New axe-throwing bar Whistle Punks is opening in Leeds today, Thursday, 11 November, and it looks like a perfect start to a night out if you ask us.
You can win a £50 voucher to spend on whatever you like at Whistle Punks, a Polaroid Instax camera to document your night and a box of WP cookies - click here to see how.
Whether you're looking to let out some rage or just have a bit of fun pretending you're a Canadian lumberjack tossing an axe in the woods, Whistle Punks Leeds has got you covered at its new home in Millenium Square.
Image: Whistlepunks
Housed inside the former All Bar One unit, inside you'll find four throwing lanes, a bar offering craft drinks and a decent sourdough pizza menu all under one roof.
The thrill-seeking company has cornered the urban axe-throwing market in recent years - with three successful sites already established in Manchester, London and Bristol.
Whistlepunks was the first company to bring axe-throwing entertainment to the UK and has helped players throw an estimated 10 million axes since first opening its doors here in 2016.
Designed to suit first time throwers, each lane has its very own instructor who guides players - taking you from novice to axe throwing whizz in 70 minutes.
As well as helping you stay safe whilst you're throwing, the instructor is also there to keep score, help you have fun and create a good atmosphere on the lanes.
Kind of like darts but with a lot more heft behind it, their gamified version of axe throwing is pretty simple really: with one point awarded when you hit the outer ring, three for getting it in the inner, and five for a bullseye.
At just £25 for a game, it's not just fun but a good bargain too - getting you 70 minutes of axe throwing fun as well as a fully instructed session on how to properly use the equipment before getting stuck in (those axes are sharp, after all).
Then at the end of the session, players also get the chance to learn some trick shots, like underarm throwing and how to handle two axes at once.
Chances to take profile pic-worthy snaps are also included at the end of the session - because let's be honest, you want to document this.
Whistle Punks Leeds has a variety of packages catering for couples, small groups and even full venue hire for those wanting a work social with an edge.
Christmas packages are available now and include lane hire, drinks for everyone on the lane, trophies for winners, sweet treats for all and more.
Speaking on the new Whistle Punks Leeds opening, brand spokesperson Jools Whitehorn said:
“I think a large part of the appeal is that it feels like something you shouldn’t be allowed to do. It’s a visceral experience, which is physical without being too demanding.
It all takes place in a very controlled environment under the close watch of our instructors, who create an exciting atmosphere and ensure everyone is staying safe.”
Bookings are being taken now. To get yourself a slot, head over to Whistle Punks website here.
Leeds legend Kevin Sinfield is set to take on his seventh and final 7 in 7 challenge this month.
The former Leeds Rhinos captain will begin 7 in 7: The Grand Finale next Sunday 27 September.
Wondering what on earth that is? Allow us to fill you in.
Sinfield will be running an ultra-marathon every day for seven days, and this time it's across the north of England including a special stop off right here in Leeds.
Not only that, but the challenge will bring Sinfield back to some of the places that have played a huge part in his rugby league career.
The route will visit all 12 English Betfred Super League grounds, starting at Hull KR before travelling through Yorkshire and eventually crossing the Pennines towards Manchester where Sinfield is from.
Here in Leeds, we can expect Sinfield to arrive at Headingley Stadium on Wednesday 30 September at 11:14am, before leaving towards Pudsey Civic Hall at 11:40am.
The challenge will then finish at Old Trafford on Saturday 3 October, where Sinfield will arrive ahead of the Super League Grand Final.
Since the first annual challenge back in 2020, Kevin Sinfield and his team have raised over £11 million for the MND community with six charities set to benefit once again from this years fundraising.
It's an amazing challenge for an amazing cause, and you can donate and find out more about the challenge here.
Good luck Kevin and the team, we know you'll smash it.
Fences at Leeds Playhouse – walls, wounds and what we leave behind | Review
Declan Kelly
Leeds Playhouse delivers a powerful story about the walls we build.
August Wilson’s Fences is a powerful and deeply personal family drama, exploring race, fatherhood, ambition and the emotional scars that can be passed from one generation to the next.
At Leeds Playhouse, the strength of the production lies largely with its cast. Ray Fearon gives Troy Maxson a commanding presence, balancing humour and charm with a growing sense of anger and resentment. It is an uncomfortable performance at times, but one that keeps you invested in Troy even when his actions become increasingly difficult to accept.
Madeline Appiah brings real warmth and emotional depth to Rose, while Josh Tedeku captures Cory’s frustration as a young man determined to make his own way rather than inherit his father’s limitations.
Image: Supplied
For me, though, Act 2 is where the production really comes alive.
The first half feels comparatively restrained. That isn't necessarily a criticism of the performances or Wilson's writing, but having experienced previous Headlong productions, I went in expecting a little more theatrical imagination from the staging. There were moments where I felt the production could have pushed the material further visually.
Act 2 begins to deliver that.
The rotating set adds movement and energy, while the bright LED lighting works particularly well with the live music, creating a more heightened atmosphere as the family's tensions reach breaking point. The production suddenly feels more visually ambitious, and the design starts to work hand-in-hand with the emotional journey of the characters.
Images: Supplied
The fence itself is an effective recurring image, initially a practical task, but gradually becoming a representation of Troy's need for control, protection and separation. The more the story unfolds, the more the fence feels like a barrier between Troy and the people he loves.
There is a lot to admire here, particularly in the performances, and Wilson's writing remains as relevant and affecting as ever. However, I couldn't help feeling that some of the theatrical ambition found in Act 2 could have been introduced earlier.
Ultimately, Fences is a moving and thought-provoking evening, with a particularly strong second half. For me, it was Act 2 that turned a solid production into a genuinely memorable one.
Running until 23 September at Leeds Playhouse, get your tickets here.
Georgina Pellant -
11th November 2021 
