons in January 2022.
The government has also suggested the use of CO2 monitors in schools as a way to better promote airflow. However, the Lib Dem education spokesperson Munira Wilson has pointed out that these would be much less effective than Covid air filters, as they only give information on where airflow is needed – as opposed to increasing airflow within classrooms.
Wilson told the Guardian: “Failure to act right now will fail our children in the future. The government has a week to solve this, otherwise, pupils will be left out in the cold and missing out on vital learning once again,”
“Nadhim Zahawi gave a cast-iron guarantee that schools would stay open. Unless he gets a grip on this quickly, he will be adding to the countless broken promises from this Government. Worse still, he will be breaking a promise to all our children.”
The government has assured parents that schools will open as usual for the new term following the Christmas break, despite a huge surge in Omicron cases over Christmas.
Feature image –Coast Community
News
2:22 A Ghost Story at Leeds Grand Theatre and Opera House: When silence becomes the scare
The supernatural thriller 2:22 A Ghost Story arrived at Leeds Grand Theatre as part of its UK tour, bringing Danny Robins’s hit production to a packed audience.
Since its West End debut in 2021, the play has become known less as a straight horror and more as a gripping psychological debate wrapped in a ghost story.
At the centre of the story is one key question: do ghosts actually exist? Set during a dinner party between two couples, the drama unfolds as Jenny becomes increasingly convinced their home is haunted, claiming she hears strange noises every night at exactly 2:22am.
Her husband Sam dismisses her fears as irrational, while friends Lauren and Ben challenge both sides, turning the evening into a lively clash of belief and scepticism. What begins as a conversation gradually becomes something far more tense, as personal fears and buried tensions rise to the surface.
Image: Supplied
Rather than relying on traditional horror, the production focuses on atmosphere and psychological tension. The script builds unease through sharp dialogue, awkward silences and shifting power dynamics between the characters. Instead of delivering constant shocks, it keeps the audience questioning what is real and what might simply be a coincidence or imagination.
That said, the play does use theatrical jump scares effectively. Sudden loud noises, abrupt lighting changes and eerie sound cues interrupt the dialogue at key moments, creating jolts of tension without ever fully tipping into outright horror. These moments are brief but impactful, designed more to unsettle than to terrify.
Image: Supplied
The cast works strongly together to maintain this balance. Shvorne Marks brings emotional intensity to Jenny’s growing fear, while James Bye plays Sam with grounded scepticism that slowly begins to crack. Natalie Casey adds sharp humour and bite as Lauren, and Grant Kilburn provides openness and curiosity as Ben, keeping the debate lively and unpredictable.
The production design is another standout element. The modern, stylish home feels realistic and lived-in, but subtly shifts in tone as the story progresses. Careful lighting and precise sound design ensure the space never feels entirely safe, even in silence, reinforcing the idea that something might be just out of sight.
Image: Supplied
As the final moments unfold, the play returns to its central idea: the waiting. The quiet anticipation of night, the smallest unexplained sounds, and the creeping awareness of time passing.
Ultimately, 2:22 A Ghost Story succeeds because it is not really trying to scare its audience traditionally. Instead, it plays with uncertainty, asking viewers to decide what they believe and how far they trust their own senses. And let’s be honest, you might find yourself thinking what might happen if you were still awake when the clock strikes 2:22.
Running until 16 May at the Leeds Grand Theatre and Opera House - tickets available here.
Leeds Jazz Festival returns to the city this month complete with best lineup yet
Clementine Hall
The 2026 edition of the Leeds Jazz Festival is here, and it's set to be bigger and better than ever before.
If you're a lover of jazz, then you're going to want to keep reading.
Now in its fifth year, Leeds Jazz Festival showcases the best of local, national, and international music through gigs, screenings, DJs, talks and more.
The festival is set to take place across the city from Thursday 21 to Tuesday 26 May 2026, making it the perfect event to enjoy across the bank holiday weekend.
Image: Supplied
Kicking the festival off is Submotion Orchestra, a boundary-pushing musical collective originally formed in Leeds who will be making their return to The Wardrobe for a very special gig.
Over in Chapel Allerton, Jazz Leeds will bring Donovan Haffner to Seven Arts, fresh from his wins for "Jazz Newcomer of the Year" at the UK Parliamentary Jazz Awards and "UK Breakthrough Act" at the 2026 JazzFM Awards.
Leeds Jazz Festival legend DJ Lubi has curated a fantastic night of live Cuban music, alongside a Cuban dance class and a DJ after-party at Howard Assembly Room.
Image: Supplied
Elsewhere at The Domino Club there'll be a whole host of different events taking place, including Three or Four Shades of Mingus, Alligator Gumbo, and two special shows celebrating the 100th birthday of jazz icon Miles Davis.
For more laid-back chill vibes on Bank Holiday Monday, Mercury Music Prize-nominated pianist Kit Downes will play an intimate performance in the stunning acoustics of Mill Hill Chapel. Now that is something not to be missed.
For full details on the lineup as well as information on free activities as well as ticketed gigs, visit the Leeds Jazz Festival website.
Georgina Pellant -
28th December 2021 
