After 50 years of bringing Leeds to life, the Bird Garden at Harewood House is winding down and preparing to re-home all of its wildlife.
Noting the pressures of the pandemic, and ongoing struggles of rising costs, Harewood House is taking the measure in order to preserve the long-term future of the park, stating that they want to "stay relevant and able to remain open for everyone to enjoy".
The House had a record-breaking year in 2022, but sadly, this was not enough to keep the Bird Garden open to the public.
Over the next six months, the birds, including those that are exotic and endangered, will be re-homed in space that offer the capacity to look after the animals, ensuring "comfortable and enriched lives and to ensure their life-long care".
The much-loved penguins will also be re-homed. / Image: Harewood House
And this all follows on from an exciting year where the Bird Garden saw a record of ten critically endangered Vietnam pheasants hatched; 298 penguin experiences delivered; 20 visits from specialist zoo vets; 416kg of meat fed to the condors and celebrated a special 31st birthday for Minnie the penguin.
In a touching statement, Harewood House broke the news to the public, stating:
"As Harewood House Trust looks to its long-term future, it has to consider what Harewood will look like in 5, 10, 25 years’ time from now and beyond, to ensure we stay relevant and able to remain open for everyone to enjoy.
"Harewood’s Bird Garden is now over 50 years old and, as visitors have pointed out to us consistently over the past few years, the birds’ environment is not on a par with more up-to-date zoos. At Harewood’s last zoo inspection, the team were praised for their excellent care and the health of the birds, but sadly they identified many problems with the site’s physical infrastructure that the charity cannot sustain.
Image: Harewood House
"Over the last six months we have been researching options for the charity going forwards, however, with a need for a £4 million investment to just the Bird Garden alone, the Trust has had to make the incredibly difficult decision to close this part of the Harewood experience.
"The closure date of the Bird Garden will be published later in the year and we will post updates on social media as the birds are rehomed around the world.
"It has been an incredibly difficult conclusion to reach but it is the most responsible and ethical decision to make, to ensure the health and care of these beautiful creatures, but also to ensure Harewood can stand the test of time and be here for as long as it has stood already."
The closing date has not yet been announced, but will be published later this year once Harewood House can give clear dates.
Harewood House reopens this weekend and will be open Friday-Sunday every weekend, before opening all week long from Friday 17 March 2023. In addition to this, Harewood House and grounds will be open all half term (Monday 13 February - Sunday 19 February 2023) for those wanting to visit the birds before they are re-homed.
Feature Image-Harewood House
Leeds
Kevin Sinfield will return to Leeds for his final 7 in 7 challenge in honour of Rob Burrow
Leeds legend Kevin Sinfield is set to take on his seventh and final 7 in 7 challenge this month.
The former Leeds Rhinos captain will begin 7 in 7: The Grand Finale next Sunday 27 September.
Wondering what on earth that is? Allow us to fill you in.
Sinfield will be running an ultra-marathon every day for seven days, and this time it's across the north of England including a special stop off right here in Leeds.
Not only that, but the challenge will bring Sinfield back to some of the places that have played a huge part in his rugby league career.
The route will visit all 12 English Betfred Super League grounds, starting at Hull KR before travelling through Yorkshire and eventually crossing the Pennines towards Manchester where Sinfield is from.
Here in Leeds, we can expect Sinfield to arrive at Headingley Stadium on Wednesday 30 September at 11:14am, before leaving towards Pudsey Civic Hall at 11:40am.
The challenge will then finish at Old Trafford on Saturday 3 October, where Sinfield will arrive ahead of the Super League Grand Final.
Since the first annual challenge back in 2020, Kevin Sinfield and his team have raised over £11 million for the MND community with six charities set to benefit once again from this years fundraising.
It's an amazing challenge for an amazing cause, and you can donate and find out more about the challenge here.
Good luck Kevin and the team, we know you'll smash it.
Fences at Leeds Playhouse – walls, wounds and what we leave behind | Review
Declan Kelly
Leeds Playhouse delivers a powerful story about the walls we build.
August Wilson’s Fences is a powerful and deeply personal family drama, exploring race, fatherhood, ambition and the emotional scars that can be passed from one generation to the next.
At Leeds Playhouse, the strength of the production lies largely with its cast. Ray Fearon gives Troy Maxson a commanding presence, balancing humour and charm with a growing sense of anger and resentment. It is an uncomfortable performance at times, but one that keeps you invested in Troy even when his actions become increasingly difficult to accept.
Madeline Appiah brings real warmth and emotional depth to Rose, while Josh Tedeku captures Cory’s frustration as a young man determined to make his own way rather than inherit his father’s limitations.
Image: Supplied
For me, though, Act 2 is where the production really comes alive.
The first half feels comparatively restrained. That isn't necessarily a criticism of the performances or Wilson's writing, but having experienced previous Headlong productions, I went in expecting a little more theatrical imagination from the staging. There were moments where I felt the production could have pushed the material further visually.
Act 2 begins to deliver that.
The rotating set adds movement and energy, while the bright LED lighting works particularly well with the live music, creating a more heightened atmosphere as the family's tensions reach breaking point. The production suddenly feels more visually ambitious, and the design starts to work hand-in-hand with the emotional journey of the characters.
Images: Supplied
The fence itself is an effective recurring image, initially a practical task, but gradually becoming a representation of Troy's need for control, protection and separation. The more the story unfolds, the more the fence feels like a barrier between Troy and the people he loves.
There is a lot to admire here, particularly in the performances, and Wilson's writing remains as relevant and affecting as ever. However, I couldn't help feeling that some of the theatrical ambition found in Act 2 could have been introduced earlier.
Ultimately, Fences is a moving and thought-provoking evening, with a particularly strong second half. For me, it was Act 2 that turned a solid production into a genuinely memorable one.
Running until 23 September at Leeds Playhouse, get your tickets here.
Sophie Smith -
10th January 2023 
