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The Yorkshire women fighting to keep you and your mates safe on a night out
First they created the Spike Report database, now they’re launching a new Safe Place initiative to educate the night time economy sector on safeguarding.
When it comes to helping women feel safer on a night out, there's no one better to ask than the women themselves - which is exactly what Elysia O'Neill and Della Claydon are doing.
Following reports of a rise in drink and needle spikings last year, the Leeds-based duo and TheEgalitarian co-founders moved quickly to set up the Spike Report - a community-led database for women to detail not just when and where they were spiked, but the response of venues and the police too.
Within nine days, it had already gathered over 160 reports. Seven months down the line, that figure is now in the thousands with reports spanning the length and breadth of the country.
The site is regularly visited by women, with the goal being to keep them and their mates safe on a night out.
Explaining the reasoning behind the idea, Elysia told The Hoot that only 1 in 10 people currently report being spiked to the police and that "there's definitely a lack of empowerment and self-belief in terms of whether someone's been spiked, whether anyone is going to believe them."
"We set up the Spike Report to basically tackle the issue of how invisible spiking is as a problem [...] and to essentially raise awareness of the fact that it is an issue, something that's prevalent in society, 'cause it's disputed by many large actors in the night time economy and the police themselves."
Based on the numbers self-reporting to their database, it certainly appears that survivors feel much more confident reporting to their peers instead of the police.
It's a sad fact certainly not helped by the high-profile murder of Sarah Everard by a policeman last year, nor by the Met's brutal treatment of the women who gathered to hold a peaceful vigil in her memory after the fact.
By recognising this erosion of trust in traditional reporting methods, The Egalitarian team has now amassed a unique and detailed data set into what, where, when, and how spiking incidents are occurring across the country.
They've also been running a questionnaire since October 2021, asking their community what they would like to see in terms of changes regarding the news, police, legal systems, what kind of policies and procedures they can implement.
Now, through their new Safe Place initiative, they're planning to use this data to educate venues, authorities and night time economy workers on how to better safeguard people on a night out.
Explaining the desperate need for an attitude shift in the industry as a whole, Elysia said: "We've got a very detailed insight into how people in the night time economy and other authorities are handling spiking.
"We're wanting to create partnerships with the night time economy venues particularly because that's what us as an organisation and the community themselves think, that really the onus does lie with venues, rather than necessarily the police.
"We want staff to be educated on safeguarding, vulnerability, looking out for people that are vulnerable, but knowing how to look after someone who has been spiked or even voluntary intoxication.
"Whether it's voluntary or involuntary, it doesn't make them any safer when you kick them out of the club.
"We need everyone to be looking after the customers, and essentially what we're looking for is for venues to show that they do acknowledge that they have a duty of care for customers inside their venues."
Here in Leeds, data from the Spike Report shows that 50% of survivors rated the venue's response poor to very poor whilst 13% said it was good to very good.
23% of those people also contacted the police, of which 28% said the police response was poor to very poor and 42% said it was good to very good.
The Egalitarian team is positive they can bring much-needed change to the sector, expressing a strong desire to work closely with local authorities.
Elysia said: "I think once the word's out and people [...] are aware of the fact that we're doing this I think it becomes a lot easier for government-funded services, which are struggling always and so underfunded, to know that this exists.
"It saves their time and their funding it could be really helpful to the wider community in such a mutually beneficial way that they know they can put it on us."
Feature image - The Egalitarian
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Leeds speakeasy crowned one of the best cocktail bars in the world by industry experts
The beloved Domino Club is receiving its flowers, and rightly so.
Rapidly becoming one of the industry’s most respected accolade of excellence, The Pinnacle Guide is a worldwide ranking of the best bars across the globe.
Based on a thorough self-application process, rigorous assessment modules, followed by a series of spot check interviews and anonymous in-bar reviews, it's no easy feat to get a spot on this list.
Which is why it makes The Domino Club's achievement all that more impressive.
Known amongst locals and visitors alike as basically one of the coolest bars in town, the hidden speakeasy invites you through a barbershop in the Grand Arcade where downstairs you'll find a dimly lit jazz and cocktail bar oozing sex appeal.
Not only are the cocktails exceptional, but their live music listings is something to behold playing everything from jazz and funk to cabaret and disco every Wednesday - Sunday.
Announcing the news to Instagram, The Domino said: "Listed by The Pinnacle Guide. The Domino Club has been recognised on the global list of the world’s best bars.
"What began as a hidden basement bar in Leeds, built around live music, cocktails and atmosphere, is now being recognised alongside some of the finest bars in the world.
"A huge thank you to our team, musicians, suppliers and every single guest who has supported us over the years. This means a lot. Leeds belongs on the world cocktail map."
We absolutely could not agree more and if you haven't ventured behind the barbershop and discovered the magical Domino Club, then we very much recommend you do.
2:22 A Ghost Story at Leeds Grand Theatre and Opera House: When silence becomes the scare
Declan Kelly
The supernatural thriller 2:22 A Ghost Story arrived at Leeds Grand Theatre as part of its UK tour, bringing Danny Robins’s hit production to a packed audience.
Since its West End debut in 2021, the play has become known less as a straight horror and more as a gripping psychological debate wrapped in a ghost story.
At the centre of the story is one key question: do ghosts actually exist? Set during a dinner party between two couples, the drama unfolds as Jenny becomes increasingly convinced their home is haunted, claiming she hears strange noises every night at exactly 2:22am.
Her husband Sam dismisses her fears as irrational, while friends Lauren and Ben challenge both sides, turning the evening into a lively clash of belief and scepticism. What begins as a conversation gradually becomes something far more tense, as personal fears and buried tensions rise to the surface.
Image: Supplied
Rather than relying on traditional horror, the production focuses on atmosphere and psychological tension. The script builds unease through sharp dialogue, awkward silences and shifting power dynamics between the characters. Instead of delivering constant shocks, it keeps the audience questioning what is real and what might simply be a coincidence or imagination.
That said, the play does use theatrical jump scares effectively. Sudden loud noises, abrupt lighting changes and eerie sound cues interrupt the dialogue at key moments, creating jolts of tension without ever fully tipping into outright horror. These moments are brief but impactful, designed more to unsettle than to terrify.
Image: Supplied
The cast works strongly together to maintain this balance. Shvorne Marks brings emotional intensity to Jenny’s growing fear, while James Bye plays Sam with grounded scepticism that slowly begins to crack. Natalie Casey adds sharp humour and bite as Lauren, and Grant Kilburn provides openness and curiosity as Ben, keeping the debate lively and unpredictable.
The production design is another standout element. The modern, stylish home feels realistic and lived-in, but subtly shifts in tone as the story progresses. Careful lighting and precise sound design ensure the space never feels entirely safe, even in silence, reinforcing the idea that something might be just out of sight.
Image: Supplied
As the final moments unfold, the play returns to its central idea: the waiting. The quiet anticipation of night, the smallest unexplained sounds, and the creeping awareness of time passing.
Ultimately, 2:22 A Ghost Story succeeds because it is not really trying to scare its audience traditionally. Instead, it plays with uncertainty, asking viewers to decide what they believe and how far they trust their own senses. And let’s be honest, you might find yourself thinking what might happen if you were still awake when the clock strikes 2:22.
Running until 16 May at the Leeds Grand Theatre and Opera House - tickets available here.
Georgina Pellant -
6th May 2022 
