Weather and festivals (sigh), they’re never going to be best mates here in the UK, but with last year being such a nightmare for the long-standing rock and pop-punk favourite, Slam Dunk 2024 HAD to be better.
And it was, even despite the weather. It might have been by the skin of their teeth and a few issues here and there, but they managed it.
With the city having hosted Live at Leeds on the already soggy Temple Newsam ground the day before, the conditions were hardly going to be perfect and even with the Whites playing a massive game at Wembley, we still saw thousands marching on together down the hill.
Some ended up sliding most of the time, but you get the picture.
A few spills to say the least.Nothing but vibes though.Credit: The Hoot
We only had boots on the ground at Slam Dunk North on the Sunday, but we’d heard much more positive things from those in the South shows at Hatfield Park in London and, regardless of the rain, spirits were high, voices were full and emo phases were still very much in full effect.
Catching an early throwback with We The Kings for our first slot of the day, it became very apparent that we were going to feel one of two things: pure nostalgia and the added realisation of just how old we’d gotten.
We definitely weren’t alone in that respect, though it was nice to see how much of a mixed age the festival had welcomed this year, but it did dawn on us very quickly that it had virtually been two decades since we first heard some of these songs - not least from the headliners.
But we’ll get on to that…
So many names that hadn't been to the UK in years rocked up for the day.
One of the standout moments had to be seeing Mallory Knox reunite after five years up and they couldn’t possibly have picked a better way to do it than at a festival like Slam Dunk, which had been a proving ground for them and so many other bands from that era.
We were gutted when they started having some sound issues right from the beginning of their set - the last thing you want after so long out of the game - but it warmed our hearts to see the crowd keeping the songs going for every single second and it was clear it meant a lot to them.
Frustration aside, they smashed the set and Mikey Chapman sounded just as good as ever, no matter the odds that were stacked against him and his old friends, not to mention a very wet audience.
We then managed to catch the wonderful Manchester band Pale Waves (which our Manc family visiting for the day clearly appreciated) before the frustrating part of the day where clashes began to crop up and we sadly had to split up. The cruel axiom of all live music festivals.
However, we can all individually vouch for Asking Alexandria, Boys Like Girls, The All American Rejects and The Wonder Years being absolute dynamite. It really did feel like the old days.
But let’s not beat around the bush any longer, there was one big name that most people had turned up to see and although they've consistently continued making music for 20 years now, the performance was a real blast from the past and a bit of a love letter to our younger selves.
Similar to the feelings drummed up by seeing Mallory Knox back on stage and that sense of symbolising so many that had gone before, in between playing banger after banger, frontman Josh Franceschi gave a rousing speech about how young bands need to keep dreaming big.
As he put it, the five-piece were once in their shoes and simply kept going no matter who told them they weren’t good enough. But the message was a universal one, much like the ones in songs such as ‘Underdog’, ‘Stay With Me’ and ‘Take On The World’ have always felt.
And that’s exactly why you didn’t see a single Sixer miss a single word.
This wasn’t just a goodbye for many fans, though they will get one last chance to see them on their farewell tour in 2025, it was a reminder of just how big this particular British rock band and old pop-punk pioneers on this side of the Atlantic meant to their generation.
Hearing an entire field scream their head off to ‘Bite My Tongue’ will forever go down as a core gig memory and we couldn’t ask for anything more when going to see live music: giving you something you’ll remember forever.
Slam Dunk North 2024’s highlight definitely came down to one momentous headliner but it had to be said that despite the weather a few hiccups here and there, they did their very best to battle through obstacles and make things go ahead and we believe they redeemed themselves.
And on that note, all that’s left to say is RIP, You Me At Six, 2005-2025 and thank you, Temple Newsam - we’ll see you next year for more mud and moshing.
July already? We're Cruz-ing through the year. Meet this Northern Indie rock band who've been crowned Audio North's latest Artist of the Month.
Sam, Tom, Jamie and Ethan, better known by band-name Cruz, are well and truly making a name for themselves with a whole host of gig dates scattered throughout the Summer.
Live music lovers are about to become very familiar with the 'Disco Colour Beams' songwriters, as Cruz' Summer schedule includes Isle of Wight Festival, Truck Festival and two Sheffield dates.
The Sheff-based shows are special for the fourpiece as they're hometown shows at both Everywhere At Once Festival and the incredible Tramlines Festival - Congrats lads.
Cruz are feeling the love, as the reason they're heading out to Tramlines is because they were voted the Fans' Pick, and this recognition continues as they've been chosen by Audio North to be our Artist of the Month.
An interview with Cruz | Audio North's Artist of the Month: July
Cruz-ing there way from festival to festival this Summer, the Sheffield band sat down with Audio North to talk Artist of the Month title / Credit: Press Shots (supplied)
For those who don't know, introduce us to Cruz
Tom and Sam were jamming in early 2022 before deciding to start a band while looking for other members, with Ethan and Jamie finding out through friends of friends.
