The mum of a young Leeds United fan who fell from a tree during the promotion parade has issued an update on his injuries.
Stacey Barker has posted a statement on social media after her son Edward sadly fell from a tree in Millennium Square during the Leeds United promotion parade this Monday 5 May.
Stacey wrote: "Some of you may already know that my oldest son was injured in the Leeds United victory parade on Bank Holiday Monday. For those that don’t, this is to clear some things up.
"I have tried to keep this within the family, as this is obviously extremely distressing for all of us, and I’ve tried to control who knows what out of respect for my son and also my other 3 children. However, it’s becoming increasingly obvious that this isn’t going to be something we can keep quiet for long at all and I don’t want any further untruths circulated regarding my son.
"At some point during the winners parade yesterday, for reasons only Edward knows of, he decided to climb a tree lining the procession in Leeds city centre. As far as I am aware, he had consumed alcohol but I am confident he wasn’t paralytic as some posts are suggesting. I am also as confident as a mother can be that no other substance was involved. Edward enjoys a drink but I have NEVER had any reason to suspect ANY drug use where he was concerned. Ever.
Image: The Hoot Leeds
"At some point during the victory celebrations, my son has fallen from this tree, where he was sat at a significant height hitting the concrete below him and, as a result, he has sustained serious, life threatening injuries. He was taken to LGI immediately, in a critical condition, where we joined him around 50 minutes later. His injuries are extensive and, over 24 hours later, he remains in a coma.
"To further clarify, he has done nothing any other young lad hasn’t in their lifetime. He climbed a tree, he’d had a few bottles, he was high on nothing but life and he’s been incredibly unlucky. Unfortunately, it was a freak accident that is likely to affect him, and all of us, whatever the outcome, for many years to come."
She added: "I appreciate people are worried about him and are clutching at any information they may have heard but, as it stands, this is the situation first hand. I can’t reply to messages individually, my priorities right now are my Son and my other children. For those who have simply messaged to say they’re thinking of him, that they are praying for him, thank you. He needs all the prayers and luck in the world right now, we all do.
"I’m hoping he shows the same resilience, the same strength, the same character we’ve all come to know and love him for in the coming days/weeks and months ahead."
We wish Edward a speedy recovery, and send our heartfelt wishes to Stacey and her family.
Leeds legend Kevin Sinfield is set to take on his seventh and final 7 in 7 challenge this month.
The former Leeds Rhinos captain will begin 7 in 7: The Grand Finale next Sunday 27 September.
Wondering what on earth that is? Allow us to fill you in.
Sinfield will be running an ultra-marathon every day for seven days, and this time it's across the north of England including a special stop off right here in Leeds.
Not only that, but the challenge will bring Sinfield back to some of the places that have played a huge part in his rugby league career.
The route will visit all 12 English Betfred Super League grounds, starting at Hull KR before travelling through Yorkshire and eventually crossing the Pennines towards Manchester where Sinfield is from.
Here in Leeds, we can expect Sinfield to arrive at Headingley Stadium on Wednesday 30 September at 11:14am, before leaving towards Pudsey Civic Hall at 11:40am.
The challenge will then finish at Old Trafford on Saturday 3 October, where Sinfield will arrive ahead of the Super League Grand Final.
Since the first annual challenge back in 2020, Kevin Sinfield and his team have raised over £11 million for the MND community with six charities set to benefit once again from this years fundraising.
It's an amazing challenge for an amazing cause, and you can donate and find out more about the challenge here.
Good luck Kevin and the team, we know you'll smash it.
Fences at Leeds Playhouse – walls, wounds and what we leave behind | Review
Declan Kelly
Leeds Playhouse delivers a powerful story about the walls we build.
August Wilson’s Fences is a powerful and deeply personal family drama, exploring race, fatherhood, ambition and the emotional scars that can be passed from one generation to the next.
At Leeds Playhouse, the strength of the production lies largely with its cast. Ray Fearon gives Troy Maxson a commanding presence, balancing humour and charm with a growing sense of anger and resentment. It is an uncomfortable performance at times, but one that keeps you invested in Troy even when his actions become increasingly difficult to accept.
Madeline Appiah brings real warmth and emotional depth to Rose, while Josh Tedeku captures Cory’s frustration as a young man determined to make his own way rather than inherit his father’s limitations.
Image: Supplied
For me, though, Act 2 is where the production really comes alive.
The first half feels comparatively restrained. That isn't necessarily a criticism of the performances or Wilson's writing, but having experienced previous Headlong productions, I went in expecting a little more theatrical imagination from the staging. There were moments where I felt the production could have pushed the material further visually.
Act 2 begins to deliver that.
The rotating set adds movement and energy, while the bright LED lighting works particularly well with the live music, creating a more heightened atmosphere as the family's tensions reach breaking point. The production suddenly feels more visually ambitious, and the design starts to work hand-in-hand with the emotional journey of the characters.
Images: Supplied
The fence itself is an effective recurring image, initially a practical task, but gradually becoming a representation of Troy's need for control, protection and separation. The more the story unfolds, the more the fence feels like a barrier between Troy and the people he loves.
There is a lot to admire here, particularly in the performances, and Wilson's writing remains as relevant and affecting as ever. However, I couldn't help feeling that some of the theatrical ambition found in Act 2 could have been introduced earlier.
Ultimately, Fences is a moving and thought-provoking evening, with a particularly strong second half. For me, it was Act 2 that turned a solid production into a genuinely memorable one.
Running until 23 September at Leeds Playhouse, get your tickets here.