Headteachers, trustees, and governors are holding "crisis meetings" in an attempt to work out how to keep schools afloat.
Some schools in the UK are said to be considering moving to three-day weeks this autumn amid fears over energy bill costs and teacher pay, reports The Manc.
As the rising cost of living crisis continues to be making its impact felt across the country, it’s now being reported that headteachers, trustees, and governors are holding talks and discussions during the summer holidays in an attempt to work out how to keep schools afloat in the autumn term, according to The Telegraph.
It comes after schools have been facing considerable financial pressure as of late, despite the Government promising to boost budgets by an extra £7 billion in England by 2023.
Funding per pupil in England dropped by 9% between 2010 and 2020.
Now, with some schools’ energy prices expected to increase by 300% in the coming months, according to reports, costs are rising faster than budgets will allow, and then, with teacher pay rises also set to be awarded in September, it’s believed this will add another layer of pressure.
Mark Jordan, the chief executive of Creative Education Trust – a multi-academy trust – said he had heard discussions of a ‘three-day week’ as a way to save money, while Geoff Barton, the general secretary of the Association of School and College Leaders, said schools were now holding “crisis meetings” to work out how to fund the increased costs.
🔴 School leaders are considering three or four-day weeks to pay for teacher salary rises and crippling energy costs, The Telegraph has learnt https://t.co/2IXARqO2FM
Mr Jordan said that his trust is considering a recruitment freeze and redundancies, and may have to scrap the planned COVID catch-up programmes for children, as well as planned investments and improvements in school buildings.
“Others less fortunate are facing significant deficits and are already planning for teacher redundancies,” he added.
Mr Barton addd that some schools are even having to forego resources like textbooks.
The chief executive of one of the largest academy trusts in the country also anonymously told The Telegraph: “Shorter school days, fewer after school clubs and enrichment opportunities and draconian restrictions on energy usage will become a reality for all trusts and the situation is particularly challenging for smaller trusts and standalone schools.
Headteachers, trustees, and governors are holding “crisis meetings” in an attempt to work out how to keep schools afloat / Credit: Flickr
“This is not a plaintive plea of poverty, nor is it the usual begging bowl moment ahead of a spending review.
A spokesperson for the Department for Education said in response to the report: “We recognise that schools, much like the wider economy, are facing increased costs, including on energy and staff pay [and] our schools white paper set out our expectation that the school week should last a minimum of 32.5 hours – the current average – for all mainstream state-funded schools.
“Thousands of schools already deliver this length of week within existing budgets and we expect current funding plans to account for this.”
Leeds legend Kevin Sinfield is set to take on his seventh and final 7 in 7 challenge this month.
The former Leeds Rhinos captain will begin 7 in 7: The Grand Finale next Sunday 27 September.
Wondering what on earth that is? Allow us to fill you in.
Sinfield will be running an ultra-marathon every day for seven days, and this time it's across the north of England including a special stop off right here in Leeds.
Not only that, but the challenge will bring Sinfield back to some of the places that have played a huge part in his rugby league career.
The route will visit all 12 English Betfred Super League grounds, starting at Hull KR before travelling through Yorkshire and eventually crossing the Pennines towards Manchester where Sinfield is from.
Here in Leeds, we can expect Sinfield to arrive at Headingley Stadium on Wednesday 30 September at 11:14am, before leaving towards Pudsey Civic Hall at 11:40am.
The challenge will then finish at Old Trafford on Saturday 3 October, where Sinfield will arrive ahead of the Super League Grand Final.
Since the first annual challenge back in 2020, Kevin Sinfield and his team have raised over £11 million for the MND community with six charities set to benefit once again from this years fundraising.
It's an amazing challenge for an amazing cause, and you can donate and find out more about the challenge here.
Good luck Kevin and the team, we know you'll smash it.
Fences at Leeds Playhouse – walls, wounds and what we leave behind | Review
Declan Kelly
Leeds Playhouse delivers a powerful story about the walls we build.
August Wilson’s Fences is a powerful and deeply personal family drama, exploring race, fatherhood, ambition and the emotional scars that can be passed from one generation to the next.
At Leeds Playhouse, the strength of the production lies largely with its cast. Ray Fearon gives Troy Maxson a commanding presence, balancing humour and charm with a growing sense of anger and resentment. It is an uncomfortable performance at times, but one that keeps you invested in Troy even when his actions become increasingly difficult to accept.
Madeline Appiah brings real warmth and emotional depth to Rose, while Josh Tedeku captures Cory’s frustration as a young man determined to make his own way rather than inherit his father’s limitations.
Image: Supplied
For me, though, Act 2 is where the production really comes alive.
The first half feels comparatively restrained. That isn't necessarily a criticism of the performances or Wilson's writing, but having experienced previous Headlong productions, I went in expecting a little more theatrical imagination from the staging. There were moments where I felt the production could have pushed the material further visually.
Act 2 begins to deliver that.
The rotating set adds movement and energy, while the bright LED lighting works particularly well with the live music, creating a more heightened atmosphere as the family's tensions reach breaking point. The production suddenly feels more visually ambitious, and the design starts to work hand-in-hand with the emotional journey of the characters.
Images: Supplied
The fence itself is an effective recurring image, initially a practical task, but gradually becoming a representation of Troy's need for control, protection and separation. The more the story unfolds, the more the fence feels like a barrier between Troy and the people he loves.
There is a lot to admire here, particularly in the performances, and Wilson's writing remains as relevant and affecting as ever. However, I couldn't help feeling that some of the theatrical ambition found in Act 2 could have been introduced earlier.
Ultimately, Fences is a moving and thought-provoking evening, with a particularly strong second half. For me, it was Act 2 that turned a solid production into a genuinely memorable one.
Running until 23 September at Leeds Playhouse, get your tickets here.
The Hoot -
15th August 2022 
