When To Kill a Mockingbird is staged with care, it transcends its historical setting; it does not feel like a period piece, but a mirror held up to society.
The current UK tour, opening at Leeds Playhouse before embarking on a nationwide run, shows that Aaron Sorkin’s adaptation still speaks urgently to our present moment.
Its themes of racial injustice, moral courage and empathy resonate powerfully, especially given ongoing discrimination and inequality across the UK.
While the novel and its adaptations have faced criticism, particularly around the centring of Atticus Finch and the limited complexity of Black characters, this production encourages audiences to grapple with these questions while appreciating Harper Lee’s enduring moral vision.
Image - Supplied (Johan Persson)
At the heart of the production is a talented cast led by Richard Coyle as Atticus Finch. Coyle anchors the tour with integrity and gravitas, embodying the quiet courage of a man determined to uphold justice even when the world opposes him. The large ensemble visually conveys the entrenched white supremacy of Maycomb, heightening the tension and grounding the story’s moral stakes in a palpable social reality.
The children, Jem, Dill and Scout played by Gabriel Scott, Dylan Malyn and Anna Munden, serve as narrators, a deliberate dramatic device that offsets the courtroom’s intensity with moments of levity and playful observation. This perspective injects a raw authenticity, as their curiosity and moral questioning guide the audience through the story, demonstrating how innocence and discovery can illuminate complex social issues.
The performances throughout are exemplary. Anna Munden, as Scout, shines with a blend of youthful energy and emotional depth, capturing the character’s growth from wide-eyed innocence to a source of strength and insight for her family. Andrea Davy brings Calpurnia vividly to life, expanding the role beyond its periphery in the novel to offer a commanding voice and an emotional lens into the Black community’s experiences.
Image - Supplied (Johan Persson)
Aaron Shosanya’s portrayal of Tom Robinson is both heartbreaking and captivating, particularly in Act 2 when he admits the fateful truth that he felt sorry for Mayella. Shosanya’s control and stage presence make the injustice he faces impossible to ignore, forcing the audience to confront the human cost of systemic discrimination.
The set design is equally impressive. The steel framework running through the stage serves as a stark visual metaphor for the cold rigidity of societal prejudice, while its versatility allows the space to shift from the imposing courtroom to the intimate warmth of Atticus’s home. Lighting, sound and carefully chosen props enhance these transitions, immersing the audience fully in the contrasting worlds of public judgment and private compassion.
Image - Supplied (Johan Persson)
Ultimately, this production makes clear that To Kill a Mockingbird is not just a story of the past; it is a call to action. Its exploration of bias, inequality and moral courage resonates powerfully today, challenging audiences to reflect on their own communities and responsibilities. The play is a reminder that while we cannot erase injustice overnight, we can recognise it, confront it and strive to do better.
In doing so, it affirms the continued relevance of Harper Lee’s work and the urgent need for empathy and moral courage in our own time.
To Kill a Mockingbird is on at the Leeds Playhouse until Saturday 4 October, you can get your tickets here.
One of Leeds’ most iconic buildings is set to be brought back to life.
Plans for a brand-new padel and leisure destination at The Roundhouse on Wellington Road have been approved by Leeds City Council’s West Plans Panel.
Consent has been granted for Ollo Padel to transform the Grade II* listed Roundhouse into a state-of-the-art sport, fitness, food, drink and community venue subject to conditions and completion of a Section 106 agreement.
Built in 1847 for the Leeds and Thirsk Railway Company, The Roundhouse was once home to the steam locomotives that powered industrial Victorian Leeds. In recent years, the building has stood largely unused.
Image: Supplied
The approved plans will restore and protect the landmark building and give the site a new, long-term future as one of the city’s most distinctive leisure destinations.
The three-acre site, located on the edge of Leeds city centre, will include nine outdoor doubles padel courts under a 10-metre canopy, plus a dedicated indoor coaching court within The Roundhouse itself.
At the heart of the site will be the Ollo Clubhouse; built around an all-day kitchen and bar, it will combine a comfortable lounge and co-working space, meeting rooms and live sport and events spaces.
The kitchen and bar will be run in partnership with Southbank Provisions, the independent Leeds hospitality team behind Headrow House, Belgrave Music Hall and Galleria whilst the gym will be operated by fitness and performance specialists Northbound, who will bring strength and conditioning practice, Hyrox training and pilates classes to The Roundhouse.
Image: Supplied
Construction is expected to begin later this year, with the venue aiming to open in early 2027.
Luke Gidney, Founder & CEO Ollo Padel: "This is a huge day for Leeds, for The Roundhouse and for Ollo. The Roundhouse has been part of the city’s story for nearly 180 years. It’s an incredible building but it needs people, energy and purpose again. Our plan is to bring it back to life as a place where people can play, eat, work, meet friends and feel part of something.
"Padel is growing so quickly because it’s fun, social and easy to pick up. But for us, this is about more than just the courts. We want Ollo to become a proper community destination for Leeds, somewhere welcoming, joyful and full of life.
"We’re incredibly grateful to Leeds City Council’s planning team, our case officer, the wider council team and everyone who has supported the project to this point. This has been a complex project but the sport and engagement throughout has been brilliant. Now the real work starts and we cannot wait to open the doors for you.”
New study crowns Leeds as one of the friendliest cities in the UK
Clementine Hall
New research has revealed a global ranking of cities with the best customer service, with Leeds taking one of the top spots.
If you've been wondering which cities across the world are the friendliest of them all, then look no further because MoneySuperMarket have done the work for us in a new study.
In a world where social media culture plays a huge part in people's lives, online customer reviews are pretty important to local businesses.
To uncover the global locations that are home to the best customer service, the businesses insurance experts analysed over 100,000 reviews of leisure and hospitality businesses in 107 cities worldwide.
They looked at the language in the reviews to see how often friendly workers and staff were mentioned, building a global ranking of the cities where customer service truly stands out.
Out of a whopping 107, Leeds came in at a very respectable number 12. Now we think that's pretty good going.
Outside of the UK, Hanoi, Paris, Montreal and Abu Dhabi were highlighted for their friendly customer service whilst Edinburgh tops the global ranking, with Liverpool, Birmingham and Bristol also making the world’s top 10.
The top 10 cities in the UK with the best customer service are as follows:
Edinburgh
Liverpool
Birmingham
Bristol
Belfast
Leeds
Glasgow
Cardiff
Manchester
London
Alicia Hempsted spoke on the study: “As businesses grow and engage with more customers, it’s important to make sure they’re protected. Public liability insurance is an important safeguard for those working with the public, helping to cover costs if something goes wrong, while also showing customers that their experience is taken seriously - from the moment they walk through the door to long after they’ve left.”
Declan Kelly -
18th September 2025 
