Bad news for all those who partake but a big win for public health as disposable vapes are officially set to be banned in England and Wales next year.
After reports first began circulating back in January , retailers stocking disposable vapes will have until the summer to remove them from the shelves.
The legislation was handed down by the Department for Environment, Food and Rural Affairs (DEFRA) on 23 October, with ratification in England and Wales coming on Thursday; it is expected that Scotland and Northern Ireland will follow suit.
Local councillors had already called for the ban earlier this year due to the ‘environmental impact’ and it has remained a priority for Public Health England virtually ever since the advent began.
Announcing the impending ban this week , DEFRA confirmed that what they have labelled as an “extremely wasteful and blight our towns and cities” – not to mention a gateway substance for non-smokers and children – will finally be banned by June 2025.
Image: The Manc Group
In addition to a marked increase in users who have never even smoked before, it is estimated that around 9% of the British population now enjoy vaping and that the popularity among young people is alarming and only increasing.
The Minister for Public Health and Prevention, Andrew Gwynne said: “It’s deeply worrying that a quarter of 11-15-year-olds used a vape last year and we know disposables are the product of choice for the majority of kids vaping today.
“Banning disposable vapes will not only protect the environment but importantly reduce the appeal of vapes to children and keep them out of the hands of vulnerable young people.”
Meanwhile, Circular Economy Minister Mary Creagh, who announced the new law on Wednesday, added: “This is the first step on the road to a circular economy, where we use resources for longer, reduce waste, accelerate the path to net-zero and create thousands of jobs across the country.”
69% of those who responded to the consultation were in favour of doing away with disposable vapes which are not only a public health risk but a massive detriment environmentally, as plastic, lead, and mercury leaching into waterways and/or other habits to harm wildlife is a prevailing concern.
The usual type of vape pens bought from off-licenses and most major retailers cannot typically be recycled, meaning that they usually end up in landfill or being incinerated, which also poses a fire risk due to their lithium-ion batteries and can cause poor air quality.
Despite still being a hugely profitable industry, the government is also set to introduce a landmark Tobacco and Vapes Bill , first submitted in September of this year, set to be the biggest public health intervention in a generation.
In theory, it aims to protect young people from nicotine addiction and pave the way for a smoke-free UK by 2030 – banning disposable vapes is just the latest in the comprehensive nationwide plans.
The beloved Domino Club is receiving its flowers, and rightly so.
Rapidly becoming one of the industry’s most respected accolade of excellence, The Pinnacle Guide is a worldwide ranking of the best bars across the globe.
Based on a thorough self-application process, rigorous assessment modules, followed by a series of spot check interviews and anonymous in-bar reviews, it's no easy feat to get a spot on this list.
Which is why it makes The Domino Club's achievement all that more impressive.
Known amongst locals and visitors alike as basically one of the coolest bars in town, the hidden speakeasy invites you through a barbershop in the Grand Arcade where downstairs you'll find a dimly lit jazz and cocktail bar oozing sex appeal.
Not only are the cocktails exceptional, but their live music listings is something to behold playing everything from jazz and funk to cabaret and disco every Wednesday - Sunday.
Announcing the news to Instagram, The Domino said: "Listed by The Pinnacle Guide. The Domino Club has been recognised on the global list of the world’s best bars.
"What began as a hidden basement bar in Leeds, built around live music, cocktails and atmosphere, is now being recognised alongside some of the finest bars in the world.
"A huge thank you to our team, musicians, suppliers and every single guest who has supported us over the years. This means a lot. Leeds belongs on the world cocktail map."
We absolutely could not agree more and if you haven't ventured behind the barbershop and discovered the magical Domino Club, then we very much recommend you do.
2:22 A Ghost Story at Leeds Grand Theatre and Opera House: When silence becomes the scare
Declan Kelly
The supernatural thriller 2:22 A Ghost Story arrived at Leeds Grand Theatre as part of its UK tour, bringing Danny Robins’s hit production to a packed audience.
Since its West End debut in 2021, the play has become known less as a straight horror and more as a gripping psychological debate wrapped in a ghost story.
At the centre of the story is one key question: do ghosts actually exist? Set during a dinner party between two couples, the drama unfolds as Jenny becomes increasingly convinced their home is haunted, claiming she hears strange noises every night at exactly 2:22am.
Her husband Sam dismisses her fears as irrational, while friends Lauren and Ben challenge both sides, turning the evening into a lively clash of belief and scepticism. What begins as a conversation gradually becomes something far more tense, as personal fears and buried tensions rise to the surface.
Image: Supplied
Rather than relying on traditional horror, the production focuses on atmosphere and psychological tension. The script builds unease through sharp dialogue, awkward silences and shifting power dynamics between the characters. Instead of delivering constant shocks, it keeps the audience questioning what is real and what might simply be a coincidence or imagination.
That said, the play does use theatrical jump scares effectively. Sudden loud noises, abrupt lighting changes and eerie sound cues interrupt the dialogue at key moments, creating jolts of tension without ever fully tipping into outright horror. These moments are brief but impactful, designed more to unsettle than to terrify.
Image: Supplied
The cast works strongly together to maintain this balance. Shvorne Marks brings emotional intensity to Jenny’s growing fear, while James Bye plays Sam with grounded scepticism that slowly begins to crack. Natalie Casey adds sharp humour and bite as Lauren, and Grant Kilburn provides openness and curiosity as Ben, keeping the debate lively and unpredictable.
The production design is another standout element. The modern, stylish home feels realistic and lived-in, but subtly shifts in tone as the story progresses. Careful lighting and precise sound design ensure the space never feels entirely safe, even in silence, reinforcing the idea that something might be just out of sight.
Image: Supplied
As the final moments unfold, the play returns to its central idea: the waiting. The quiet anticipation of night, the smallest unexplained sounds, and the creeping awareness of time passing.
Ultimately, 2:22 A Ghost Story succeeds because it is not really trying to scare its audience traditionally. Instead, it plays with uncertainty, asking viewers to decide what they believe and how far they trust their own senses. And let’s be honest, you might find yourself thinking what might happen if you were still awake when the clock strikes 2:22.
Running until 16 May at the Leeds Grand Theatre and Opera House - tickets available here.
Danny Jones -
25th October 2024 
