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The Yorkshire women fighting to keep you and your mates safe on a night out
First they created the Spike Report database, now they’re launching a new Safe Place initiative to educate the night time economy sector on safeguarding.
When it comes to helping women feel safer on a night out, there's no one better to ask than the women themselves - which is exactly what Elysia O'Neill and Della Claydon are doing.
Following reports of a rise in drink and needle spikings last year, the Leeds-based duo and TheEgalitarian co-founders moved quickly to set up the Spike Report - a community-led database for women to detail not just when and where they were spiked, but the response of venues and the police too.
Within nine days, it had already gathered over 160 reports. Seven months down the line, that figure is now in the thousands with reports spanning the length and breadth of the country.
The site is regularly visited by women, with the goal being to keep them and their mates safe on a night out.
Explaining the reasoning behind the idea, Elysia told The Hoot that only 1 in 10 people currently report being spiked to the police and that "there's definitely a lack of empowerment and self-belief in terms of whether someone's been spiked, whether anyone is going to believe them."
"We set up the Spike Report to basically tackle the issue of how invisible spiking is as a problem [...] and to essentially raise awareness of the fact that it is an issue, something that's prevalent in society, 'cause it's disputed by many large actors in the night time economy and the police themselves."
Based on the numbers self-reporting to their database, it certainly appears that survivors feel much more confident reporting to their peers instead of the police.
It's a sad fact certainly not helped by the high-profile murder of Sarah Everard by a policeman last year, nor by the Met's brutal treatment of the women who gathered to hold a peaceful vigil in her memory after the fact.
By recognising this erosion of trust in traditional reporting methods, The Egalitarian team has now amassed a unique and detailed data set into what, where, when, and how spiking incidents are occurring across the country.
They've also been running a questionnaire since October 2021, asking their community what they would like to see in terms of changes regarding the news, police, legal systems, what kind of policies and procedures they can implement.
Now, through their new Safe Place initiative, they're planning to use this data to educate venues, authorities and night time economy workers on how to better safeguard people on a night out.
Explaining the desperate need for an attitude shift in the industry as a whole, Elysia said: "We've got a very detailed insight into how people in the night time economy and other authorities are handling spiking.
"We're wanting to create partnerships with the night time economy venues particularly because that's what us as an organisation and the community themselves think, that really the onus does lie with venues, rather than necessarily the police.
"We want staff to be educated on safeguarding, vulnerability, looking out for people that are vulnerable, but knowing how to look after someone who has been spiked or even voluntary intoxication.
"Whether it's voluntary or involuntary, it doesn't make them any safer when you kick them out of the club.
"We need everyone to be looking after the customers, and essentially what we're looking for is for venues to show that they do acknowledge that they have a duty of care for customers inside their venues."
Here in Leeds, data from the Spike Report shows that 50% of survivors rated the venue's response poor to very poor whilst 13% said it was good to very good.
23% of those people also contacted the police, of which 28% said the police response was poor to very poor and 42% said it was good to very good.
The Egalitarian team is positive they can bring much-needed change to the sector, expressing a strong desire to work closely with local authorities.
Elysia said: "I think once the word's out and people [...] are aware of the fact that we're doing this I think it becomes a lot easier for government-funded services, which are struggling always and so underfunded, to know that this exists.
"It saves their time and their funding it could be really helpful to the wider community in such a mutually beneficial way that they know they can put it on us."
Feature image - The Egalitarian
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Inside FaceGym – Leeds’ newest facial fitness studio loved by celebrities
We hope you're ready for your workout, because FaceGym has landed in Leeds.
You may be wondering...what on earth is Facegym? And to be fair, you've got a point.
FaceGym, as they themselves describe it, a 'non-invasive fitness studio concept for the face' using high-intensity facial massage, hand manipulation, and electrical muscle stimulation technology to tone, lift, and sculpt the face without surgery.
Sounds pretty fancy if you ask us, and it feels just as fancy from the moment you step through the door.
Images: The Hoot Leeds
Unsurprisingly, it's loved by celebrities worldwide who are looking to get snatched and ditch their gua sha.
