Rob Burrow and Kevin Sinfield are writing a children's book about friendship, it has been revealed.
The two rugby league legends, who have inspired the world with their unbreakable friendship, will collaborate on a new book called Try to highlight male friendships and show "there are many ways to be strong".
Designed for men and boys in particular, but for everyone to read and enjoy, the new book will explain that these "friendships can be based on love and vulnerability", according to Burrow.
The former Leeds Rhinos star continued: "True friends like Kevin are always with their friends even when times are tough.
"I used to love reading bedtime stories to my three children, usually multiple times because they would try and delay their bedtime," he added.
The new title will be preceded by another book for children and adults called With You Every Step: A Celebration Of Friendship, set to be released in November 2023.
This November release will see illustrators reproduce the former teammates' words using black line artwork.
England rugby union defence coach Sinfield said: "To create a book based around friendship, we hope it will help many parents, not just fathers, connect with their children and provide an insight into what true friendship is."
We’ve been waiting for this one and trust us, it’s just as good as we’d hoped.
If you’re a fan of a cheeky margarita, a taco and a bit of a boogie then this is the spot for you - and let’s be honest, who isn’t.
Introducing Salon Madre, made famous over in Manchester and now with another spot in Liverpool, think late nights fuelled by margaritas, cosy dates over tacos and lively game nights.
The new Leeds site is located on Wellington Street, perfect for those wrapping up work over on Wellington Place and looking to blow off some steam.
Images: The Hoot Leeds
The space is huge, with floor to ceiling windows letting loads of light in during the day and plenty of red neon lights setting the vibe for the evening.
There's about 20 different variations of margaritas and tequilas on the menu, as well as fresh Mexican beers on tap if you're not ready for a shot just yet.
But it's not just about the drink, the food menu is top notch too.
Images: The Hoot Leeds
There's tacos and quesadillas all made with hand-pressed tortillas, twice-cooked chicken wings in a range of flavours from Mexican cola to Yucatan buffalo, and of course there's stacked nachos which are perfect for snacking on between sips of margarita.
If you're feeling competitive then they've got six pool tables as well as darts, and Lucha Libre on the big screens if you'd rather watch the play happen than play yourself.
Images: The Hoot Leeds
Salon Madre will have DJs on in the evening and on a Friday and Saturday they'll even be open til 1am.
Welcome Salon Madre, we can't wait for this to become our new late-night party destination. You can take a look at their menu here.
Headlong Theatre casts a dark spell on a Shakespearian comedy at Leeds Playhouse
Declan Kelly
Winter replaces summer in this unsettling Midsummer Night.
A night of dark magic swarmed Leeds Playhouse last night as Headlong Theatre and Shakespeare’s Globe brought a strikingly dark reimagining of A Midsummer Night’s Dream, transforming Shakespeare’s most effervescent comedy into something far more psychologically raw.
For those who don’t know who Headlong Theatre Company are, they are known for their bold reimaginings of classics and for commissioning powerful contemporary plays that provoke fresh ways of seeing familiar texts, and A Midsummer Night’s Dream was their next task, directed by Holly Race Roughan.
Gone was the warmth and floral abundance traditionally associated with the play, a play which is fixated on fairies and magic and all things whimsical. Instead, this production unfolded in a stark, wintry landscape.
Image: Supplied
The eerie white setting with pale tones and biting chill created an atmosphere that felt closer to a nightmare than a fantasy. From the outset, there was a sense that this dream would not offer escapism but confrontation.
In this production, the quartet of lovers Hermia, Lysander, Demetrius and Helena played by Tiwa Lade, David Olaniregun, Lou Jackson and Tara Tijani, rendered a complex love story not as the bright, mischievous romantics of summer light, but as figures caught in a corrosive and bruising emotional spiral.
Image: Supplied
The love potion, rather than a whimsical device, became a symbol of manipulation and control.
Whilst the show did have its comedic parts throughout, laughter was present but not like we’d expect a Shakespearean comedy to be. A standout performance throughout was Danny Kirrane’s portrayal of Bottom. Rather than serving solely as comic relief, Kirrane emerged as unexpectedly poignant.
The play-within-a-play still delivered moments of levity, but even here the humour seemed edged with fragility, as though the comedy might fracture at any moment.
Sergo Vares gives a strikingly original and unforgettable portrayal of Puck, transforming Shakespeare’s playful trickster into a darker, more unsettling figure. Ditching the usual impish charm, Vares appears in a peculiar combination of tutu and dinner jacket, his face painted white and movements measured and haunting, commanding the stage with an eerie intensity.
Image: Supplied
Small, seemingly inconsequential actions, like silently eating a banana, become disquieting, while his prowling presence turns mischief into something deliberate and menacing. Surprising entrances and exits keep both characters and audience on edge, and his closing address to the audience carries a sharp, ironic bite that lingers long after the play’s ending.
What distinguished this production was its commitment to exposing the brutality that pulses beneath Shakespeare’s text. Love was presented not as a harmless folly but as a force capable of humiliation, control and harm. The final moments resisted the usual buoyant reconciliation; instead, the ending felt ambiguous, leaving the audience reflective rather than reassured. This was not a dream bathed in moonlight and romance as we would have expected.
The production took on a colder, more introspective tone, serving as a striking reminder that even Shakespeare’s lightest comedies contain threads of darkness. Whether audiences find this approach exhilarating or simply a departure from the familiar, it is undeniably thought-provoking, prompting reflection on what kind of “dream” they have truly witnessed.
Overall, reimagining Shakespearean texts like this is an exciting venture, offering fresh opportunities to explore themes that might otherwise remain hidden and Roughan accomplishes this with remarkable ease and insight.
Headlong Theatre Company’s production of A Midsummer Night’s Dream is on at Leeds Playhouse until 28 February 2026 and you can get your tickets here.
Georgina Pellant -
20th July 2023 
