The rise of this North Shields lad has been nothing short of extraordinary.
From supporting Vant in 2017 at the now-closed Fibbers in York to playing Leeds’ first direct arena in front of a crowd of 13,000, Sam Fender’s journey is nothing short of remarkable.
What once felt like witnessing the birth of local talent has transformed into celebrating a fully-fledged icon of British music.
Kicking off the evening was Wunderhorse, a band currently riding high on a wave of critical and fan acclaim. With their latest album Midas making serious noise and a year packed with high-profile gigs - including supporting Fontaines D.C. around Europe and their own headline shows - it’s no surprise that their live performance was nothing short of captivating.
Image: The Hoot Leeds
Wunderhorse brought raw energy and undeniable charisma, proving why they’re hailed as one of the most exciting bands of the moment. Their mix of intricate melodies and thundering riffs warmed up the crowd perfectly, leaving the audience buzzing for what was to follow.
As the lights dimmed and the roar of the crowd filled the arena, Fender took to the stage with The Kitchen, igniting an immediate connection with the audience. His ability to balance stadium-worthy anthems with moments of intimate storytelling is what makes him such a standout artist. The set was a masterclass in emotional highs and lows, blending his sharp social commentary with heartfelt personal reflections.
Image: The Hoot Leeds
The setlist consisted of some all time classics, alongside his latest releases, both Wild Long Lie, and People Watching, teasing fans to the sounds of the newest Fender album which is set to be released in February.
Tracks like ‘Seventeen Going Under’ brought a collective catharsis to the crowd, with fans screaming every word back at him, while ‘Spit Of You’ delivered a poignant moment of reflection on mental health - a topic that Fender continues to address with unflinching honesty.
One of the standout moments of the night was The Dying Light, which fans were elated to see back on the setlist. Fender’s raw vocals and stripped-back arrangement filled the first direct arena with tear-jerking intimacy, a reminder that despite his rise, he’s never lost the heart and vulnerability that first drew fans to his music.
Drawing the night to a close, Sam told the crowd for these next two songs they might want to have a bit of a mosh pit, urging fans to take care of one another. The riff for Spice then kicked in, which saw the entire arena on its feet, bouncing in unison as Fender’s band delivered a flawless performance. The crowd didn’t even have a chance to catch a breath before ‘Howdon Aldi Death Queue’ turned the crowd into an ecstatic frenzy of people belting the lyrics and emulating the sirens heard in the song.
For the encore the unmistakable opening chant of Hypersonic Missiles echoed throughout the room, leaving the crowd roaring the lyrics long after the show had finished, all the way down to Leeds train station.
It was a fitting finale to a show that felt both triumphant and deeply personal. Fender’s gratitude was evident throughout, and his heartfelt thanks to the fans who have supported him from tiny venues to arenas like this only cemented his status as one of the most relatable artists of his generation.
Image: The Hoot Leeds
It’s almost impossible to reconcile the young artist who played for a handful of people in Fibbers with the confident performer who commanded every inch of the first direct arena’s stage. Yet, the essence of Sam Fender remains the same: a working-class storyteller with a knack for writing songs that resonate across generations.
Leeds was treated to an unforgettable night, showcasing Fender’s ability to make even the largest spaces feel intimate. If this show is anything to go by, the next chapter in his career will only take him to greater heights.
Indie heroes The Maccabees are set to headline Live at Kirkstall Abbey, and they'll be joined by a few others.
The renowned indie rock quintet The Maccabees have shared a stacked lineup for their only northern headline show this year as part of the Live at Kirkstall Abbey concert series.
Joining them are Newcastle Alt-Rock legends Maxïmo Park, eclectic art rock fourpiece Everything Everything, psychedelic indie rock stalwarts The Mystery Jets led by the inimitable Blaine Harrison and fast rising singer/songwriter/storyteller Fiona-Lee.
The Maccabees’ eagerly anticipated return in 2024 got indie music lovers across the country very excited indeed, headlining All Points East and Glastonbury’s Park Stage, the band’s return was met with enthusiastic crowds.
Building upon that reception, The Maccabees are now set to inspire similar scenes across the country as they head out on a major outdoor summer tour in July including their only northern date at Leeds’ Kirkstall Abbey.
Maccabees guitarist Felix White says, “The year we’ve just had was so special to all of us, and so unexpected, that it has put some momentum in everyone collectively …. and who wouldn’t want to do all that again”
Also announced for this year's Live at Kirkstall Abbey is The Streets, performing their critically acclaimed album A Grand Don’t Come for Free alongside reunited Leeds indie heroes The Sunshine Underground.
The debut ‘Above All Else’ event headlined by Loyle Carner will be taking place and the return of Kirkstall Abbey Comedy Festival featuring Dara Ó’Brien, Jason Manford, Lucy Beamount and more.
The Maccabees will be performing at Kirkstall Abbey on Friday 31 July 2026 and you can get your tickets here.
Miles Kane at Project House Leeds – an utterly electric night fuelled by leopard print
Fran Mallinson
MIles Kane is back in Leeds and he is better than ever before.
“Good evening Leeds, how the f*** are we?"
Everyone's favourite scouser came onto the stage wearing a perfectly fitted leather jacket, and it's safe to say the crowd roared.
It's been a few years since I’ve been in a Miles Kane crowd, the last time I saw him he was supporting Blossoms at Millenium Square back in 2023 and my gosh it's good to be back.
Images: The Hoot Leeds
His whole energy is just utterly infectious and makes him a complete joy to watch. I’ve always been a Miles Kane fan and I just love where he's taken his 2025 album ‘Sunlight in The Shadows’.
We were blessed with a whole stream of songs from over the years, my personal favourite, ‘Rearrange’ was played second and was such a treat. Kane got the crowd to sing back to him “let it out, let it out, let it all out” which soon made me realise you were standing side by side with true fans.
Throughout the setlist we heard bangers from over the years and mid-set Miles screams out “Leeds on a Thursday, come on” and to say it was grey and very wet outside, we all definitely brought the energy.
Images: The Hoot Leeds
Supporting Miles on his 2026 tour is Villanelle, you know Gene Gallagher’s band? Some could say nepo-baby but we say, when they were doing their own Leeds dates, they were class. Such a grungy, punk twist they’ve got and it's safe to say Gene has the Gallagher stance behind the mic.
As the set drew to a close Kane said “thank you so much and don’t forget who you are" which brought us to his last three songs, ‘Don’t Forget Who You Are’, ‘Sunlight In The Shadows’ and the ultimate bopper and most played song on Spotify ‘Come Closer’ which just never, ever gets old.
In the words of Carrie Bradshaw 'and just like that' my first gig at Project House (can’t believe its taken me so long) was over.
As an overall venue, Project House really had it all, Kirkstall brews, a spacious cool environment and really fantastic acoustics.
And it was time to walk back to the train station along the canal on a lovely Miles Kane high and debrief the evening. Hopefully see you soon Miles, rather than leaving it three years again.