With an average delay of 16 minutes and 54 seconds.
Leeds Bradford Airport has had its fair share of press over the last few years - but it's safe to say that the new report as part of the Press Association study of Civil Aviation Authority (CAA) data has ranked the airport in the top half of the country.
Taking data to find out the average delay time for airports, Leeds Bradford Airport was seventh best, joint with Cardiff airport, both of which had an average delay time of 16 minutes and 54 seconds.
This is down almost four minutes from 2022 when passengers travelling from Leeds Bradford Airport faced an average delay of 20 minutes.
The full list of airport delays from best to worst are as follows:
1.Belfast City George Best - 12 minutes 30 seconds
2.Livepool John Lennon - 13 minutes 24 seconds
3.East Midlands International 15 minutes 18 seconds
4.London City 15 minutes 36 seconds
5.Exeter 15 minutes 42 seconds
6.Teeside International - 16 minutes 48 seconds
7.Leeds Bradford - 16 minutes 54 seconds
= Cardiff Wales - 16 minutes 54 seconds
8. Southhampton - 17 minutes 6 seconds
9. Aberdeen - 17 minutes 42 seconds
10. Belfast International - 19 minutes 18 seconds
11. Newcastle - 19 minutes 48 seconds
12. Heathrow - 20 minutes
13. Bristol - 20 minutes 24 seconds
= Bournemouth - 20 minutes 24 seconds
14. Birmingham - 21 minutes 30 seconds
15. Edinburgh - 21 minutes 30 seconds
16. Manchester - 21 minutes 54 seconds
17. Luton - 22 minutes 54 seconds
18. Gatwick - 26 minutes 54 seconds
Generally all flight delays have come down by an average of two and a half minutes since 2022.
Although Leeds previously held a mid-ranking position, nearby airports Manchester and Sheffield Doncaster were previously amongst the worst for airport delays in the country, coming in with an average delay of 29 minutes each.
Since this, Sheffield Doncaster has closed its doors and Manchester, although decreasing its average delay time by a significant seven minutes, six seconds, it still ranks in the top three for delays.
According to reports from Sky News, the analysis took into account 'all scheduled and chartered departures from the 22 commercial UK airports with at least 1,000 outbound flights last year'.
Leeds Playhouse delivers a powerful story about the walls we build.
August Wilson’s Fences is a powerful and deeply personal family drama, exploring race, fatherhood, ambition and the emotional scars that can be passed from one generation to the next.
At Leeds Playhouse, the strength of the production lies largely with its cast. Ray Fearon gives Troy Maxson a commanding presence, balancing humour and charm with a growing sense of anger and resentment. It is an uncomfortable performance at times, but one that keeps you invested in Troy even when his actions become increasingly difficult to accept.
Madeline Appiah brings real warmth and emotional depth to Rose, while Josh Tedeku captures Cory’s frustration as a young man determined to make his own way rather than inherit his father’s limitations.
Image: Supplied
For me, though, Act 2 is where the production really comes alive.
The first half feels comparatively restrained. That isn't necessarily a criticism of the performances or Wilson's writing, but having experienced previous Headlong productions, I went in expecting a little more theatrical imagination from the staging. There were moments where I felt the production could have pushed the material further visually.
Act 2 begins to deliver that.
The rotating set adds movement and energy, while the bright LED lighting works particularly well with the live music, creating a more heightened atmosphere as the family's tensions reach breaking point. The production suddenly feels more visually ambitious, and the design starts to work hand-in-hand with the emotional journey of the characters.
Images: Supplied
The fence itself is an effective recurring image, initially a practical task, but gradually becoming a representation of Troy's need for control, protection and separation. The more the story unfolds, the more the fence feels like a barrier between Troy and the people he loves.
There is a lot to admire here, particularly in the performances, and Wilson's writing remains as relevant and affecting as ever. However, I couldn't help feeling that some of the theatrical ambition found in Act 2 could have been introduced earlier.
Ultimately, Fences is a moving and thought-provoking evening, with a particularly strong second half. For me, it was Act 2 that turned a solid production into a genuinely memorable one.
Running until 23 September at Leeds Playhouse, get your tickets here.
A new açai cafe promising to be Leeds’ ‘neighbourhood social club’ is opening soon
Clementine Hall
An independent açai bowl pop-up is opening a permanent cafe in Leeds city centre.
It seems the açai bowl trend isn't over just yet, and we're absolutely not mad about it.
The aesthetically purple frozen treat isn't just delicious, but is also known to have numerous health benefits making it guilt-free and the perfect post-workout pick me up.
You may remember Açai Social Club that opened as a pop-up in the Victoria Quarter last year, and now they're moving into a permanent spot in the city centre.
Run by a lovely husband and wife duo who have spent the last 15 months exploring cafes around the world, it's safe to say they know exactly what they're talking about.
Their açai is made with the very best ingredients, topped with the freshest fruit and sprinkled with their homemade granola - it doesn't get much better then that does it?
Announcing the very exciting news to Instagram, they said: "Açai Social Club is getting a home. Our very first store is officially on the way! We’ve been working behind the scenes to create a space that’s more about than just açai.
"What started as an idea is finally becoming something you can walk into…There’s still a lot we’re keeping under wraps for now, but we’re so excited to finally share the beginning of what’s to come.
"We can’t wait to open our doors and welcome you in. Your new neighbourhood social club, coming soon."
The exact location of the cafe and its opening date is still under wraps, but we'll of course keep you updated as and when we find out.
Sophie Smith -
17th April 2024 
