Now this is an opportunity unlike anything else you'll find in the North.
The Academy of Live Technology is paving the way for a whole new generation of live entertainment and production specialists.
No matter what point you're at in your career, heading down to the Academy at Production Park is an opportunity to learn more about live experiences: there's top-up and short courses for those want to find out more about the industry, degree and master-level courses for those wanting to get the practical experience whilst studying towards a professional qualification and even bespoke training programmes available upon request.
Students are all encouraged to make as many industry connections through work placements throughout their courses, and we're told that there's ample opportunity to jet-set around the globe to work on festivals and arena tours in the UK, Europe and America.
Images: The Hoot Leeds
This said, students are often rubbing shoulders, or at least on the same site as internationally-acclaimed names: Production Park is home to two full-size arena spaces that's hired out by artists before they head on tour.
It's all a little hush, hush on the full list of names that hire out the space for a host of privacy reasons, but the public name of artists that have spent time over at Production Park is incredible.
We're talking: One Direction, Beyonce, Jay Z, Kanye West, The Rolling Stones, Little Mix, Arctic Monkeys, Lady Gaga, Katy Perry, Justin Bieber, Def Leppard, Elton John, McFly, Meat Loaf, The 1975 - the list is simply endless.
Image: The Hoot Leeds
Now you're not going to find this kind of professional-studying environment anywhere else are you?
Based over in South Kirkby, the campus is set on what seems like an unassuming industrial park at first, but walking through the door you'll find a colourful Academy that houses three teaching studio spaces, prev-vis and computer suites, lecture rooms and student breakout spaces as well as a myriad of office, performance and prep spaces shared between students and by artists rehearsing for upcoming events.
There's history in the walls, and just about everywhere you look. The site is decorated with set memorabilia: walls are covered in truck tickets, the breakout spaces feature guitar cases from The Who and a tour print, plus the giant black heart from that BRIT performance from Dave, which sits as a sculpture near the canteen - casually.
This really is the place where people from all ages, walks of life and points of their career can come together to learn more about the creative industries: those already in the know of the stars and new students alike.
Images: The Hoot Leeds
Courses
There's four undergraduate courses and six postgraduate courses in total, each specialising in different areas of live entertainment design and production.
Undergraduate level
The degree-level courses are naturally centred around live events, with the option to specialise in either Live Events Production, which features four specialist opportunities to study lighting design and technology, live sound, live visuals and event business, either as a full three-year traditional degree course, two-year FDA course or a one-year top up.
Live Visual Design and Production is all about creating those visual experiences for audiences on a global scale: utilising a combination of gaming platforms, immersive technology like VR and motion tracking and projection over a three-year course to
Stage and Production Management is a degree-level course that covers a wider area of theatre, live music, concerts, touring, sports, corporate events and more.
Postgraduate level
Master of Science qualifications cover either Creative Technologies for Live Events or Virtual Production, each of which has the latest cutting-edge technology available for students to develop event-tech for artists and design-led applications with their own research projects.
Meanwhile, the Master of Art qualifications cover Immersive and Interactive Media Design; Live Event Design and Visual Effects for Live Events, led by industry professionals that help students to find their niche across different sectors of technology, management, design and production.
Images: The Hoot Leeds
Short Courses
For those wanting to dip their toes into the world of live events and production, the Academy of Live Technology also runs a range of shorter courses and boot camps across the year.
Running across ten sessions, usually twice a week for five weeks, the Skills Bootcamps courses cover topics like Event Management, Event Production, Stage and Screen Rigging, Virtual Production and Unreal Engine. The Skills Bootcamps are fully funded courses for adults aged 19 and over based in either West Yorkshire or the Hertfordshire region.
Images: The Hoot Leeds
How to apply to the Academy of Live Technology
All courses can be accessed on the Academy of Live Technology website here.
For degree courses, entry requirements vary depending on the course, but sit around 64-104 UCAS points. This said, the Academy of Live Technology stresses that it's not about your grades, but the 'type of person you are' and if you show a willingness and genuine interest in the live experience industry, you'll fit right in.
The UCAS deadline for those looking to enrol in September 2024, the current application is 31 January 2024 at 6pm GMT.
Feature Image - The Hoot Leeds
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Audio North’s Artist of the Month – Lucky Iris | August 2026
There’s something about Lucky Iris that feels completely made for a packed-out club at 1am.
The Leeds-based duo, made up of Maeve and Jasper, have spent the last few years carving out a sound that refuses to sit neatly inside one box. Hyperpop, electro, indie, dance, synth-pop throw it all in, and you’re somewhere close, but even then, Lucky Iris are busy smashing those pop archetypes to pieces.
And right now, they’re doing it better than ever.
After a huge 2025, Lucky Iris have kicked off 2026 with their debut mixtape, 'fall in love with the dj', a project that feels like the culmination of everything the pair have been building towards since their bedroom-pop beginnings during lockdown.
Released in January via Launchpad+ and EMI North, the six-track mixtape takes Lucky Iris back to the place that shaped them: sweaty, low-lit, bass-heavy rooms where music becomes something bigger than just something playing through a speaker.
