A popular restaurant in Chapel Allerton has announced its closure with immediate effect, leaving local fans of its Malaysian cooking feeling gutted.
Dapur Malaysia's owner Valerie shared the news via an Instagram post on the business's Instagram page last week, writing that things had been difficult ever since the restaurant first opened in 2019.
Between mandated closures as a result of the pandemic and the rising cost of living, she said that running the business had been 'tough' and, whilst always being 'up for a challenge', her struggle to hold things together at the Leeds eatery had taken 'a toll on family life'.
As a result, she said that, whilst it saddened her to close the restaurant, she is 'relieved that it is over'.
Fortunately, it's not all bad news. The restaurant, opened in memory of owner Valerie's mum, will continue on in other forms.
She will be reopening Dapur Malaysia, on a much smaller scale, in her hometown Huddersfield and continuing to offer local takeaways as well as nationwide deliveries of her award-winning ready meals.
Image: Dapur Malaysia
Valerie also revealed that she will return in May 2023 with a planned stint at Trinity Kitchen, so Leeds fans will also be able to get their hands on her cooking then.
The full statement read: "I am sorry to inform you that our Leeds restaurant is closed with immediate effect.
"Since we opened our restaurant in August 2019, we have faced some challenging circumstances. We have been forced to shut or trade under some form of restrictions for approximately half that time. Unfortunately, the price rises across the board this year have made it impossible to continue trading as a restaurant.
"I opened the restaurant in memory of my Mum and found it comforting recreating the food I grew up with. I loved sharing these with all our patrons, the pandemic however showed us where our strengths lay, our takeaway and our Great Taste award-winning ready meal range will be our focus moving forward.
Image: Dapur Malaysia
"We are reopening in Huddersfield (where we live) all be it on a much smaller scale in the next few weeks so you can still order ready meals range with nationwide delivery from www.dapurathom.com as well as outside catering.
"On a personal note, it saddens me to have to close the restaurant, but I am also relieved that it is over. I’ve always been up for a challenge, but it’s been tough for me and my husband to hold it all together this last year and it has taken a toll on our family life.
"I would like to thank all our staff past and present particularly Tomasz, Mark and Genti who have stayed with us from the beginning. Their loyalty, hard work, sense of humour and kindness has made it enjoyable to come into work. I will miss all of them and our chats and jokes.
"Lastly many thanks to the Chapel Allerton community who warmly welcomed us and all our customers who have supported us from the time we opened. It was an honour to be able to share the food I love with you. We will be back in Leeds in May at Trinity Kitchen where we hope to see you.
"With love, Valerie."
Comments have flooded in thick and fast as followers reacted to the news, with one person saying: "Hold your head high Valerie! Your beautiful food, the Dapur Malaysia brand & all it stands for, lives on! The new takeaway spot brings an exciting new addition to Huddersfield! 👏 Wishing you all the best xx"
Another person said: "So sad to see you guys go! We’ve loved having you as neighbours ❤️"
A third added: "Heartbroken, we love your food and the ethos behind your business. Good luck for everything in the future ❤️"
A fourth said: "So sorry to hear you were dealing with such behind-the-scenes issues! All the very best in Hudd x"
If you would like to support Dapur Malaysia, you can order their Dapur At Home ready meals online via their website here.
Feature image - Dapur Malaysia
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Leeds speakeasy crowned one of the best cocktail bars in the world by industry experts
The beloved Domino Club is receiving its flowers, and rightly so.
Rapidly becoming one of the industry’s most respected accolade of excellence, The Pinnacle Guide is a worldwide ranking of the best bars across the globe.
Based on a thorough self-application process, rigorous assessment modules, followed by a series of spot check interviews and anonymous in-bar reviews, it's no easy feat to get a spot on this list.
Which is why it makes The Domino Club's achievement all that more impressive.
Known amongst locals and visitors alike as basically one of the coolest bars in town, the hidden speakeasy invites you through a barbershop in the Grand Arcade where downstairs you'll find a dimly lit jazz and cocktail bar oozing sex appeal.
Not only are the cocktails exceptional, but their live music listings is something to behold playing everything from jazz and funk to cabaret and disco every Wednesday - Sunday.
Announcing the news to Instagram, The Domino said: "Listed by The Pinnacle Guide. The Domino Club has been recognised on the global list of the world’s best bars.
"What began as a hidden basement bar in Leeds, built around live music, cocktails and atmosphere, is now being recognised alongside some of the finest bars in the world.
"A huge thank you to our team, musicians, suppliers and every single guest who has supported us over the years. This means a lot. Leeds belongs on the world cocktail map."
We absolutely could not agree more and if you haven't ventured behind the barbershop and discovered the magical Domino Club, then we very much recommend you do.
2:22 A Ghost Story at Leeds Grand Theatre and Opera House: When silence becomes the scare
Declan Kelly
The supernatural thriller 2:22 A Ghost Story arrived at Leeds Grand Theatre as part of its UK tour, bringing Danny Robins’s hit production to a packed audience.
Since its West End debut in 2021, the play has become known less as a straight horror and more as a gripping psychological debate wrapped in a ghost story.
At the centre of the story is one key question: do ghosts actually exist? Set during a dinner party between two couples, the drama unfolds as Jenny becomes increasingly convinced their home is haunted, claiming she hears strange noises every night at exactly 2:22am.
Her husband Sam dismisses her fears as irrational, while friends Lauren and Ben challenge both sides, turning the evening into a lively clash of belief and scepticism. What begins as a conversation gradually becomes something far more tense, as personal fears and buried tensions rise to the surface.
Image: Supplied
Rather than relying on traditional horror, the production focuses on atmosphere and psychological tension. The script builds unease through sharp dialogue, awkward silences and shifting power dynamics between the characters. Instead of delivering constant shocks, it keeps the audience questioning what is real and what might simply be a coincidence or imagination.
That said, the play does use theatrical jump scares effectively. Sudden loud noises, abrupt lighting changes and eerie sound cues interrupt the dialogue at key moments, creating jolts of tension without ever fully tipping into outright horror. These moments are brief but impactful, designed more to unsettle than to terrify.
Image: Supplied
The cast works strongly together to maintain this balance. Shvorne Marks brings emotional intensity to Jenny’s growing fear, while James Bye plays Sam with grounded scepticism that slowly begins to crack. Natalie Casey adds sharp humour and bite as Lauren, and Grant Kilburn provides openness and curiosity as Ben, keeping the debate lively and unpredictable.
The production design is another standout element. The modern, stylish home feels realistic and lived-in, but subtly shifts in tone as the story progresses. Careful lighting and precise sound design ensure the space never feels entirely safe, even in silence, reinforcing the idea that something might be just out of sight.
Image: Supplied
As the final moments unfold, the play returns to its central idea: the waiting. The quiet anticipation of night, the smallest unexplained sounds, and the creeping awareness of time passing.
Ultimately, 2:22 A Ghost Story succeeds because it is not really trying to scare its audience traditionally. Instead, it plays with uncertainty, asking viewers to decide what they believe and how far they trust their own senses. And let’s be honest, you might find yourself thinking what might happen if you were still awake when the clock strikes 2:22.
Running until 16 May at the Leeds Grand Theatre and Opera House - tickets available here.
Georgina Pellant -
25th October 2022 
