But it arguably doesn’t get much better than a title like this as Leeds has now been named one of the best cities in the whole of Europe for 2025, thanks to a new ranking by Resonance Co.
This year, the global placemaking company’s research encompassed 128 cities across Europe with metropolitan area populations of 500,000 or more, and evaluated each of them based on 30 performance indicators and perception metrics derived from surveys of more than 7,500 respondents across 10 European countries.
Images: Al Elmes | Gary Butterfield (Via Unsplash)
Once each of these performance indictors had been evaluated, every city was given its own ‘Place Power Score’ to determine its ranking.
A city’s ‘Place Power Score’ examines three core dimensions – liveability, which takes into account things like housing affordability, healthcare access, green space, air quality, and cycling infrastructure; loveability, which encompasses culture, nightlife, culinary scenes, and more; and prosperity, which includes business environment, talent density, GDP per capita, airport connectivity, and more.
While Manchester may have missed out on both the top 10 and top 20, considering it’s a top 100 list, our city has claimed the respectable 47th spot, beating out mega cities such as Venice, Nice, Athens, and loads more.
In fact, 18 British cities are included in the top 100.
Image: Oliver Sherwin (Via Unsplash)
Explaining why Leeds has been ranked, Resonance Co said in its city description: "Following its ambitious Leeds 2023 Year of Culture, the city has doubled down on long-term investments to match its creative clout. The airport is undergoing a £100- million terminal expansion, with the first phase opening this summer to accommodate rising visitor demand (and improve on its tepid #79 Airport ranking).
"That’s just one of many hospitality developments shaping the skyline. Hyatt is debuting two hotels— Hyatt Place and Hyatt House—at Sovereign Square near the rail station, offering 305 rooms, rooftop dining and extended-stay amenities. Premier Inn’s parent Whitbread is expanding its city footprint with two new hotels, including a 143-room property as part of the Kirkgate redevelopment.
"These moves ride the momentum built during the city’s culture-filled 2023, including concerts, festivals and storytelling, and cement its legacy as a nightlife capital (#24). Leeds’s six universities help sustain its reputation for student-fuelled creativity and economic vitality.
"Roundhay Park remains a massive outdoor draw, and Leeds ranks in our Top 10 for Green Space (and #11 for Air Quality). The city’s skilled workforce and academic engine helped secure its designation as England’s third Investment Zone, expected to generate 2,500 new jobs and unlock £220 million by decade’s end."
Which city took the title of the best city in Europe though? Well unfortunately, we have to give it to the southerners on this one, as London took the top spot.
But at least it’s an impressive win for the UK, if nothing else.
Leeds legend Kevin Sinfield is set to take on his seventh and final 7 in 7 challenge this month.
The former Leeds Rhinos captain will begin 7 in 7: The Grand Finale next Sunday 27 September.
Wondering what on earth that is? Allow us to fill you in.
Sinfield will be running an ultra-marathon every day for seven days, and this time it's across the north of England including a special stop off right here in Leeds.
Not only that, but the challenge will bring Sinfield back to some of the places that have played a huge part in his rugby league career.
The route will visit all 12 English Betfred Super League grounds, starting at Hull KR before travelling through Yorkshire and eventually crossing the Pennines towards Manchester where Sinfield is from.
Here in Leeds, we can expect Sinfield to arrive at Headingley Stadium on Wednesday 30 September at 11:14am, before leaving towards Pudsey Civic Hall at 11:40am.
The challenge will then finish at Old Trafford on Saturday 3 October, where Sinfield will arrive ahead of the Super League Grand Final.
Since the first annual challenge back in 2020, Kevin Sinfield and his team have raised over £11 million for the MND community with six charities set to benefit once again from this years fundraising.
It's an amazing challenge for an amazing cause, and you can donate and find out more about the challenge here.
Good luck Kevin and the team, we know you'll smash it.
Fences at Leeds Playhouse – walls, wounds and what we leave behind | Review
Declan Kelly
Leeds Playhouse delivers a powerful story about the walls we build.
August Wilson’s Fences is a powerful and deeply personal family drama, exploring race, fatherhood, ambition and the emotional scars that can be passed from one generation to the next.
At Leeds Playhouse, the strength of the production lies largely with its cast. Ray Fearon gives Troy Maxson a commanding presence, balancing humour and charm with a growing sense of anger and resentment. It is an uncomfortable performance at times, but one that keeps you invested in Troy even when his actions become increasingly difficult to accept.
Madeline Appiah brings real warmth and emotional depth to Rose, while Josh Tedeku captures Cory’s frustration as a young man determined to make his own way rather than inherit his father’s limitations.
Image: Supplied
For me, though, Act 2 is where the production really comes alive.
The first half feels comparatively restrained. That isn't necessarily a criticism of the performances or Wilson's writing, but having experienced previous Headlong productions, I went in expecting a little more theatrical imagination from the staging. There were moments where I felt the production could have pushed the material further visually.
Act 2 begins to deliver that.
The rotating set adds movement and energy, while the bright LED lighting works particularly well with the live music, creating a more heightened atmosphere as the family's tensions reach breaking point. The production suddenly feels more visually ambitious, and the design starts to work hand-in-hand with the emotional journey of the characters.
Images: Supplied
The fence itself is an effective recurring image, initially a practical task, but gradually becoming a representation of Troy's need for control, protection and separation. The more the story unfolds, the more the fence feels like a barrier between Troy and the people he loves.
There is a lot to admire here, particularly in the performances, and Wilson's writing remains as relevant and affecting as ever. However, I couldn't help feeling that some of the theatrical ambition found in Act 2 could have been introduced earlier.
Ultimately, Fences is a moving and thought-provoking evening, with a particularly strong second half. For me, it was Act 2 that turned a solid production into a genuinely memorable one.
Running until 23 September at Leeds Playhouse, get your tickets here.
Clementine Hall -
8th May 2025 