Currently occupying five standalone stores in London, one in Cambridge as well as a pop-up in Space NK in Selfridges Manchester, FaceGym will be opening this Friday 18 September inside the coveted Victoria Gate, taking over a 1,772 square foot studio.
Images: The Hoot Leeds
The space really does look like a gym, ditching the standard beauty salon aesthetic for an American-style gym interior complete with the iconic red FaceGym balls all over the place.
A signature sculpt costs £110 for a 45 minute treatment, so it's definitely a treat if you're looking to have skin that can reflect the sun and cheekbones for days.
Images: The Hoot Leeds
Angelo Castello, chief executive at Facegym, said: “We’re incredibly excited to bring Facegym to Leeds and to open in the beautiful Victoria Gate. The city has a thriving beauty, wellness, and retail scene, making it the perfect location for our next studio.
“We’ve seen growing demand from customers across Yorkshire, and we can’t wait to introduce even more people to the benefits of facial fitness.”
You can find out more and book a treatment at FaceGym via their website here.
Audio North’s Artist of the Month – Kenzo Jae | September 2026
Thomas Melia
Kenzo Jae is a creative who wants to put Bradford on the music map through his alternative-rap tracksand now he's Audio North's Artist of the Month.
This multi-tasking mastermind doesn't only record his own music, he's also a digital illustrator and graphic designer - Oh, and he even directs his own music videos (Leave some talent for the rest of us - We're begging).
Embarking on The Sloth Tour with three UK based dates in Manchester, Leeds and London throughout October, where Kenzo Jae will be playing out hits like 'Softly', 'Chicken Bagel', 'End of the World' and more.
This storytelling songwriter now sits down with Audio North to chat all things Artist of the Month and share a little more insight into his music career so far.
Audio North's Artist of the Month - Kenzo Jae | Interview
How much does being from Bradford influence the music you release?
All aspects of my personality have been influenced by Bradford, and I’m never more myself than when I’m writing. So lyrically Bradford has had a big impact.
What’s it like being an artist from Bradford?
At first it felt like something I had to hide. Now it’s something I wear as a badge. There’s not many of us in the grand scheme of things. It’s a niche club and I love that. The underdogs.
What northern artists are you loving at the minute?
If you could describe your artistry in three words what would they be and why?
Honest - I try not to hide behind anything in my music even when it’s critical of myself. If something has happened to me or I’m feeling something, I’d rather put it into a song exactly as it is. Might take me a few years but once it’s in the song I can get over it
Colourful - The vision of the world of my music to me feels saturated and bright. the occasional darkness but for the most part.
Arrogant - I think it takes a level of arrogant to do and say certain things in my music. Even to do the visual aspects too painting myself pink, wearing a sloth hat etc Takes an arrogance to think yeah I can put myself in such a weird position and believe it’s going to work
You’ve already amassed over 100k streams on SLOTH - How are you feeling about its reception so far?
It’s been great to see that people have really resonated with the story and the arc I have been on. I want to push it further and hope it reaches everyone that needs it
How fulfilling is it for you to release the SLOTH mixtape, a title you’ve held onto since you were 16?
The most cathartic feeling. Especially when it’s you know you’ve made it exactly the way I intended. It’s also a learning curve for things I will do differently for the next one.
You posted a reel describing how you spent two weeks animating a music video for yourself- How important is being hands-on in all aspects of your music career?
I’m a control freak. And if something is in my head, it’s a lot easier to do it myself. Don’t get me wrong , I work with a lot of hard working talented people that I can now trust and delegate work to. But on this instant, I love animation and I find the most enjoyment in editing visuals
Since you have a track titled ‘Chicken Bagel’, where are some of your favourite brunch or general food spots in West Yorkshire?
I grew up on chicken shops and Salah's is the goat. In terms of restaurants, Classic Persian is the best for me.
You’re not afraid of risk-taking and standing out, even going as far as painting yourself pink for one of your visuals - what advice would you give to any emerging artists who want to be as confident as you?
You have to be willing to embarrass yourself. The stuff that feels slightly uncomfortable, is usually the stuff that people remember.
And confidence doesn’t necessarily mean thinking you’re amazing. Sometimes it’s just being willing to say, “I don’t care if this is weird, I like it.”
It’s also it’s just more fun to feel like your outside of the box