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People are being arrested for holding up anti-monarchy signs
People have been arrested for holding up signs reading "Not My King' and "f*ck imperialism", whilst another man was cautioned for holding a blank piece of paper.
The police have been seen to crack down on anti-royal protesters in recent days as the country went into mourning following the passing of Queen Elizabeth II.
A number of people have been arrested in the past few days for expressing Republican sentiments and holding up signs.
In one instance, a man was cautioned by police in London simply for holding a blank piece of paper and was told that he would be arrested if he wrote "Not My King" on it, reports The Manc.
Over the past few days, several young people have been arrested in Edinburgh, Scotland, where the Queen's coffin had been lying in rest at St Giles cathedral before she is moved to Westminster Hall in central London.
Arrests have also been made at the opposite end of the country, with footage showing police leading away a protester outside Downing Street in London for holding up a sign that read "Not My King".
Meanwhile, in Oxford a man was arrested on Sunday for shouting “who elected him?” while walking past a royal event where King Charles III was being ushered in as king during a county proclamation ceremony.
Symon Hill, 45, said of the incident: "Contrary to some claims on social media, I did not say *anything* remotely disrespectful today about Elizabeth's death. I did not disrupt an act of mourning (and never would). My objection was to the proclamation of Charles Windsor as king."
After his outburst he was led away by police, handcuffed and put in the back of the van. According to Thames Valley Police he was later de-arrested and is now being investigated for a "public order offense."
Speaking on what happened after the incident, he wrote: “I doubt most of the people in the crowd even heard me. Two or three people near me told me to shut up.
“I didn’t insult them or attack them personally, but responded by saying that a head of state was being imposed on us without our consent.”
Elsewhere, footage emerged on Monday of a man being dragged to the floor by mourners after heckling Prince Andrew as the Queen's coffin was escorted through Edinburgh.
After calling the late Monarch's youngest son a "sick old man", the 22 year old man can be seen crashing to the floor before being picked up by a police officer and led away as a chant of "God save the King" is quickly started up in the crowd.
Police later said that the man was later arrested for committing a 'breach of the peace'.
Another video was shared on social media on Monday showing an anti-royalist being cautioned by a police officer for holding up a blank piece of paper.
As well as tweeting about the experience, Paul Powlesland, 36, filmed the officer asking for his details and saying that he needs to "check and make sure you can be here."
Paul, a barrister and nature rights activist, says to the officer "I was holding up a blank sign, why are you asking for my details?"
The officer replied, "Because you said you were going to write stuff on it, that might offend people about the King"
According to the legal index In Brief, a breach of the peace is used to prevent "unlawful violence against people or property"
The site says that "an arrest for an anticipated breach of the peace will only be lawful if the threat of the breach is imminent",
Graham Smith, from the pressure group Republic, said: "This is absolutely the time to talk about the future of the monarchy because we have a new monarch. Charles has become King without consent, without discussion or debate. It has just happened automatically and there is no effort to have a serious debate about that, and that is completely wrong.
"The arrests of protesters over the past 24 hours have been absolutely appalling. The police should be ashamed of themselves."
Richard Burgon, Labour MP for Leeds East, said: "I'm deeply concerned by reports that people are being arrested for expressing their views in support of a Republic.
"In a democracy, people must always have the right to peacefully express their opinions. I will be seeking to raise this in Parliament when it resumes next week."
Feature image - UK Fact Check Politics
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Leeds speakeasy crowned one of the best cocktail bars in the world by industry experts
The beloved Domino Club is receiving its flowers, and rightly so.
Rapidly becoming one of the industry’s most respected accolade of excellence, The Pinnacle Guide is a worldwide ranking of the best bars across the globe.
Based on a thorough self-application process, rigorous assessment modules, followed by a series of spot check interviews and anonymous in-bar reviews, it's no easy feat to get a spot on this list.
Which is why it makes The Domino Club's achievement all that more impressive.
Known amongst locals and visitors alike as basically one of the coolest bars in town, the hidden speakeasy invites you through a barbershop in the Grand Arcade where downstairs you'll find a dimly lit jazz and cocktail bar oozing sex appeal.
Not only are the cocktails exceptional, but their live music listings is something to behold playing everything from jazz and funk to cabaret and disco every Wednesday - Sunday.
Announcing the news to Instagram, The Domino said: "Listed by The Pinnacle Guide. The Domino Club has been recognised on the global list of the world’s best bars.
"What began as a hidden basement bar in Leeds, built around live music, cocktails and atmosphere, is now being recognised alongside some of the finest bars in the world.
"A huge thank you to our team, musicians, suppliers and every single guest who has supported us over the years. This means a lot. Leeds belongs on the world cocktail map."
We absolutely could not agree more and if you haven't ventured behind the barbershop and discovered the magical Domino Club, then we very much recommend you do.
2:22 A Ghost Story at Leeds Grand Theatre and Opera House: When silence becomes the scare
Declan Kelly
The supernatural thriller 2:22 A Ghost Story arrived at Leeds Grand Theatre as part of its UK tour, bringing Danny Robins’s hit production to a packed audience.
Since its West End debut in 2021, the play has become known less as a straight horror and more as a gripping psychological debate wrapped in a ghost story.
At the centre of the story is one key question: do ghosts actually exist? Set during a dinner party between two couples, the drama unfolds as Jenny becomes increasingly convinced their home is haunted, claiming she hears strange noises every night at exactly 2:22am.
Her husband Sam dismisses her fears as irrational, while friends Lauren and Ben challenge both sides, turning the evening into a lively clash of belief and scepticism. What begins as a conversation gradually becomes something far more tense, as personal fears and buried tensions rise to the surface.
Image: Supplied
Rather than relying on traditional horror, the production focuses on atmosphere and psychological tension. The script builds unease through sharp dialogue, awkward silences and shifting power dynamics between the characters. Instead of delivering constant shocks, it keeps the audience questioning what is real and what might simply be a coincidence or imagination.
That said, the play does use theatrical jump scares effectively. Sudden loud noises, abrupt lighting changes and eerie sound cues interrupt the dialogue at key moments, creating jolts of tension without ever fully tipping into outright horror. These moments are brief but impactful, designed more to unsettle than to terrify.
Image: Supplied
The cast works strongly together to maintain this balance. Shvorne Marks brings emotional intensity to Jenny’s growing fear, while James Bye plays Sam with grounded scepticism that slowly begins to crack. Natalie Casey adds sharp humour and bite as Lauren, and Grant Kilburn provides openness and curiosity as Ben, keeping the debate lively and unpredictable.
The production design is another standout element. The modern, stylish home feels realistic and lived-in, but subtly shifts in tone as the story progresses. Careful lighting and precise sound design ensure the space never feels entirely safe, even in silence, reinforcing the idea that something might be just out of sight.
Image: Supplied
As the final moments unfold, the play returns to its central idea: the waiting. The quiet anticipation of night, the smallest unexplained sounds, and the creeping awareness of time passing.
Ultimately, 2:22 A Ghost Story succeeds because it is not really trying to scare its audience traditionally. Instead, it plays with uncertainty, asking viewers to decide what they believe and how far they trust their own senses. And let’s be honest, you might find yourself thinking what might happen if you were still awake when the clock strikes 2:22.
Running until 16 May at the Leeds Grand Theatre and Opera House - tickets available here.