Tributes have been pouring in from across the entertainment world this morning after it was announced that Paul O’Grady has died at aged 67.
The TV personality's passing was announced in the early hours of the morning.
His partner, André Portasio, announced that the star had passed away “unexpectedly but peacefully” in a public statement.
The statement reads: “It is with great sadness that I inform you that Paul has passed away unexpectedly but peacefully yesterday evening. We ask, at this difficult time, that whilst you celebrate his life you also respect our privacy as we come to terms with this loss.
“He will be greatly missed by his loved ones, friends, family, animals and all those who enjoyed his humour, wit and compassion.
“I know that he would want me to thank you for all the love you have shown him over the years.”
Image: Wikimedia Commons
With an illustrious entertainment career spanning over four decades, O’Grady was known and loved by British audiences as a comedian, broadcaster, actor, writer, and former drag queen – who first achieved notability in the London gay scene during the 1980s with his drag queen persona, Lily Savage, before going on to gain further popularity throughout the 1990s.
He used his public platform and popularity as Savage at this time to speak openly on LGBTQ+ issues and become a prominent advocate of gay rights.
Paul O’Grady as his iconic drag persona, Lily Savage / Credit: ITV
Starring as Lily Savage, he presented the television shows The Big Breakfast (1995–1996), Blankety Blank (1997–2002), and Lily Live! (2000–2001) – which earned him various awards and saw him become a beloved public figure.
O’Grady chose to retire the Lily Savage persona, and go on to make a name for himself as a presenter of various television and radio shows in the 2000s.
He was perhaps most well-known for hosting the self-titled talk show, The Paul O’Grady Show.
He also presented a rebooted version of Blind Date, several ITV documentaries, featured on TV shows such as Dr Who, Holby City, and Eyes Down, and cemented his place as one of the nation’s most-famous dog lovers and animal rights advocates with his long-time support of Battersea Dogs & Cats Home, and for presenting shows such as Paul O’Grady: For The Love of Dogs and Paul O’Grady’s Animal Orphans.
O’Grady was honoured with an MBE for services to entertainment in 2008.
Since the news of O’Grady’s passing was announced, touching tributes have been pouring in in their hundreds from right across the world of entertainment and on social media – both from those who knew and had worked with him in the past, and from those who admired his work and all that he achieved and had stood for throughout his respected career.
Such sad news. Paul O’Grady - funny, fearless, brave, kind and wise. Will be sorely missed. A really special man.
I’m in a state of shock this morning, waking up to the news that my gorgeous colleague and friend, Paul O’Grady has passed away. I’m actually reeling in disbelief. He was such a wonderful human being, funny and to the point. Paul, legend, RIP darling.
Paul O’Grady was one of the nicest and kindest people I’ve ever met. Always a joy to be around and obviously, so much fun. He will be missed. Telly and friends have lost one of the best….RIP❤️
So sad to wake to the news that Paul O’Grady has died. He was a true comedy great and his twinkly,mischievous presence will be missed by so many. RIP dear Paul.
The beloved Domino Club is receiving its flowers, and rightly so.
Rapidly becoming one of the industry’s most respected accolade of excellence, The Pinnacle Guide is a worldwide ranking of the best bars across the globe.
Based on a thorough self-application process, rigorous assessment modules, followed by a series of spot check interviews and anonymous in-bar reviews, it's no easy feat to get a spot on this list.
Which is why it makes The Domino Club's achievement all that more impressive.
Known amongst locals and visitors alike as basically one of the coolest bars in town, the hidden speakeasy invites you through a barbershop in the Grand Arcade where downstairs you'll find a dimly lit jazz and cocktail bar oozing sex appeal.
Not only are the cocktails exceptional, but their live music listings is something to behold playing everything from jazz and funk to cabaret and disco every Wednesday - Sunday.
Announcing the news to Instagram, The Domino said: "Listed by The Pinnacle Guide. The Domino Club has been recognised on the global list of the world’s best bars.
"What began as a hidden basement bar in Leeds, built around live music, cocktails and atmosphere, is now being recognised alongside some of the finest bars in the world.
"A huge thank you to our team, musicians, suppliers and every single guest who has supported us over the years. This means a lot. Leeds belongs on the world cocktail map."
We absolutely could not agree more and if you haven't ventured behind the barbershop and discovered the magical Domino Club, then we very much recommend you do.
2:22 A Ghost Story at Leeds Grand Theatre and Opera House: When silence becomes the scare
Declan Kelly
The supernatural thriller 2:22 A Ghost Story arrived at Leeds Grand Theatre as part of its UK tour, bringing Danny Robins’s hit production to a packed audience.
Since its West End debut in 2021, the play has become known less as a straight horror and more as a gripping psychological debate wrapped in a ghost story.
At the centre of the story is one key question: do ghosts actually exist? Set during a dinner party between two couples, the drama unfolds as Jenny becomes increasingly convinced their home is haunted, claiming she hears strange noises every night at exactly 2:22am.
Her husband Sam dismisses her fears as irrational, while friends Lauren and Ben challenge both sides, turning the evening into a lively clash of belief and scepticism. What begins as a conversation gradually becomes something far more tense, as personal fears and buried tensions rise to the surface.
Image: Supplied
Rather than relying on traditional horror, the production focuses on atmosphere and psychological tension. The script builds unease through sharp dialogue, awkward silences and shifting power dynamics between the characters. Instead of delivering constant shocks, it keeps the audience questioning what is real and what might simply be a coincidence or imagination.
That said, the play does use theatrical jump scares effectively. Sudden loud noises, abrupt lighting changes and eerie sound cues interrupt the dialogue at key moments, creating jolts of tension without ever fully tipping into outright horror. These moments are brief but impactful, designed more to unsettle than to terrify.
Image: Supplied
The cast works strongly together to maintain this balance. Shvorne Marks brings emotional intensity to Jenny’s growing fear, while James Bye plays Sam with grounded scepticism that slowly begins to crack. Natalie Casey adds sharp humour and bite as Lauren, and Grant Kilburn provides openness and curiosity as Ben, keeping the debate lively and unpredictable.
The production design is another standout element. The modern, stylish home feels realistic and lived-in, but subtly shifts in tone as the story progresses. Careful lighting and precise sound design ensure the space never feels entirely safe, even in silence, reinforcing the idea that something might be just out of sight.
Image: Supplied
As the final moments unfold, the play returns to its central idea: the waiting. The quiet anticipation of night, the smallest unexplained sounds, and the creeping awareness of time passing.
Ultimately, 2:22 A Ghost Story succeeds because it is not really trying to scare its audience traditionally. Instead, it plays with uncertainty, asking viewers to decide what they believe and how far they trust their own senses. And let’s be honest, you might find yourself thinking what might happen if you were still awake when the clock strikes 2:22.
Running until 16 May at the Leeds Grand Theatre and Opera House - tickets available here.