Ahead of their first live gig, Cruz were drummer-less, Ethan's recruitment was lifesaving for the band as he stepped up a week before and never looked back since, four years strong.
How has Sheffield shaped you as a band?
It's such a rich city full of creatives, music-based as well as even broader to art and culture, Sheffield isn't just a city, it's a support system.
When we were starting out we got involved with all the local gig venues, who are always on the lookout to champion upcoming bands, it was so nice.
Do you feel any connection to this city's musical heritage?
Pulp, Arctic Monkeys and Richard Hawley of course, Human League and Def Leppard, the list goes on.
Growing up in Sheffield and going to gigs at The Leadmill was so incredible too.
What have been some of your favourite live shows so far?
Sidney and Matilda is prominent to us because it's where we played our very first headline date. We also supported Overpass, which was our fifth show ever as the band as we know it, then playing our headline in the same room was awesome.
Sam, Tom, Jamie and Ethan, better known as Cruz, are making waves in the Sheffield music scene / Credit: Press Shot (supplied)
If someone wanted to experience the Sheffield music scene, where would you take them?
The Washington does free shows with bands and acoustic sets, making it accessible for everyone. The majority of venues in Sheffield are always hosting gigs.
Kelham Island has a lot of free entry venues too, it's great, getting to watch four or five bands playing out all on one night in this current economy is top tier.
Tramlines and Tramlines Fringe is chaotic in the best way, you never know what to expect but you'll leave with a buzz of energy every single time.
What's some of your favourite songs by these artists?
'Soundcheck Your Soul' by The North they've got so many great tunes, they're an amazing band. Montello's 'Suit and Tie', 'Runaway Instead' The Rosadocs.
Playing out at various festivals across the UK, for this Sheffield act it's Tramlines which is the most important to them / Credit: Press Shot (supplied)
What's your favourite track off your newest EP?
Jamie picked 'Man of the People' quoting it as a 'Proper anthem', 'I Get By' is Ethan's pick, it's a track which has been in the works for a while but now the band have finally cracked the code.
While Sam's favourite song is 'Amsterdam' as it's the most personal to him and it's a chilled out number.
Leeds Festival announce biggest staging and area overhaul in the festival’s 27 year history
Clementine Hall
Leeds Festival introduce five new stages for 2026, making it the biggest overhaul in the festival's history.
Leeds Festival is just around the corner now, but maybe not quite as you know it.
Organisers have announced a completely revamped stage layout that marks the biggest staging and arena overhaul in the festival’s 27 year history.
This year, Leeds Festival will see five new stages take over Bramham Park, each with their own new identities offering an experience never seen before.
Let's break them down...
The Grid
The home of the festival’s main stage, The Grid is where iconic headline moments happen. Expect to witness headliners Charli xcx, Fontaines D.C., Dave, Raye, Florence + The Machine and Chase & Status alongside Sombr, Skepta, Role Model, Loyle Carner, Blossoms, Declan McKenna, Jade, Maisie Peters, Keo and more soundtracking The Grid this year.
Not only that, but Kasabian will be making history as the first ever Thursday night headliner of Leeds Festival.
The Gallery
A brand new stage for 2026, The Gallery is an undercover immersive stage. Innovative LED screen lights and immersive production runs throughout the entire stage.
The Gallery is ready to create iconic moments from Josh Baker, Geese, Kneecap, Skye Newman, Kettama and Holly Humberstone among others.
The Warehouse
The Warehouse is a brand-new purpose-built home for dance music with viewing platforms behind the decks, plus huge screen production welcoming special sets from Skepta b2b Prospa, Hybrid Minds, Hedex, Silva Bumpa and Rossi.
As the name might suggest, for the first-time ever Leeds Festival will have a transformed stage complete with unique chandeliers and draping that plays host to artists who are defining and dominating 2026.
The Ballroom is primed for legendary breakthrough sets from YT, Florence Road, Niko B, Paris Paloma, Bassvictim, Overpass, SPEED, Frost Children, Bleech 9:3, Westside Cowboy, Chloe Qisha, Radio Free Alice, dexter in the newsagent, WHATMORE and Clementine Douglas amongst others.
The Canopy
The Canopy will welcome a new chapter for new music - with a stage dedicated to festival fans’ next favourite artists. It will play host to the likes of Violet Grohl, Villanelle, December 10, Camille Blackman, Kibo, Finessekid, Cruz Beckham and The Breakers and more.
These new stages are joined at Leeds Festival by the return of fan favourites LS23 and Piccadilly Circus, with full programming to be revealed in the coming weeks.
We hope you're just as excited as we are, find out more here. We'll see you on the fields.