As Maeve puts it, the project is about 'finally making the music we want to hear', and that philosophy runs through every corner of the record.
FROM BEDROOM POP TO ELECTRO CHAOS
Lucky Iris might now be turning heads across the UK, but their story started much closer to home.
What began as a bedroom pop experiment during lockdown has evolved into something far more ambitious. The pair have continually pushed their sound forward, experimenting with electronic production and finding a space somewhere between alternative pop and the dancefloor.
Lucky Iris on a tour of Leeds with The Hoot. Credit: The Hoot Leeds
Their latest mixtape is arguably the clearest expression of that evolution yet.
Tracks like i just want to dance, play me like a speaker and heart 4 heart had already started building serious momentum throughout 2025, giving listeners a taste of the direction Lucky Iris were heading in.
Then came 'fall in love with the dj'.
The title track captures exactly what makes the duo so exciting. It’s not simply a song about going out it’s about that strange, almost euphoric feeling of losing yourself in music.
THEIR BREAKOUT YEAR
2025 was the year Lucky Iris started making serious noise.
The duo completed their first UK tour supporting Master Peace, while also sharing stages with artists including Babymorocco, Dorian Electra, Hannah Diamond, Bimini and Jessica Winter. They also made an appearance at SXSW London.
DIY, Wonderland, The Forty Five and BBC Radio 1 have all been among the tastemakers backing the duo.
The duo were also selected as a Spotify RADAR Artist of the Week/First Listen Artist, joining a list of previous RADAR artists that includes Griff, Central Cee, Rose Grey, Barry Can't Swim and Rachel Chinouriri. Artists who have all gone on to achieve big things, and it appears that Lucky Iris are heading in those footsteps.
Not bad for a project that started in a bedroom.
LEEDS IS WRITTEN ALL OVER IT
There’s also something particularly Leeds about Lucky Iris.
The city has been part of their story from the beginning, from those early nights out that inspired their music to the grassroots venues such as Hyde Park Book Club where they developed their live show.
And live is where Lucky Iris really come alive.
Their commanding performances have become a major part of their identity, transforming their electronic productions into something that feels less like watching a band and more like stumbling into the middle of a party, from larger-scale production to smaller settings like Rat and Pigeon in Manchester we’re we recently saw them transform the space into a hyper-pop evening alongside similar artists.
They’ve even managed to bring their music and their football obsession together.
As lifelong Tottenham Hotspur fans, Maeve and Jasper have collaborated with the club, featured on Sky News and appeared pitchside at Tottenham Hotspur Stadium for the club’s The Warm Up series. Their music has also found its way onto the Premier League Official Playlist.
Because apparently Lucky Iris weren’t content with taking over the dancefloor, they wanted the football stadium too.
MAKING MUSIC FOR THE PEOPLE WHO NEED IT
Ultimately, Lucky Iris aren't trying to reinvent pop for the sake of it. They’re making the kind of music they genuinely want to hear.
Music that is loud. Music that is messy. And music that understands why we keep going back to clubs, gigs and dancefloors in the first place.
'fall in love with the dj' feels like a statement of intent from a duo who have finally found their sweet spot. It’s crunchy, electronic and relentlessly fun, but underneath all that noise is something incredibly human: the desire to feel something.
And with everything Lucky Iris have achieved already, it feels like we’re only just getting started.
Keep an eye on them because if the last 12 months are anything to go by, the Leeds duo are going to be making a whole lot more noise.
TESTBED unveils major transformation to become Leeds’ premier destination for music and culture
Clementine Hall
Here's your first look at the new and improved TESTBED music venue in Leeds city centre.
Gearing up to relaunch this September, the landmark Leeds venue will reopen its doors to showcase permanent structural improvements and major upgrades across sound, lighting and overall customer experience.
With a capacity of a very impressive 2,500, there's no denying that TESTBED is preparing to relaunch at the forefront of Leeds’ vibrant creative culture.
The venue is expanding from 10,000 sq ft to 23,000 sq ft, guests will now enter through a new lobby where they can enjoy a brand-new 5,000 sq ft mezzanine level with customisable seating and a view of the dance floor from a brand-new balcony.
Image: Supplied
There will be a new upstairs bar that will continue TESTBED’s commitment to support local brands and suppliers.
Downstairs, the custom-built stage allows for a 360-degree crowd and a room two is also underway for a 2027 reveal, creating a multi-purpose space and chill-out area.
Image: Supplied
The newly designed lighting includes multiple moving lights and strobes, together with a large LED ceiling installation and bespoke under-balcony display of LED strips and curves, complemented by a high-res 8m x 4m LED video wall.
Guests will also keep cool thanks to significant upgrades to ventilation and air circulation, with powerful high-capacity fans creating a fresher, more comfortable environment throughout.
Image: Supplied
Now onto the important stuff... the portaloos are gone and replaced by four brand new toilet blocks, doubling capacity and of course - comfort.
So, what are you waiting for? We'll see you on the dance floor at the brand-new TESTBED when it opens its doors again this September.
Full lineups and opening details will be announced soon, we'll keep you posted as and when we find out more.
Sophie Smith -
24th January 2024 
